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Poetics of Space
05/14/2012

Kristin Jones in her studio
In her 30-year career, international contemporary
artist Kristin Jones 79 SC
has explored concepts of space and time with public art projects that are often
enormous in scale. One of her most noted works, Metronome (produced
with creative partner Andrew
Ginzel), is a soaring and perpetually
running investigation of time – a towering, undulating brick wall with a “steam
clock” and LED display in New York City’s Union Square.
 She Wolves, created by power-washing the grime from Rome’s Tiber riverwalk walls |
Jones is also the founder and artistic director of an
ongoing urban renewal effort aimed at the revival of the Tiber River in Rome.
Called Eternal Tiber,
it includes such pieces as She Wolves, a
series of massive stencils of wolves created by power-washing portions of the travertine
walls along the Tiber. The piece, created in 2005, evokes the beast’s enduring place
in Roman mythology while employing a method she calls ‘clean graffiti’ –
meaning, just as the enormous images were made by cleaning the grime that
appears on the walls over time, they will disappear back into the grime of
time.
This year Jones has brought her powerful intuition
for collaboration in public space to RISD, joining the Architecture faculty to teach
the spring semester studio Advanced
Spatial Concepts. Open to students from all majors, the interdisciplinary
studio uses buildings in Providence – and the spaces between them – as a
creative laboratory to explore light, aura, vibration, memory and metaphor.
Jones’ piece Metronome in New York |
“A fundamental sense of wonder at the mystery of the
world motivates me to construct contemplative work aimed at magnifying the
sense of place and the present,” says Jones, who is currently in the planning stages
for two major new collaborative projects that further this notion. The first, Behold, is a
24-hour multimedia art event celebrating New York City’s great trees. The
project will begin in Newport, RI, where Jones will invite members of the RISD
community to collaborate on a preliminary series of animated projections to
celebrate a designated great tree with the Newport Tree Society.
For the second project, X-ing, she is working on a series of preliminary studies for large
red X marks that would span the volume of space between buildings. Both
projects will underscore Jones’ ongoing interest in “the absolute impermanence
of the world to which we belong: the infinite nuances of light, the movement of
air, the phenomena of chemistry and physics, the ephemeral nature of time.”
This spring’s Architecture studio stems from students’
own explorations of time – and the passage of time – in their own lives and in
public spaces. Each week throughout the semester, students have been producing
drawings that show a shift or transformation in time.
This spring Jones has brought renowned Italian composer
Walter Branchi,
whose music is intended to be listened to outdoors, to campus, along with
Ginzel, her longtime collaborator, who has joined the seminar as guest speaker.
“It’s a great experience to be able to return to
RISD and be a part of something like this” – a new course that’s responsive to
students, Jones says. “I think of the students really more as collaborators
rather than the traditional student-teacher dynamic. Student participation
really shapes the direction of the class and how it evolves.”
For their final group project, students are creating a site-specific outdoor installation in Providence that
considers light, shadow, wind and public interactions throughout a 24-hour
cycle.
“It’s really about an awareness of the present tense
in its fluid form,” Jones says. “Once you start to concentrate on how dynamic a
building is – in the light that’s entering it, the shadows it’s projecting –
you start to see how alive an apparently static form is. Particularly for an
architecture program, I think that’s an important thing to consider, and
something I celebrate in my own work.”
related
links:
Kristin Jones’ website
Jones/Ginzel website
New York Times article on Kristin Jones
tags: Architecture,
alumni,
local/regional,
faculty,
partnerships + collaborations,
public engagement,
Sculpture