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RISD Partners with US State Department
01/31/2012

Sculptor Jim Drain (far left) working with students in his Art in Embassies: Morocco studio. | photo by Jo Sittenfeld MFA 08 PH
As it approaches its 50th
anniversary, the US State Department’s office of ART in Embassies (AIE) has chosen
renowned sculptor Jim Drain
98 SC to create a site-specific
work for a new US embassy compound being built in Rabat, Morocco.
The unique, multiyear
collaboration with the State Department – only the second of its kind between
the federal agency and an art and design college – involves a select group of
RISD students who are working with Drain to explore the history and culture of
Morocco through the intensive Wintersession studio Art in
Embassies: Morocco. The
partnership is made possible by funding from RISD Board of Trustees Vice Chair Lisa Pevaroff 83 TX, whose own work is
on view at the US Embassy in Montenegro, and also involves Dean of Fine Arts and
Textiles Professor Anais Missakian 84 TX and Interim Associate Provost and Graduate Studies
Professor Patricia Phillips.
Last week AIE Chief Curator
Virginia Shore and representatives
from the multidisciplinary design firm SmithGroupJJR, which designed the new embassy, visited RISD to
review the building’s design and explore possibilities for Drain’s
site-specific work.
“This is only the second
type of project we’ve done at this level of involvement with a university,”
says Shore. “Once we identified RISD as the institution we would partner with,
we looked at a number of RISD graduates who are established artists and we were
unanimous in deciding it would be Jim.”
For Drain, a Miami-based
artist and 2005 recipient of Art Basel’s
prestigious Baloise Prize, the commission offers a rare opportunity to collaborate with future
artists across disciplines to create a work on a global stage. “The crossover
between disciplines is valuable, as each student brings a specific interest and
expertise to the ideation process,” Drain says. “Together, we are focusing on
how to incorporate materials in new and unorthodox ways, building models,
researching and discussing issues relating to cultural diplomacy.”
In examining Morocco’s
visual culture and history, Drain and about 15 students from various
disciplines are seeking to understand the evolution of cultural diplomacy, the
impact of borrowing symbols from another culture and the symbolic significance as
well as complex logistics of designing for a US foreign embassy. The work will be
unveiled on November 30 in Washington, DC in a State Department celebration to
mark the 50th anniversary of AIE, with Secretary of State Hillary Clinton slated to be on hand
for the event. Ultimately, the sculpture will be installed at the new Moroccan
embassy once the building is completed in either 2014 or 2015.
The collaboration between
AIE and RISD is designed to promote cross-cultural exchange, a key component of
AIE since it was first established in 1963. Initially run in conjunction with the
Museum of Modern Art, the agency organized exhibitions of work by American
artists around the world. But over time it has evolved as a major facilitator
of more wide-ranging cross-cultural efforts, inviting a global exchange of
ideas.
As part of its mission of
public diplomacy, the agency today operates a number of programs and
initiatives, producing temporary exhibitions by American and host-country
artists, building permanent collections for chief-of-mission residences around
the world and organizing artist exchange programs that encourage international
dialogue around the visual arts and culture.
related links:
Art in
Embassies: Morocco blog
US State
Department’s ART in Embassies Morocco
tags: alumni,
governmental,
interdisciplinary,
local/global,
partnerships + collaborations,
public engagement,
students,
Sculpture,
wintersession,
Textiles