Ellen Driscoll’s work includes “Fastforwardfossil: Part 1” at Frederieke Taylor Gallery, New York, NY, “Fastforwardfossil:Part 2” at SmackMellon, Brooklyn, NY, “Revenant” and “Phantom Limb” for Nippon Ginko, Hiroshima, Japan, “The Loophole of Retreat” at the Whitney Museum, Phillip Morris, “As Above, So Below” for Grand Central Terminal ( 20 mosaic and glass images at 45th, 47th, and 48th Streets), “Catching the Drift”, a restroom for the Smith College Museum of Art, and “Wingspun” for the International Arrivals Terminal at Raleigh-Durham airport. Ms. Driscoll has been awarded fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Bunting Institute at Harvard University, the New York Foundation for the Arts, the Massachusetts Council on the Arts, the LEF Foundation, and Anonymous Was a Woman. Her work is included in major collections including the Metropolitan Museum of Art, and the Whitney Museum of Art. She is a Professor of Sculpture.
Academic Research/Areas of Interest
Sculpture and Installation
- BA, Wesleyan University
- MFA, Columbia University
SOPHOMORE SCULPTURE: STUDIO I