The content of this course will be influenced by the sculpture department's visiting lecture series and artists invited into the class for projects and performances. Therefore fall and spring courses will be based upon these variables. Students should also expect to encounter accompanying readings and seminar scale discussions native to these discrete experiences.
TRESPASS: sculpture writes performance is a experimental laboratory for thinking and making across the disciplines of sculpture and performance that uses writing as a critical choreographic tool. We trespass from sculpture to science fiction, cinema to landscape, punk rock to theory, dance to poetics, sound to insomnia, history to holodeck. These encounters-conceptual and material-engage a constellation of ideas surrounding critical writing and art-making processes.
To think, to construct, to write within such a surround invites a precarious approach to process and to concept untethering syntax (materially, linguistically, theoretically) from its rational grounds. From here we consider questions of improvisation, correspondence, movement, gesture, repetition, timing, our relationships to history (personal and cultural), utopia and dream.
Structured as a series of workshops, the laboratory unfolds through individual and collaborative projects, critiques, readings and discussions of artists' writings and theoretical texts. Readings will include Walter Benjamin, Anne Carson, W.G. Sebald, Paul Virilio, Shelley Jackson, Mike Kelley, Jorge Luis Borges, Sigmund Freud, Samuel Delany, Kelly Nipper, Douglas Gordon, Giles Deleuze and Félix Guattari, Avital Ronell, Ralph Lemon, Michel Foucault, Stephen Parrino, Kim Gordon, among others. Each semester two Visiting Artists, working along the edges of sculpture/performance/writing, will present their own work and develop a collaborative practice with the group.
Course Level: Junior and above
Elective, non-majors by department permission
Estimated Material Cost:$100