The Master of Industrial Design program explores design as a vehicle for addressing social, cultural, environmental and other concerns, recognizing that design is not simply a professional service, but rather a way of connecting individual interests and values with a social framework. The program endorses the notion that the most valuable design opportunities today are those promoting the preservation of our environment and a better understanding of human behavior.
Many of the approximately 20 graduate students in the MID program come from backgrounds beyond ID, including architecture, engineering, fine arts, graphic design, anthropology, marketing and more. But they share an interest in critical thinking and making, along with the curiosity and drive to pursue graduate-level research and production. Graduate students work closely with an accomplished team of faculty members who specialize in various areas of professional practice and show unparalleled dedication to teaching, mentoring and engaging students in real-world problem solving.
MID candidates work in the department’s well equipped, six-floor building, sharing studio, shop and gallery spaces with approximately 210 undergraduate ID majors. Graduate students are expected to demonstrate a high level of independence, motivation and competence in developing the physical and ideological aspects of their work.
Meng Ting Kao MID 2013
Kyung Hoon Hyun MID 2013
Justin Couch MID 2013
Emily Rothschild MID 2008
David Sharp MID 2013
Chia Ming Chang MID 2013
Bolun Yang MID 2012
“Graduate candidates in ID don’t necessarily need an undergraduate degree in the field, but they do need strong visual communication skills. For those without an ID background, learning CAD, drawing and model making can be beneficial, and taking a general product design course can provide insight into the design process. Materials-based courses in a medium such as metal, glass, textiles, ceramics or wood also provide a good basis for work in ID.”
Projects during the first year help enhance and expand individual industrial design methodologies, both through direct practice and discussions regarding case studies and product history. This helps to define personal value systems, working methodologies and the means of effectively engaging audiences in dialogue. The study of history and theory is also fundamental to the program and series of seminars on relevant contemporary issues encourages dialogue among students as they develop their own perspectives on design.
Thesis topics cover a broad range of fields, from product and furniture explorations to design for aerospace and medical applications. Graduate students work independently under the guidance of a faculty advisor and thesis committee, and present their final work verbally, visually and in writing. They also participate in RISD’s Graduate Thesis Exhibition, a large-scale public show held in the Rhode Island Convention Center.
The faculty selection committee in Industrial Design looks for evidence of the ability and preparedness to undertake graduate-level work. Portfolios should be professionally presented using the highest quality representation of work showing the breadth and depth of your design and creative thinking capabilities.
Apparel DesignArchitectureCeramicsDigital + MediaFilm/Animation/VideoFoundation StudiesFurniture DesignGlassGraphic DesignHistory of Art + Visual CultureHistory, Philosophy + the Social SciencesIllustrationIndustrial DesignInterior ArchitectureJewelry + MetalsmithingLandscape ArchitectureLiterary Arts + StudiesPaintingPhotographyPrintmakingSculptureTeaching + Learning in Art + DesignTextiles