Mairéad Byrne emigrated from Ireland to the US in 1994, for poetry. On the
plane over, she read about the Internet for the first time. Diversity of
poetic cultures and connectivity have defined her life ever since.
Byrne earned a PhD in Theory & Cultural Studies (2001) and an MA in American Poetry (1996) from Purdue University
– home of the first Computer Science department in the US. Her poetry
collections include Famosa na sua cabeça (translated by
Dirceu Villa, Dobra Editorial, 2015), You Have to Laugh: New &
Selected Poems (Barrow Street, 2013), The Best of (What’s
Left of) Heaven (Publishing Genius, 2010), Talk Poetry (Miami
University Press, 2007), SOS Poetry (/ubu Editions, 2007)
and Nelson & The Huruburu Bird (Wild Honey, 2003).
Collaborations with visual artists include Jennifer’s Family,
photographs by Louisa Marie Summer (Schilt Publishing, 2012),
Michael Mulcahy (Gandon Editions, 1995), Eithne Jordan (Gandon
Editions, 1994) and Joyce – A Clew, with Henry J. Sharpe (Bluett
& Co., 1982).
Byrne has taught at Purdue University, Ithaca
College, the University of Mississippi and Marshall County Correctional
Facility in Holly Springs. Since coming to RISD in 2002, she has designed and
taught undergraduate courses in Digital Poetics, Material Poetics, Sound Poetry, Visual Poetry, and Contemporary Poetry, graduate courses
including Writing as Art + Design and Writing+,
interdisciplinary collaborative courses including Stories of a Living River
(anthropology/poetry) and Dada Today (film/video/poetry), and Beginning and Advanced Poetry Writing Workshops. She has
also served as chief critic in the European Honors Program in Rome. In 2016 she received a John R. Frazier Award for Excellence in Teaching.
Academic research/ areas of interest
Byrne is most interested in how digital opportunities open up/challenge all areas of the writing economy: authorship, readership, writing, reading, editing, publication, distribution, performance, archiving, categorizing, teaching and most of all, thinking. Her dissertation addressed metaphor, in popular culture and poetics, and how subjects become subjects. Does metaphor help or hinder that process? She is interested in change, mixture. Diversity is the sine qua non. She was a journalist for many years and worked in theater and the community as a playwright and arts center director. As a writer, her practice has always been applied, performative and closely linked to visual arts. Currently, she is also collaboratively researching the learning experience of RISD undergraduates returning to school after military service in the Republic of Korea Armed Forces.