Juana Estrada Hernandez

Assistant Professor

Juana Estrada Hernandez was born in Luis Moya, Zacatecas, Mexico and moved to the US when she was seven years old. She earned her BFA in printmaking at Fort Hays State University in Hays, KS and her MFA in printmaking at the University of New Mexico in Albuquerque. Estrada Hernandez is a recipient of the Southern Graphic Council International Graduate Fellowship Award, SITE Scholars Award, Center of Fine Arts Dean Travel Award, UNM Student Conference Award Program and Ralph W. Douglas Endowed Memorial Scholarship, among others. As a printmaker, she utilizes her experiences growing up in the US as an undocumented immigrant to create work that addresses social and political problems surrounding Hispanic migrant communities. Her creative practice stems from her love of drawing, Mexican folklore, Hispanic culture and her family’s migration stories.

Courses

Spring 2024 Courses

PRINT 4618-01 - COLOR LITHOGRAPHY
Level Undergraduate
Unit Printmaking
Subject Printmaking
Period Spring 2024
Credits 3
Format Studio
Mode In-Person
Start date
End date

PRINT 4618-01

COLOR LITHOGRAPHY

Level Undergraduate
Unit Printmaking
Subject Printmaking
Period Spring 2024
Credits 3
Format Studio
Mode In-Person
Start and End 2024-02-15 to 2024-05-24
Times: W | 11:20 AM - 4:20 PM Instructor(s): Juana Estrada Hernandez Location(s): Benson Hall, Room 101 Enrolled / Capacity: 14 Status: Open

SECTION DESCRIPTION

Building on the fundamentals of lithography this course will explore the technical, aesthetic and conceptual aspects of colour printing. Using ball grained aluminum plates and photolithography plates students will develop their imagery and concepts. Students will be encouraged to innovate and experiment with colour and image making techniques in conjunction with craft and technical mastery. Technical demonstrations, individual and group critiques will be used throughout the semester to encourage students' artistic practice. Hand drawn and digitally generated films for photo litho plates and traditional drawing on ball grained plates will be demonstrated among other techniques.

Estimated Cost of Materials: $75.00

Open to Junior, Senior or Graduate Printmaking Students.

Major Requirement | BFA Printmaking

PRINT 462G-01 - GRADUATE PRINTMAKING II: CURATORIAL & CRITICAL TOPICS AND PRACTICE
Level Graduate
Unit Printmaking
Subject Printmaking
Period Spring 2024
Credits 6
Format Studio
Mode In-Person
Start date
End date

PRINT 462G-01

GRADUATE PRINTMAKING II: CURATORIAL & CRITICAL TOPICS AND PRACTICE

Level Graduate
Unit Printmaking
Subject Printmaking
Period Spring 2024
Credits 6
Format Studio
Mode In-Person
Start and End 2024-02-15 to 2024-05-24
Times: T | 1:10 PM - 6:10 PM Instructor(s): Andrew Raftery, Juana Estrada Hernandez Enrolled / Capacity: 8 Status: Open

SECTION DESCRIPTION

What is the curatorial imperative? By incorporating curation into studio practice, artists understand the context for placing new combinations into the world. Collecting, archiving and critical analysis of source material will develop a philosophy of stewardship. Central questions about printmaking as a crucial core for many disciplines that incorporate the relation between matrix and formed object, layers, reversals, positive and negative and replication of original and appropriated media will provide a structure. The state of print publishing, art fairs and current curatorial literature will inform ongoing discussion.

Enrollment is limited to Graduate Printmaking Students.

Major Requirement | MFA Printmaking

PRINT 4641-01 - SUITE MINIMANIA
Level Undergraduate
Unit Printmaking
Subject Printmaking
Period Spring 2024
Credits 3
Format Studio
Mode In-Person
Start date
End date

PRINT 4641-01

SUITE MINIMANIA

Level Undergraduate
Unit Printmaking
Subject Printmaking
Period Spring 2024
Credits 3
Format Studio
Mode In-Person
Start and End 2024-02-15 to 2024-05-24
Times: M | 1:10 PM - 6:10 PM Instructor(s): Juana Estrada Hernandez Location(s): Benson Hall, Room 206 Enrolled / Capacity: 14 Status: Closed

SECTION DESCRIPTION

This course is specifically designed to address the format of a printed suite, a series of related images on a theme or story, using basic intaglio techniques. Progress and mastery of techniques will allow the student to progress to more advanced techniques and color printing. A minimum of six images in the suite is required with a minimum edition of six prints of each image. As this is a course that addresses miniature or small scale, prints are not to exceed 4 on any side. An archival portfolio will be fabricated to professionally present and contain the finished suite accompanied by its related colophon page. Course may be repeated for credit.

Estimated Cost of Materials: $75.00

Elective

PRINT 464G-01 - GRADUATE PRINTMAKING IV: CRITICAL TOPICS AND PRACTICE
Level Graduate
Unit Printmaking
Subject Printmaking
Period Spring 2024
Credits 6
Format Studio
Mode In-Person
Start date
End date

PRINT 464G-01

GRADUATE PRINTMAKING IV: CRITICAL TOPICS AND PRACTICE

Level Graduate
Unit Printmaking
Subject Printmaking
Period Spring 2024
Credits 6
Format Studio
Mode In-Person
Start and End 2024-02-15 to 2024-05-24
Times: T | 1:10 PM - 6:10 PM Instructor(s): Andrew Raftery, Juana Estrada Hernandez Enrolled / Capacity: 8 Status: Open

SECTION DESCRIPTION

What is the place of printmaking in the art-world and the world at large today? Central questions about printmaking as a crucial core for many disciplines that incorporate the relation between matrix and formed object, layers, reversals, positive and negative, the replication of original and appropriated media will provide a structure. The state of print publishing, art fairs and current critical literature will inform ongoing discussions, research, and presentations.

Enrollment is limited to Graduate Printmaking Students.

Major Requirement | MFA Printmaking