{"_sort_create_date":1416266040,"_sort_last_updated":1500398640,"_sort_publish_date":1416266040,"acronym":"PR","active":true,"additional_contact_info":"","after_risd":"

After RISD, Printmaking majors go in many different directions, often pursuing interests they’ve defined through multidisciplinary exploration as students. Many alumni go on to become practicing fine artists who exhibit their work all over the world. Others run galleries, curate shows, write art criticism, teach, launch small startups and make an impact on the contemporary art world in a wide variety of other ways.

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Litho & Relief Studio

\n\n

Intaglio Studio

\n\n

Silkscreen Studio

\n\n

Letterpress, Bookbinding & Papermaking Studios

\n\n

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\n

","graduate_curriculum":[{"course_name":"Graduate Printmaking I: Historical Context + Practice","program":"MFA | 2-year program","semester":"Fall","year":"First Year"},{"course_name":"Graduate Seminar","program":"MFA | 2-year program","semester":"Fall","year":"First Year"},{"course_name":"Graduate Printmaking Projects I","program":"MFA | 2-year program","semester":"Fall","year":"First Year"},{"course_name":"Open elective","program":"MFA | 2-year program","semester":"Fall","year":"First Year"},{"course_name":"Open elective/Internship/International Study","program":"MFA | 2-year program","semester":"Wintersession","year":"First Year"},{"course_name":"Graduate Printmaking II: Curatorial + Critical Topics and Practice","program":"MFA | 2-year program","semester":"Spring","year":"First Year"},{"course_name":"Graduate Seminar","program":"MFA | 2-year program","semester":"Spring","year":"First Year"},{"course_name":"Advanced Printmaking elective","program":"MFA | 2-year program","semester":"Spring","year":"First Year"},{"course_name":"Open elective","program":"MFA | 2-year program","semester":"Spring","year":"First Year"},{"course_name":"Graduate Printmaking III: Historical Context + Practice","program":"MFA | 2-year program","semester":"Fall","year":"Second Year"},{"course_name":"Graduate Seminar","program":"MFA | 2-year program","semester":"Fall","year":"Second Year"},{"course_name":"Open elective","program":"MFA | 2-year program","semester":"Fall","year":"Second Year"},{"course_name":"Open elective/Internship/International Study","program":"MFA | 2-year program","semester":"Wintersession","year":"Second Year"},{"course_name":"Graduate Printmaking IV: Critical Topics + Practice","program":"MFA | 2-year program","semester":"Spring","year":"Second Year"},{"course_name":"Graduate Printmaking Thesis","program":"MFA | 2-year program","semester":"Spring","year":"Second Year"},{"course_name":"Open elective","program":"MFA | 2-year program","semester":"Spring","year":"Second Year"}],"graduate_degrees_offered":["degreesandconcentrations -JjwGEFSuJ85XFICHs4A"],"graduate_narrative":[{"description":"

Integrating new artistic and technical approaches to printmaking with the great historical traditions of the medium, the MFA program encourages individual artistic growth through the exploration of printed multiples. Exposure to critical insights from faculty, visiting artists and print-world professionals leads to advanced personal work responsive to the issues defining the field. Mastery of intaglio, lithography, screenprint, relief, photo and digital methods—with special emphasis on one area—ensures confidence in the professional arena.\n

\n

During two years in residence at RISD, graduate students undertake a serious investigation of the broad range of possibilities presented by contemporary printmaking. In addition, they are encouraged to extend their professional experience through off-campus internships during Wintersession and over the summer.\n

","title":"MFA | 2-year program"},{"description":"

Graduates are prepared to:\n

\n\n


\n

","title":"Learning outcomes"},{"description":"

\n\tThe 14 first- and second-year MFA candidates enrolled in Printmaking are deeply engaged in personal artistic exploration and work closely with faculty and curators at the RISD Museum, who offer ready access to original works of art along with historic context and expertise. Grad students also become part of the larger community of artists pursuing advanced-level work and appreciate the many opportunities RISD affords for cross-disciplinary collaboration.\n

","title":"Inspiring community"},{"description":"

\n\tGraduate students work in individual studios in RISD's Fletcher Building, an interdisciplinary space designed to promote discourse with peers in other fine arts graduate programs, and also make use of the department's core facilities in Benson Hall, where they work side-by-side with approximately 36 Printmaking undergraduates. Facilities include an intaglio editioning studio, a woodshop, a computer lab and spaces for student exhibitions and group critiques. In addition, Printmaking majors share a screenprinting facility and large-scale intaglio and lithography presses with graduate students in Textiles.\n

","title":"Learning environment"},{"description":"

\n\tIn the final semester, degree candidates focus on a creating a comprehensive body of work under the guidance of a thesis committee. All MFA candidates produce a written thesis book and participate in the RISD's Graduate Thesis Exhibition, a large-scale public show held in the Rhode Island Convention Center.\n

","title":"Thesis 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Printmaking at RISD supports the creative development of artists dedicated to visual exploration and expression using intaglio, lithography, screenprint, relief and related photo-processes. Both undergraduate and graduate majors explore a focused personal direction through the mastery of traditional and contemporary techniques, including digital and alternative print methods.

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Printmaking majors work in Benson Hall, a well-equipped facility with state-of-the-art equipment and separate floors allocated to lithography, intaglio and screenprint studios. Visits to the RISD Museum along with off-campus museums, galleries and symposia underscore the rich historical context of contemporary printmaking.\n

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\n\tIntensive study of conceptual, formal and practical issues related to historical and contemporary prints in the RISD Museum of Art and other collections in the region provides inspiration through direct contact with original works of art. Critical insights from faculty, visiting artists and other print-world professionals help students to develop mature personal work responsive to the issues defining the field today.\n

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\n\n


\n

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\n\tApproximately 36 undergraduates work alongside 14 graduate students in the department's dedicated facilities in Benson Hall. Students at all levels – both within the department and beyond, in fine arts and design majors – inspire each other through provocative individual inquiry and exploration. In addition, Printmaking majors are very curious, open and willing to help each other in any way they can.\n

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\n\tIn addition to having access to state-of-the-art facilities in Benson Hall, Printmaking majors regularly take advantage of RISD resources that are especially helpful for research and personal growth. Just across the street, in the RISD Museum of Art's Minskoff Center for Prints, Drawings and Photographs, students have access to a collection of 26,000 works on paper from the 15th century to the present. Direct study of these works offers invaluable insights and inspiration, as does hands-on access to specimens in the Nature Lab and in the Fleet Library's extraordinary collection of artists' books.\n

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\n\tAfter completing RISD's required first-year Foundation Studies program, sophomores who choose this major are introduced to the basic forms of printmaking – intaglio, lithography and silkscreen. Juniors continue to hone their conceptual, critical and technical skills through a number of Printmaking electives or studios in related disciplines such as Illustration, Textiles and Photography.\n

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\n\tIn the third year of the program, seniors work more independently, refining a personal visual vocabulary through a final Degree Project - a body of work that demonstrates each individual's technical strengths, along with his/her conceptual clarity and depth.\n

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