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The computer has changed the very nature of art
and design, as well as revolutionized a host of job descriptions. In
the courses and programs listed below, students harness an
assortment of cutting-edge technologies to create good design both
in class and during open hours in our up-to-date computer labs.
Whether to learn basic computer skills or enter highly specialized
fields, students are invited to take courses for personal or
professional enrichment, or as part of our many certificate programs.
Individuals on the go may boost their skills with our intensive
courses, while business and community organizations may take
advantage of various corporate training options and CE also offers one-day intensive workshops in various computer media. (High school students ages 16 and up may enroll in adult courses in computer-based design.)
Advertising Design |
CAD |
Computer Animation + Video |
Digital Foundations |
Print Design |
3D Computer-Generated Imaging |
Design for the Web |
|
| | Advertising Design [back to top] | Brand Development: The Power of the Known Name
Date(s); 09/13/10 - 12/06/10 No class dates: 10/11
Time: 6:30-9:30pm
Sessions: 12
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2010/CF-ADV-0732-01 | Erik Klaver | |
To one degree or another, our perception of every product is influenced by the power of branding. It is both the most sought-after and the least understood force in marketing and communication today. This course explores the historical origins of the brand, and the reasons some succeed and many more fail. It also provides students with the essential tools necessary for creating and maintaining effective brand strategies. Through hands-on class projects, field trips, guest lectures and case studies, students explore the importance of target audience definition, their emotional and rational connections to specific brands, and the multiple touch points that can make or break a brand's equity. This course should prove useful for any student seeking a career in advertising, design or web development, as it provides a basis for creating and refining a more effective portfolio. Prerequisite: Digital Tools for Print Design or Digital Design for the Screen Applies to the following certificate programs (36 contact hours): AD-R, PD-E, WE-E |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | The Ad Agency: New Realities
Date(s); 07/29/10 - 07/29/10
Time: 7-9pm
Sessions: 1
|
2010/SE-ADV-2233-01 | Kala Horvitz | |
If your vision of the advertising agency is limited to the antique view of AMC's Mad Men, then prepare for an update. Prompted by the push of technological advancements and economic changes, the agency today bears little resemblance to your father's Madison Avenue. This presentation provides you with an insider's perspective on the issues relevant to the business with topics including project organization, audience trends, traffic management and personnel hierarchy. The differences between shops -- from size, to focus, to objectives -- are also addressed. This conversational lecture is an ideal experience for those looking to reposition themselves in the undeniable new reality of the ad agency today. Applies to the following certificate programs (2 contact hours): AD-E, AN-E, DI-E, PD-E, SA-E, VE-E, WE-E |
| Tuition [Non Credit]: $30.00
Course total: 30.00 | | | Advertising Ideas: Capturing Creative Thought
Date(s); 09/16/10 - 12/09/10 No class dates: 11/25
Time: 6:30-9:30pm
Sessions: 12
|
2010/CF-ADV-0719-01 | Gale Litchfield | |
The concept behind an ad is the creative idea that drives the headline, copy and visuals. A well-developed concept enhances the marketing message with humor, drama, intrigue or emotion, attracting interest and making the product stand out in a truly memorable way. Learning to create a successful advertising concept inevitably begins with an understanding of thought processes and inventive problem-solving techniques. These might include brainstorming, alternative and random thinking, and identifying patterns, sequences and cycles. Ultimately, students learn to find original, even unique, sources of ideas as they draw upon their creative thinking skills to design compelling advertising campaigns and messages. Note: This is not a computer-based course. Applies to the following certificate programs (36 contact hours): AD-R, DI-E, PD-E |
| Tuition [Non Credit]: $440.00
Course total: 440.00 | | | Advertising Design Studio
Date(s); 09/15/10 - 12/08/10 No class dates: 11/24
Time: 6:30-9:30pm
Sessions: 12
|
2010/CF-ADV-2613-01 | Steven Ruggieri | |
Just take a look at any newspaper or magazine to see how print advertising employs graphic design to sell products, influence consumer tastes and convey information. This course teaches students how to integrate the creative process with marketing considerations in order to produce effective advertising. Students learn how professionals use various strategies to determine the placement of ads in formats that include print publications, billboards, product packaging and signage. Lectures and discussions supplement studio assignments, and finished pieces can be added to the student's portfolio. Prerequisite: Digital Tools for Print Design or Digital Design for the Screen Applies to the following certificate programs (36 contact hours): AD-R, DI-E, PD-E, VE-E |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Thinking Visually
Date(s); 09/16/10 - 12/09/10 No class dates: 11/25
Time: 6:30-9:30pm
Sessions: 12
|
2010/CF-DSN-0776-01 | TBA TBA | |
What is the perfect recipe for a persuasive graphic design solution and how do you combine those ingredients for the best effect? Each variable is subject to choice and, whether shrewdly or poorly made, those choices cannot help but change the overall impact of the project. Students in this course are introduced to image making methods that are determined by underlying graphic and typographic messages. Assignments are devised to reinforce conceptual thinking and to foster understanding and evaluation of source information. The aim is to empower the graphic artist/advertising designer with a full visual literacy that best serves the project's needs. Applies to the following certificate programs (36 contact hours): AD-R, DI-E, PD-R, SA-E |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | |
| CAD [back to top] | Building Information Modeling Using Revit Architecture
Date(s); 09/15/10 - 12/08/10 No class dates: 11/24
Time: 6:30-9:30pm
Sessions: 12
|
2010/CF-COM-2664-01 | Walter Zesk | |
Advances in construction visualization are being introduced at an increasingly rapid pace, making familiarity with cutting-edge technology a must for experienced architects and engineers. The latest example is Building Information Modeling, or BIM, a system that allows for parametric, object-based design with full reference for dynamic data change and update. Building on their existing knowledge of CAD, participants in this intensive workshop examine BIM through the lens of Autodesk's Revit Architecture. They gain familiarity with the Revit interface while participating in a practical series of increasingly complex design exercises and leave with an appreciation for how Revit can help to improve collaboration, increase accuracy and efficiently generate documentation. |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | AutoCAD I
Date(s); 09/18/10 - 12/11/10 No class dates: 11/27
Time: 1-4pm
Sessions: 12
|
2010/CF-INDES-2513-01 | Seth Wiseman | |
Autodesk's AutoCAD, a powerful computer-aided drafting (CAD) program, is the industry standard for architecture and design professionals. Through lectures, demonstrations and hands-on experience, students learn to use this visualization and productivity software to take a project from the initial design stages to a finished two-dimensional plot. Students create templates with layer, color, linetype, line weight and layouts that aid productivity as they familiarize themselves with drawing, editing, text, dimensioning, modifying, solid modeling, 3D design, and perspective and rendering tools. Additionally, students use blocks with AutoCAD's design centers, built-in and online, and generate scale plots in model and paper space using native templates for borders and title blocks. Applies to the following certificate programs (36 contact hours): AN-E, HP-E, ID-R |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | |
| Computer Animation + Video [back to top] | Digital Video Production Studio
Date(s); 09/15/10 - 12/08/10 No class dates: 11/24
Time: 6:30-9:30pm
Sessions: 12
|
2010/CF-DVID-2827-01 | Evan Villari | |
This studio course covers all aspects of video production. With only a hint of the final product in mind, students begin with creative ideas that lead to script formats, storyboards, location scouting, auditions, production scheduling and defined budgets. The class then breaks into discrete production teams, each shooting and editing a short video project using digital cameras and Final Cut Pro. Camera operation, lighting concepts and audio are all covered as footage is gathered and postproduction begins. In this phase, raw footage is screened, logged and digitized before editing, which gives the project its final shape. Ultimately, students discover that digital video is no longer just for amateurs, with many filmmakers using these techniques to produce independent films that they submit to film festivals. Prerequisite: Final Cut Pro Applies to the following certificate programs (36 contact hours): AD-E, AN-E, SA-E, VE-R |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Final Cut Pro
Date(s); 09/18/10 - 12/18/10 No class dates: 10/2, 11/27
Time: 9am-12pm
Sessions: 12
|
2010/CF-DVID-3533-01 | Evan Villari | |
High-profile, high-definition, high expectations -- all three apply to Final Cut Pro, Apple Computer's highly regarded digital video editing application that has brought the Hollywood cutting room to your laptop computer. This surprisingly powerful software tool streamlines post-production chores into an efficient workflow, allowing for easy manipulation of digital picture and audio. This course is appropriate for both the amateur and the experienced sprocket hole filmmaker who is updating skills. We cover the entire non-linear editing workflow, from digitizing source footage to fine-tuning edits, timing a piece to music, mixing audio levels, creating titles and, ultimately, outputting the finished cut to DVD or the Web. In addition to technical skills, students develop the ability to tell an original story, whether fictional narrative or documentary project. Schedule Update: The schedule for this course has changed since the publication of the Fall 2010 catalog. This schedule listed here is correct. Class will be held Saturdays, 9/18-12/18; no class 10/2, 11/27. Prerequisite: Digital Design for the Screen or equivalent experience Applies to the following certificate programs (36 contact hours): AD-E, AN-E, VE-R, WE-E |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Writing Comedy for New Media (Online Course)
Date(s); 09/13/10 - 12/06/10
Time: ONLINE
Sessions: 12
|
2010/CF-DVID-4605-01 | Jenn Dlugos | |
Laugh and the world laughs with you. Whoever said this couldn't have imagined how accurate it would still be! With YouTube and the proliferation of mobile content, it is easier than ever to get global exposure for your sense of humor. To have the most impact, refine your craft and learn the basics of concise, unique and memorable comedic writing in this course. In a supportive online environment, you will find guidance as you harness your sense of humor for blogs, websites, webisodes and television. Writing exercises become projects, as your instructor directs your ideas and you write a script for more outlets than you could ever have imagined. Finally, the course moves beyond the creation of that comedic gem and on to how to market yourself on the Internet and how to protect your work with copywrite. Note: Students should have Internet access and understand basic web browsing. Course material is posted weekly throughout the term, and students are expected to participate in online discussions. Registered students are contacted via email by the instructor prior to the start date of class with detailed information. Sessions, as noted here, refers to course content equivalent to a 36 contact hour traditional-format course. Applies to the following certificate programs (36 contact hours): AD-E, AN-E, SA-E, VE-E, WE-E |
| Tuition [Non Credit]: $465.00
Course total: 465.00 | | | Narrative Animation Studio
Date(s); 09/16/10 - 12/09/10 No class dates: 11/25
Time: 6:30-9:30pm
Sessions: 12
|
2010/CF-ANIM-2832-01 | Jane Kernan | |
In this course, students learn the art of building a narrative, pixel by pixel. Beginning with a viewing of noteworthy animated films, students then discuss the factors that make each piece exciting and meaningful for its audience. Students translate a story, theme or idea of their choice into storyboards, which are then used to develop a fully animated project (short animated video or scenes for a longer piece) built upon various 2D and 3D production approaches. Throughout the course, students are encouraged to use the delivery application with which they are most comfortable, such as Flash MX, Adobe After Effects or Autodesk's Maya, but the emphasis is first and foremost on creating a compelling narrative. Prerequisite: Computer Animation Studio, Basic Maya: Modeling for 3D Design + Animation or Flash I: Web Animation + Interactivity Applies to the following certificate programs (36 contact hours): AN-R, SA-E, VE-E |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Voice-Over Artistry
Date(s); 10/02/10 - 10/02/10
Time: 10am-4pm
Sessions: 1
|
2010/CF-DVID-3401-01 | Albert Ibbotson | |
Voice performance has never had as many available markets as today, given the popularity and ubiquity of broadcasting, animation, mobile devices and web media. If you have even fleetingly thought that your own distinctive voice was worth listening to, then we invite you to learn more about this all-ears specialty. Learn from a recognized sound designer what to "listen for" and how to punch certain words, phrases and sounds for effect. The workshop focuses on diction, voice placement and vocal style, and participants also get a peek at the technology that can bring interesting voice-over talent to the ears of producers and hiring agents. By the end of the single-session course you leave with a "demo disc" in hand, the business card for all aspiring voice-over artists. |
| Tuition [Non Credit]: $95.00
Course total: 95.00 | | |
| Digital Foundations [back to top] | Adobe Photoshop I
Date(s); 09/14/10 - 12/07/10 No class dates: 11/23
Time: 6:30-9:30pm
Sessions: 12
|
2010/CF-DFOU-2533-01 | David Fleurant | |
Whether images are scanned, photographed or digitally drawn, Adobe Photoshop is the industry-standard program for manipulating them. This introduction to Photoshop focuses on combining, retouching and modifying images through class exercises and projects in which students work with Photoshop tools like the airbrush, paintbrush, cloning and pattern stamps, eraser and crop tool. By the end of the course, students understand Photoshop's capabilities and are able to handle basic file formats and layers, combine images, and create effects using grayscale, color and filters. Prerequisite: Digital Design for the Screen, Digital Tools for Print Design or equivalent experience Applies to the following certificate programs (36 contact hours): AD-E, AN-R, CB-R, DI-R, DS-E, NS-R, PD-R, SA-R, VE-R, WE-E |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Adobe Photoshop I
Date(s); 09/16/10 - 12/09/10 No class dates: 11/25
Time: 2-5pm
Sessions: 12
|
2010/CF-DFOU-2533-02 | Fred Spencer | |
Whether images are scanned, photographed or digitally drawn, Adobe Photoshop is the industry-standard program for manipulating them. This introduction to Photoshop focuses on combining, retouching and modifying images through class exercises and projects in which students work with Photoshop tools like the airbrush, paintbrush, cloning and pattern stamps, eraser and crop tool. By the end of the course, students understand Photoshop's capabilities and are able to handle basic file formats and layers, combine images, and create effects using grayscale, color and filters. Prerequisite: Digital Design for the Screen, Digital Tools for Print Design or equivalent experience Applies to the following certificate programs (36 contact hours): AD-E, AN-R, CB-R, DI-R, DS-E, NS-R, PD-R, SA-R, VE-R, WE-E |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Adobe InDesign
Date(s); 09/16/10 - 12/09/10 No class dates: 11/25
Time: 6:30-9:30pm
Sessions: 12
|
2010/CF-DFOU-3536-02 | Bryan Rodrigues | |
As the new industry standard for graphic design, Adobe InDesign integrates effortlessly with the Adobe software suite (Photoshop, Illustrator) to give graphic artists superior control over every element of their page layouts. Designers can use it to combine text and illustrations for single- or multi-page documents and to prepare them digitally for output to press, printer or PDF (portable document format). Students in this course gain technical know-how of the application's basic tool layout, image manipulation, and vector integration tools. All the while, concepts of visual communication and design are reinforced through hands-on exercises and practical assignments. By the end of the course, students should exhibit great confidence with the type and compositional commands that are the foundation of this exceptional graphic design application. Prerequisites: Digital Tools for Print Design or equivalent experience Applies to the following certificate programs (36 contact hours): AD-E, AN-E, CB-E, PD-R, SA-E, WE-E |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Digital Design for the Screen
Date(s); 09/13/10 - 12/06/10 No class dates: 10/11
Time: 6:30-9:30pm
Sessions: 12
|
2010/CF-DFOU-3542-01 | Andrew Goodman | |
The screen is the entryway through which we view our digital world. This introductory but fast-paced course begins with the real hardware assets (processors, monitors, memory) needed for digital design work, and from there moves on to the software tools and protocols that impact what can be viewed on the screen -- QuickTime, HTML and the components of Adobe's Creative Suite of software tools. All the elements can be daunting, but once explained, we're well on the way to digital fluency which, in turn, leads to original and unexpected visual solutions. This course enables students to better understand computer aided design and digital workflow, as we gather, preserve, modify and combine images, text and information until they comprise examples of well considered design. Applies to the following certificate programs (36 contact hours): AD-R, AN-R, CB-E, VE-R, WE-R |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Digital Design for the Screen
Date(s); 09/15/10 - 12/08/10 No class dates: 11/24
Time: 2-5pm
Sessions: 12
|
2010/CF-DFOU-3542-02 | Bryan Rodrigues | |
The screen is the entryway through which we view our digital world. This introductory but fast-paced course begins with the real hardware assets (processors, monitors, memory) needed for digital design work, and from there moves on to the software tools and protocols that impact what can be viewed on the screen -- QuickTime, HTML and the components of Adobe's Creative Suite of software tools. All the elements can be daunting, but once explained, we're well on the way to digital fluency which, in turn, leads to original and unexpected visual solutions. This course enables students to better understand computer aided design and digital workflow, as we gather, preserve, modify and combine images, text and information until they comprise examples of well considered design. Applies to the following certificate programs (36 contact hours): AD-R, AN-R, CB-E, VE-R, WE-R |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Digital Tools for Print Design
Date(s); 09/14/10 - 12/07/10 No class dates: 11/23
Time: 6:30-9:30pm
Sessions: 12
|
2010/CF-DFOU-3543-01 | Bryan Rodrigues | |
This course helps novice users become more confident -- and intermediate students more competent -- with computer-based design. We introduce the Apple computer and its operating system along with Adobe Photoshop, Illustrator and InDesign, and discuss the capture, transfer, manipulation and delivery of images. Proper digital workflow is revealed through class exercises and lecture, as students learn to output content for the printed page. Completion of this course provides you with valuable skill sets relied upon by all productive graphic designers, illustrators and draftsmen. Applies to the following certificate programs: AD-R, CB-R, DI-R, NS-R, PD-R, SA-R |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Adobe Illustrator I
Date(s); 09/16/10 - 12/09/10 No class dates: 11/25
Time: 6:30-9:30pm
Sessions: 12
|
2010/CF-DFOU-2532-01 | Mary Beth Cryan | |
Adobe Illustrator -- a popular vector graphics editor used by designers and illustrators to produce print or web designs -- is particularly helpful in creating unique images and graphics that require a high degree of precision and scalability, allowing an artist control of images as small as a bottle cap or as large as a billboard. Because the program is vector based, curves do not pixelate as they do in other graphics applications. In this course, students learn to create illustrations and free-form sketches, explore how this program of choice for professional artists and designers makes it possible to trace and alter scanned images in order to create a variety of special effects, and learn to save their files in the most often used output options (EPS, PDF, VML). Prerequisite: Digital Tools for Print Design or Digital Design for the Screen Applies to the following certificate programs (36 contact hours): AD-E, AN-E, CB-E, NS-E, PD-R, SA-E, VE-E, WE-E |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Adobe InDesign
Date(s); 09/13/10 - 12/06/10 No class dates: 10/11
Time: 9:30am-12:30pm
Sessions: 12
|
2010/CF-DFOU-3536-01 | Erik Klaver | |
As the new industry standard for graphic design, Adobe InDesign integrates effortlessly with the Adobe software suite (Photoshop, Illustrator) to give graphic artists superior control over every element of their page layouts. Designers can use it to combine text and illustrations for single- or multi-page documents and to prepare them digitally for output to press, printer or PDF (portable document format). Students in this course gain technical know-how of the application's basic tool layout, image manipulation, and vector integration tools. All the while, concepts of visual communication and design are reinforced through hands-on exercises and practical assignments. By the end of the course, students should exhibit great confidence with the type and compositional commands that are the foundation of this exceptional graphic design application. Prerequisites: Digital Tools for Print Design or equivalent experience Applies to the following certificate programs (36 contact hours): AD-E, AN-E, CB-E, PD-R, SA-E, WE-E |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Digital Tools for Print Design
Date(s); 09/15/10 - 12/08/10 No class dates: 11/24
Time: 9:30am-12:30pm
Sessions: 12
|
2010/CF-DFOU-3543-02 | Bryan Rodrigues | |
This course helps novice users become more confident -- and intermediate students more competent -- with computer-based design. We introduce the Apple computer and its operating system along with Adobe Photoshop, Illustrator and InDesign, and discuss the capture, transfer, manipulation and delivery of images. Proper digital workflow is revealed through class exercises and lecture, as students learn to output content for the printed page. Completion of this course provides you with valuable skill sets relied upon by all productive graphic designers, illustrators and draftsmen. Applies to the following certificate programs: AD-R, CB-R, DI-R, NS-R, PD-R, SA-R |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Digital Tools for Print Design
Date(s); 09/16/10 - 12/09/10 No class dates: 11/25
Time: 2-5pm
Sessions: 12
|
2010/CF-DFOU-3543-03 | Bryan Rodrigues | |
This course helps novice users become more confident -- and intermediate students more competent -- with computer-based design. We introduce the Apple computer and its operating system along with Adobe Photoshop, Illustrator and InDesign, and discuss the capture, transfer, manipulation and delivery of images. Proper digital workflow is revealed through class exercises and lecture, as students learn to output content for the printed page. Completion of this course provides you with valuable skill sets relied upon by all productive graphic designers, illustrators and draftsmen. Applies to the following certificate programs: AD-R, CB-R, DI-R, NS-R, PD-R, SA-R |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | |
| Print Design [back to top] | Introduction to Graphic Form
Date(s); 09/15/10 - 12/08/10 No class dates: 11/24
Time: 7-10pm
Sessions: 12
|
2010/CF-PRNT-0714-01 | Marianne Migliori | |
This course introduces the principles of two-dimensional design in the context of graphic design. Students explore and develop an understanding of visual relationships through the use of such elements and principles as line, shape, value, texture, rhythm, form, counterform, contrast, juxtaposition, progression and sequence. As they review the basic concepts and vocabulary of design, students learn how to critique and discuss visual work. The emphasis throughout is on exploring design through the dynamics of form, letterform and typographic elements. Note: This is not a computer-based course. Applies to the following certificate programs (36 contact hours): AD-R, DI-E, PD-R, SA-E, WE-E |
| Tuition [Non Credit]: $440.00
Course total: 440.00 | | | Graphic Structures + Systems
Date(s); 09/15/10 - 12/08/10 No class dates: 11/24
Time: 6:30-9:30pm
Sessions: 12
|
2010/CF-PRNT-2531-01 | Derek Schusterbauer | |
Graphic designers must have a fundamental understanding of the basic structures and organizing systems that lie beneath all examples of the print designer's craft. Grids and modules are discussed as the primary device for originating compelling design solutions that acknowledge the core rules of proportion, rhythm, pacing and sequence. Adobe Illustrator and InDesign are among the digital tools used to define these unifying structures that are often (but not always) invisible. The class builds upon a foundation of weekly exercises as students develop a solid understanding of the practical considerations involved in the planning and delivery of a conclusive graphic design project. Prerequisite: Adobe InDesign Applies to the following certificate programs (36 contact hours): AD-E, PD-R, SA-E, VE-E, WE-E |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Typographics I
Date(s); 09/14/10 - 12/07/10 No class dates: 11/23
Time: 6:30-9:30pm
Sessions: 12
|
2010/CF-PRNT-2598-01 | Dina Zaccagnini Vincent | |
Created for designers who work primarily on the computer, this course introduces the fundamentals of typography -- theory, practice, technology and history -- so that students can use it to their advantage. Making crucial design decisions on a Macintosh operating system platform, students explore designing with type as they gain experience in composing a single- or multi-page document, laying out page systems effectively, and using type styles to influence expression and communication. Topics include conceptual development, reinforcement of meaning, analysis of letterforms, typographic measurement, typeface classification, typesetting, using grid systems, establishing hierarchies for organizational clarity, and assessing document legibility. Hands-on class and homework assignments provide students with the skills and conceptual understanding that serve as a foundation to most digital design undertakings. Prerequisite: Adobe InDesign Applies to the following certificate programs (36 contact hours): AD-E, DI-E, PD-R, SA-E, VE-E, WE-E |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Typographics II
Date(s); 09/13/10 - 12/06/10 No class dates: 10/11
Time: 6:30-9:30pm
Sessions: 12
|
2010/CF-PRNT-2666-01 | Dina Zaccagnini Vincent | |
Designed to expand students' understanding of basic typographic principles, projects completed in this course enhance skills in visual interpretation and the representation of language. Assignments are sequenced to concentrate on issues of hierarchy, conceptual development, image/type relationships, and structural systems. The curriculum encourages students to think beyond traditional design methods while developing problem-solving skills and concepts that serve as a foundation for more challenging graphic design. Lectures, critiques and in-class explorations reinforce these concepts as students produce CD covers, posters, books, packaging and identity systems that become finished portfolio pieces. Prerequisite: Typographics I Applies to the following certificate programs (36 contact hours): AD-E, AN-E, CB-E, DI-E, PD-R, SA-E, VE-E, WE-E |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | |
| 3D Computer-Generated Imaging [back to top] | Basic Maya: Modeling for 3D Design + Animation
Date(s); 09/14/10 - 12/07/10 No class dates: 11/23
Time: 6:30-9:30pm
Sessions: 12
|
2010/CF-ANIM-2571-01 | Matthew E. Paquin | |
This course introduces Maya, Autodesk's award-winning 3D animation software package whose advanced architecture offers unmatched system speed and streamlined workflow. Maya has been used to create digital creatures, props and set designs for feature films like Avatar, and to create game assets for Call of Duty and Batman: Arkham Asylum. As students learn to navigate the Maya interface, they become familiar with the principles of 3D modeling and their application to the entertainment and manufacturing industries. Students complete the course with an animation of their original construction in Maya's virtual space, ready to be included on a show reel. Prerequisite: Digital Design for the Screen Applies to the following certificate programs (36 contact hours): AD-E, AN-R, VE-E, WE-E |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Parametric Modeling with Rhino (Daytime Design Intensive)
Date(s); 12/13/10 - 12/15/10
Time: 9am-4pm
Sessions: 3
|
2010/CF-PROD-0777-01 | Walter Zesk | |
The new Rhino plug-in Grasshopper is a graphical algorithm editor that allows the user to build parametric models, without the prefabricated data sets and design assumptions of previous software products. Grasshopper requires no programming or scripting knowledge, and has an intuitive interface, allowing designers the freedom to roam in a full-featured modeling environment. Students in this course begin with Grasshopper basics, including paneling and patterning tools, and progress to the construction of generative models based on classic recursion formulas. Exercises develop into projects, as students become proficient in the use of this groundbreaking 3D tool, joining a rapidly growing community of visualization professionals. Prerequisite: Beginning 3D Modeling with Rhino or equivalent experience Applies to the following certificate programs (18 contact hours): AN-E, WE-E |
| Tuition [Non Credit]: $460.00
Course total: 460.00 | | |
| Design for the Web [back to top] | Interface Design for the Web
Date(s); 09/15/10 - 12/08/10 No class dates: 11/24
Time: 6:30-9:30pm
Sessions: 12
|
2010/CF-WEB-2550-01 | Eric Paul Meier | |
Creating an interface that is easy to use and appropriate for the intended audience is a challenge for any web designer. Participants in this course develop an understanding of the interface design process, from determining client and user needs to creating the structure, navigation and screen appearance of a graphically rich site. Students learn to enhance a site's usability and effectiveness by considering perceptual and cultural factors, screen design principles, icon creation, usability standards and their own experiences as web users. Focusing on the design aspects of web design rather than the technology, students work to develop their design process for building usable and compelling interfaces for their web projects. Prerequisite: Digital Design for the Screen or equivalent Applies to the following certificate programs (36 contact hours): AD-E, PD-E, WE-R |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Flash I: Web Animation + Interactivity
Date(s); 09/16/10 - 12/09/10 No class dates: 11/25
Time: 6:30-9:30pm
Sessions: 12
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2010/CF-WEB-2582-02 | Mikhail Mansion | |
Flash injects excitement and dynamism into a website by moving beyond the ordinary. It incorporates interactivity and sound into web pages, whether using scanned images or its extensive palette of vector drawing tools. Its animation capabilities, features for minimizing and monitoring file size, and use of streaming technology have revolutionized web design. In this course, students learn to develop an animated, interactive website with objects or text, including complex buttons, menus and special effects. Participants also become familiar with control buttons and movie clips, and are introduced to the basic elements of ActionScripting. The course concludes with discussion of distribution options for the web and CD. Prerequisite: Digital Design for the Screen or equivalent experience Applies to the following certificate programs (36 contact hours): AD-E, AN-R, CB-E, DI-E, NS-E, PD-E, SA-E, VE-E, WE-R |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Introduction to Dynamic Content Generation Using PHP
Date(s); 09/13/10 - 12/06/10 No class dates: 10/11
Time: 6:30-9:30pm
Sessions: 12
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2010/CF-WEB-2824-01 | Bruce Campbell | |
Ever wonder how the content of a large web site is managed? Rather than having someone update each and every page, the site is built using dynamic content generation techniques. Hypertext preprocessor (PHP) is an HTML-embedded scripting language and is one of the more popular ways to create a dynamic-content web site. PHP is easy to learn for anyone with a basic understanding of programming concepts and offers web designers a simple and universal solution for easy-to-program dynamic web pages. In this class, students embed PHP commands right into an HTML page, learn PHP's syntax, which is similar to that of other programming languages, and create web pages with content pulled from a database. Prerequisite: HTML I: The Language of the Web or permission of instructor Applies to the following certificate program: WE-R |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Cascading Style Sheets
Date(s); 09/15/10 - 12/08/10 No class dates: 11/24
Time: 6:30-9:30pm
Sessions: 12
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2010/CF-WEB-3528-01 | Fred Spencer | |
It has become all too easy to drown in the alphabet soup of new web authoring tools and protocols that seem to appear almost out of nowhere. Luckily, cascading style sheets (CSS) are there to save the day. As a stylistic language, CSS currently serves as an enhancement to the structural code inherent to HTML (hypertext mark-up language). But CSS is poised to become increasingly more important as HTML is replaced by the newest web option, extensible markup language (XML). This course prepares students for the forthcoming reality of working within a web environment built on an XML foundation. Participants can expect their resulting web pages to be more structurally sound even as they demonstrate the qualities that have long been associated with inspired design. Prerequisite: Web Design Studio with Dreamweaver Applies to the following certificate program: WE-R |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Web Design Studio with Dreamweaver
Date(s); 09/15/10 - 12/08/10 No class dates: 11/24
Time: 2-5pm
Sessions: 12
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2010/CF-WEB-2511-02 | Fred Spencer | |
Dreamweaver is one of the most widely used programs for web page creation. This powerful application allows designers to assemble graphics, text and other media in a visually friendly environment, while retaining the ability to work directly with the HTML code. Participants in this course create a web site using Dreamweaver to organize files, import elements, create layouts and edit and link pages in a number of ways. In the process, they explore methods for incorporating interactivity, animation and sound. Students discover time-saving features for reusing elements or styles and learn to integrate Dreamweaver with other web applications. The class also reviews methods for uploading and managing a site from within one easy-to-use environment. Prerequisite: Digital Design for the Screen or equivalent experience Applies to the following certificate programs (36 contact hours): AD-E, AN-E, DI-E, PD-E, WE-R |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Flash II: ActionScripting
Date(s); 09/16/10 - 12/09/10 No class dates: 11/25
Time: 6:30-9:30pm
Sessions: 12
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2010/CF-WEB-2522-01 | Fred Spencer | |
ActionScript is the language that Flash designers use to make their Flash files more interactive, scalable and productive. In this course, students take their Flash skills to the next level by gaining a deeper understanding of ActionScript and by working with advanced features of Flash. Students learn skills specific to Flash, such as how to control the variables and properties of objects, how to create effects like looping and randomizing through ActionScript, and how to work user-interactive elements into their projects. Through hands-on assignments and demonstrations, students work with advanced animation techniques and learn database integration and multiple delivery methods for their Flash projects. Because of the advanced nature of the course, familiarity with Flash's tools, working environment and basic actions is necessary. Prerequisite: Flash I: Web Animation + Interactivity Applies to the following certificate programs (36 contact hours): AN-R, PD-E, VE-E, WE-R |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Flash I: Web Animation + Interactivity
Date(s); 09/14/10 - 12/07/10 No class dates: 11/23
Time: 2-5pm
Sessions: 12
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2010/CF-WEB-2582-01 | Fred Spencer | |
Flash injects excitement and dynamism into a website by moving beyond the ordinary. It incorporates interactivity and sound into web pages, whether using scanned images or its extensive palette of vector drawing tools. Its animation capabilities, features for minimizing and monitoring file size, and use of streaming technology have revolutionized web design. In this course, students learn to develop an animated, interactive website with objects or text, including complex buttons, menus and special effects. Participants also become familiar with control buttons and movie clips, and are introduced to the basic elements of ActionScripting. The course concludes with discussion of distribution options for the web and CD. Prerequisite: Digital Design for the Screen or equivalent experience Applies to the following certificate programs (36 contact hours): AD-E, AN-R, CB-E, DI-E, NS-E, PD-E, SA-E, VE-E, WE-R |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | | Introduction to iPhone App Development (Daytime Design Intensive)
Date(s); 12/13/10 - 12/15/10
Time: 10am-4pm
Sessions: 3
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2010/CF-WEB-1246-01 | Fred Spencer | |
With a mobile browser market share of more than 60 percent, and more than one billion downloaded applications, the iPhone is the hottest platform for mobile device development. This fast-moving course introduces you to the Apple iPhone, Mobile Safari and the iPhone Software Development Kit (SDK). Building on their knowledge base of object-oriented programming models, students examine and complete a Web App (HTML 5 / CSS 3 / JavaScript / touch behaviors) and build a simple, native application, using Xcode and the Cocoa Touch API. Finally, your instructor presents strategies for App Store approval, which are essential to getting your product off your screen and into the pockets of this expanding customer base. Note: While not required, Design for Mobile Devices is recommended. Prerequisites: HTML I: The Language of the Web and Cascading Style Sheets or equivalent experience with HTML and CSS Applies to the following certificate programs (18 contact hours): AD-E, AN-E, VE-E, WE-E |
| Tuition [Non Credit]: $460.00
Course total: 460.00 | | | HTML: The Language of the Web (Hybrid Course)
Date(s); 09/14/10 - 12/07/10 No class dates: 11/23
Time: 6:30-9:30pm
Sessions: 6
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2010/CF-WEB-1241-01 | Bruce Campbell | |
Understanding hypertext markup language (HTML) is essential for designers who want to implement their creative visions online, and it is also surprisingly easy to learn. Students in this course learn the HTML attributes and commands used to create web pages, link to other files or pages, format text, integrate graphics and manage page layout. After creating their projects in HTML, students learn to upload them to a web server using file transfer protocol (FTP) software. Topics of discussion include meta-information (for helping search engines find your web site), cross-platform issues and browser compatibility. Note: This course is offered in a hybrid in-person/online format of six studio sessions interspersed with 18 online contact hours. Students should have Internet access and understand basic web browsing. 6 In-Person Studio Sessions: Tuesdays, 9/14, 9/28, 10/12, 10/26, 11/9, 12/7 Prerequisite: Digital Design for the Screen Applies to the following certificate programs (36 contact hours): AD-E, AN-E, DI-E, PD-E, SA-E, VE-E, WE-R |
| Tuition [Non Credit]: $465.00
Course total: 465.00 | | | Privacy in an Age of Data Plunder (Hybrid Course)
Date(s); 12/03/10 - 12/17/10
Time: 6:30-9:30pm
Sessions: 3
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2010/CF-WEB-1242-01 | Dean Abanilla | |
This seminar investigates the nature and meaning of personal privacy in our rapidly changing digital society. Through readings and class discussions, we explore the history of privacy, and the current influences that are shifting its definition. As we look at the infrastructure of the World Wide Web, we learn how our online activities are captured, logged and preserved as valuable data. Students learn to think critically about how browsing and social networking behaviors, as well as TOS (or Terms of Service), may affect ownership of personal data and other aspects of our lives -- both online and off. Note: This course is offered in a hybrid in-person/online format of three studio sessions interspersed with nine online contact hours. Students should have Internet access and understand basic web browsing. 3 In-Person Studio Sessions: Fridays, 12/3, 12/10, 12/17 Applies to the following certificate programs (18 contact hours): AD-E, AN-E, DI-E, VE-E, PD-E, WE-E |
| Tuition [Non Credit]: $360.00
Course total: 360.00 | | | Web Design Studio with Dreamweaver
Date(s); 09/14/10 - 12/07/10 No class dates: 11/23
Time: 6:30-9:30pm
Sessions: 12
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2010/CF-WEB-2511-01 | Fred Spencer | |
Dreamweaver is one of the most widely used programs for web page creation. This powerful application allows designers to assemble graphics, text and other media in a visually friendly environment, while retaining the ability to work directly with the HTML code. Participants in this course create a web site using Dreamweaver to organize files, import elements, create layouts and edit and link pages in a number of ways. In the process, they explore methods for incorporating interactivity, animation and sound. Students discover time-saving features for reusing elements or styles and learn to integrate Dreamweaver with other web applications. The class also reviews methods for uploading and managing a site from within one easy-to-use environment. Prerequisite: Digital Design for the Screen or equivalent experience Applies to the following certificate programs (36 contact hours): AD-E, AN-E, DI-E, PD-E, WE-R |
| Tuition [Non Credit]: $695.00
Course total: 695.00 | | |
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