Walker Connects with Students

Walker Connects with Students

MacArthur Award-winning artist Kara Walker MFA 94 PT/PR was totally candid when she returned to RISD on November 18, 2016 for an open conversation with members of the campus community. Sponsored by the RISD Museum and moderated by Richard Brown Baker Curator of Contemporary Art Dominic Molon, the rare appearance allowed Walker—who has made a huge impact on the world and is especially revered in the RISD community—to speak directly to current students and respond to the (tough) questions they posed.

Jagdeep Raina MFA 16 PT introducing Walker

Recent graduate Jagdeep Raina MFA 16 PT—who says he chose to come to RISD in large part because Walker studied here—and current grad student Kelly Mitchell MFA 17 PR offered warm and eloquent introductions to welcome the visiting artist to the stage. “Kara uses beauty to represent true horror,” Mitchell noted. “Her work encourages me to keep going when others say I’ve gone far enough.”

Though critics have long accused Walker of going too far, she told students that she hopes they never have to face such harsh criticism. At the same time, she also encouraged them to try to be thick-skinned as artists and to “use [their] work to get centered.”

“It’s all improvisation and stream of consciousness in response to whatever is aggravating me.”

During the two-hour conversation in the RISD Auditorium—which was packed to capacity—Walker spoke a lot about her artistic process: jogging ideas loose by writing and by drawing and painting with watercolors. “I use [these techniques] as a way to figure out what it is I’m ignoring or trying to suppress,” she explained. “It’s all improvisation and stream of consciousness in response to whatever is aggravating me.”

Walker’s recent piece The Republic of New Afrika at a Crossroads (2016, graphite, raw pigment, watercolor medium on paper, 113 x 215" overall)

The provocative drawings, paintings and cut-paper silhouettes Walker creates unpack America’s history of racism and violence and demand the viewer’s attention. Still, she admitted, in a world still struggling with brutality and gross inequality, “art can only do so much.”

Dominic Molon, a curator at the RISD Museum, posed questions submitted by students.

Of course, since no RISD conversation would be complete without some mention of crits, Walker joked that the steady stream of difficult questions she (gracefully and thoughtfully) fielded from Molon—who read from the questions students had submitted in advance—was “the hardest crit ever.” She also offered helpful advice about coping with criticism and preventing it from derailing them.

“I’m drawn to things I’m afraid of—like a moth to a flame,” Walker noted. “But I do my work because I have to do my work…. Sometimes I’d rather do nothing, but I need to respond to things that are aggravating me and not get complacent.”

Simone Solondz

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