Elinore Hollinshead

Professor
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RISD faculty member Elinore Hollinshead
BA, Yale University
MFA, Indiana University Bloomington

Elinore Hollinshead has been teaching in RISD’s Experimental and Foundation Studies division since 2000 and taught in the Illustration and Painting departments before that. Her paintings have been described as “timeless, with the past, present and future melding together in a mysterious flux.” Most recently,she has shown her work at the Nature Conservancy Preserve Center Gallery, the Boulders, and the Orchard Cottage Exhibition Space, all in Cragsmoor, NY.

Hollinshead was awarded the Julia and David White Colony Fellowship Residency in Costa Rica five times from 2004–09 and designed and led a Wintersession course on drawing in Costa Rica in 2009.

Courses

Fall 2023 Courses

FOUND 1001-11 - STUDIO:DRAWING
Level Undergraduate
Unit Experimental and Foundation Studies
Subject Foundation Studies
Period Fall 2023
Credits 3
Format Studio
Mode In-Person
Start date
End date

FOUND 1001-11

STUDIO:DRAWING

Level Undergraduate
Unit Experimental and Foundation Studies
Subject Foundation Studies
Period Fall 2023
Credits 3
Format Studio
Mode In-Person
Start and End 2023-09-06 to 2023-12-13
Times: M | 1:00 PM - 5:00 PM; M | 8:30 AM - 12:00 PM Instructor(s): Elinore Hollinshead Location(s): Waterman Building, Room 31 Enrolled / Capacity: 21 Status: Closed

SECTION DESCRIPTION

Studio: Drawing is pursued in two directions: as a powerful way to investigate the world, and as an essential activity intrinsic to all artists and designers. As a primary mode of inquiry, drawing is a central means of forming questions and creating knowledge across disciplines. Through wide-ranging drawing approaches, students are prompted to work responsively and self-critically to embrace the unpredictable intersection of process, idea and media. To pursue these larger ideas, the studio becomes a laboratory of varied and challenging activities. Instructors introduce drawing as a dynamic two-dimensional record of sensory search, conceptual thought, or physical action. Students investigate materiality, imagined situations, idea generation, and the translation of the observable world. Formal and intellectual risks are encouraged during a sustained engagement with the possibilities of material, mark-making, perception, abstraction, performance, space and time. As students trust the drawing process, they become more informed about its uncharted potentials, and accept struggle as necessary and positive; they gain confidence in their own sensibilities.

Enrollment is limited to first-year Undergraduate Students.

Major Requirement | BFA

Spring 2024 Courses

FOUND 1002-04 - STUDIO:DRAWING
Level Undergraduate
Unit Experimental and Foundation Studies
Subject Foundation Studies
Period Spring 2024
Credits 3
Format Studio
Mode In-Person
Start date
End date

FOUND 1002-04

STUDIO:DRAWING

Level Undergraduate
Unit Experimental and Foundation Studies
Subject Foundation Studies
Period Spring 2024
Credits 3
Format Studio
Mode In-Person
Start and End 2024-02-15 to 2024-05-24
Times: T | 1:30 PM - 6:00 PM; T | 9:30 AM - 12:30 PM Instructor(s): Elinore Hollinshead Location(s): Waterman Building, Room 31 Enrolled / Capacity: 20 Status: Open

SECTION DESCRIPTION

Studio: Drawing is pursued in two directions: as a powerful way to investigate the world, and as an essential activity intrinsic to all artists and designers. As a primary mode of inquiry, drawing is a central means of forming questions and creating knowledge across disciplines. Through wide-ranging drawing approaches, students are prompted to work responsively and self-critically to embrace the unpredictable intersection of process, idea and media. To pursue these larger ideas, the studio becomes a laboratory of varied and challenging activities. Instructors introduce drawing as a dynamic two-dimensional record of sensory search, conceptual thought, or physical action. Students investigate materiality, imagined situations, idea generation, and the translation of the observable world. Formal and intellectual risks are encouraged during a sustained engagement with the possibilities of material, mark-making, perception, abstraction, performance, space and time. As students trust the drawing process, they become more informed about its uncharted potentials, and accept struggle as necessary and positive; they gain confidence in their own sensibilities.

Enrollment is limited to first-year undergraduate students.

Major Requirement | BFA

Image
RISD faculty member Elinore Hollinshead
BA, Yale University
MFA, Indiana University Bloomington