Joy Ko

Critic - Textiles
Image
Joy Ko
BA, Dartmouth College
PHD, New York University

Joy Ko is an artist and educator. Her teaching, research and writing explore the use of computation and digital technologies to augment and extend the creative process. In her studio, she renders walks in the woods, mixes memory with imagination and keeps things moving forward by staying (more or less) still. Trained as a mathematician, she has found her way towards the intersection of mathematics, computation, art and design. She has devoted considerable effort to demystifying mathematics and computation for artists and designers and has captured some of these insights in Geometric Computation: Foundations for Design (Routledge, 2018). She believes art and design have a unique role in guiding society: to anticipate changes, explore them critically and show many possible futures. She has taught in multiple departments at RISD including Architecture, Textiles and Industrial Design. Since 2021 she has guided the work of the Virtual Textiles Research Group (VTRG).

Courses

Fall 2023 Courses

ID 20ST-08 - SPECIAL TOPIC DESIGN STUDIO
Level Undergraduate
Unit Industrial Design
Subject Industrial Design
Period Fall 2023
Credits 3
Format Studio
Mode In-Person
Start date
End date

ID 20ST-08

SPECIAL TOPIC DESIGN STUDIO

Level Undergraduate
Unit Industrial Design
Subject Industrial Design
Period Fall 2023
Credits 3
Format Studio
Mode In-Person
Start and End 2023-09-06 to 2023-12-13
Times: TH | 8:00 AM - 1:00 PM Instructor(s): Joy Ko Location(s): Bayard Ewing Building, Room 117 Enrolled / Capacity: 15 Status: Closed

SECTION DESCRIPTION

Juniors take two 3-credit Special Topic Design Studios in the Fall semester. Juniors choose one 3-credit option from the Content category such as Packaging, Typography, Play, or UI/UX, and the other option from the "Process" category such as Casting, Soft Goods or Prototyping. Students will gain multiple competencies by utilizing techniques and methodologies through practice and process. Each studio meets once per week.

Please contact the department for permission to register; registration is not available in Workday. 

Major Requirement | BFA Industrial Design

Wintersession 2024 Courses

APPAR 1550-101 / TEXT 1550-101 - *INDIA: SENSED: CRAFT AND COLLABORATION IN THE DIGITAL AGE
Level Undergraduate
Unit Textiles; Apparel Design
Subject Apparel Design Textiles
Period Wintersession 2024
Credits 6
Format Studio
Mode In-Person
Start date
End date

APPAR 1550-101 / TEXT 1550-101

*INDIA: SENSED: CRAFT AND COLLABORATION IN THE DIGITAL AGE

Level Undergraduate
Unit Textiles; Apparel Design
Subject Apparel Design Textiles
Period Wintersession 2024
Credits 6
Format Studio
Mode In-Person
Start and End 2024-01-04 to 2024-02-07
Instructor(s): Catherine Andreozzi, Joy Ko Enrolled / Capacity: 12 Status: Closed

SECTION DESCRIPTION

This global travel course offers a unique opportunity to experience craft as practiced at the highest level on location in Jaipur, India, with its long tradition and rich diversity of artisan culture, and to explore how digital technologies which pervade contemporary art and design education can act in collaboration. Hosted by DirectCreate, a network and facilitator of collaboration for Indian artisans, students will have first-hand exposure to the artisan’s environment and to observe the production of work hewn by place-based considerations such as regional climate, culture and infrastructure. Guided by project-based prompts and engaging in making activities together, this course invites a conversation about the nature of collaborative practices integrating craft while exploring new potential approaches to advanced technology.
 
There has been an emergence of global interest in craft (DIY practices, revival of sewing and knitting clubs) catalyzed by pandemic-era isolation and disseminated through mediated technologies. This boom in amateur craft stands in stark contrast to the devastation of many professional hand-based craft industries which saw their markets all but disappear and little know-how or access to digital markets. Such paradoxes and the pandemic-era decline of travel and devaluation of live settings in education, act as fitting backdrops for students in this course to become fully immersed within the shifting boundaries between art, design and craft and to foreground questions like "How can traditional craft meaningfully engage tools like 3D modeling or 3D printing" or “What is the role of the hand in the metaverse?"

Registration is not available in Workday. Students must complete an application through RISD Global. A minimum GPA of 2.5 is required and permission of instructor. Failure to remain in good academic standing can lead to removal from the course, either before or during the course. Most courses are open to first year students with approval from the Dean of Experimental and Foundation Studies.

APPAR 1550-101 / TEXT 1550-101 - *INDIA: SENSED: CRAFT AND COLLABORATION IN THE DIGITAL AGE
Level Undergraduate
Unit Textiles; Apparel Design
Subject Apparel Design Textiles
Period Wintersession 2024
Credits 6
Format Studio
Mode In-Person
Start date
End date

APPAR 1550-101 / TEXT 1550-101

*INDIA: SENSED: CRAFT AND COLLABORATION IN THE DIGITAL AGE

Level Undergraduate
Unit Textiles; Apparel Design
Subject Apparel Design Textiles
Period Wintersession 2024
Credits 6
Format Studio
Mode In-Person
Start and End 2024-01-04 to 2024-02-07
Instructor(s): Catherine Andreozzi, Joy Ko Enrolled / Capacity: 12 Status: Closed

SECTION DESCRIPTION

This global travel course offers a unique opportunity to experience craft as practiced at the highest level on location in Jaipur, India, with its long tradition and rich diversity of artisan culture, and to explore how digital technologies which pervade contemporary art and design education can act in collaboration. Hosted by DirectCreate, a network and facilitator of collaboration for Indian artisans, students will have first-hand exposure to the artisan’s environment and to observe the production of work hewn by place-based considerations such as regional climate, culture and infrastructure. Guided by project-based prompts and engaging in making activities together, this course invites a conversation about the nature of collaborative practices integrating craft while exploring new potential approaches to advanced technology.
 
There has been an emergence of global interest in craft (DIY practices, revival of sewing and knitting clubs) catalyzed by pandemic-era isolation and disseminated through mediated technologies. This boom in amateur craft stands in stark contrast to the devastation of many professional hand-based craft industries which saw their markets all but disappear and little know-how or access to digital markets. Such paradoxes and the pandemic-era decline of travel and devaluation of live settings in education, act as fitting backdrops for students in this course to become fully immersed within the shifting boundaries between art, design and craft and to foreground questions like "How can traditional craft meaningfully engage tools like 3D modeling or 3D printing" or “What is the role of the hand in the metaverse?"

Registration is not available in Workday. Students must complete an application through RISD Global. A minimum GPA of 2.5 is required and permission of instructor. Failure to remain in good academic standing can lead to removal from the course, either before or during the course. Most courses are open to first year students with approval from the Dean of Experimental and Foundation Studies.

Spring 2024 Courses

IDISC 2350-01 / TEXT 2350-01 - DIGITAL MATERIALITY
Level Undergraduate
Unit Textiles
Subject Interdisciplinary Studies Textiles
Period Spring 2024
Credits 3
Format Studio
Mode In-Person
Start date
End date

IDISC 2350-01 / TEXT 2350-01

DIGITAL MATERIALITY

Level Undergraduate
Unit Textiles
Subject Interdisciplinary Studies Textiles
Period Spring 2024
Credits 3
Format Studio
Mode In-Person
Start and End 2024-02-15 to 2024-05-24
Times: TH | 1:10 PM - 6:10 PM Instructor(s): Joy Ko Location(s): College Building, Room 542 Enrolled / Capacity: 12 Status: Open

SECTION DESCRIPTION

The material qualities of textile design and fabrication refer to our relationship to all aspects of the physical and tangible world. While computation has long been responsible for pushing the traditional techniques of textiles to high levels of mechanical industrial expression, digital sensibility and know-how of digital technologies are now increasingly seen as means to push the frontier and very definition of fabric. Parallel advances in digital fabrication and the invention of smart materials now allow for added dimensionality and functionality in fabric, and computation is a key interface for material exploration. In this course, students will learn to modulate the performance and behavior of fabric through its geometry and other systems of continuous structural surface within a computational framework. This students will provide students with the opportunity to push the boundaries of fabric design across disciplines and studio practices.

Offered as TEXT-2350 and IDISC-2350.

Estimated Cost of Materials: Varies by project.

Please contact the department for permission to register. 

Elective

IDISC 2350-01 / TEXT 2350-01 - DIGITAL MATERIALITY
Level Undergraduate
Unit Textiles
Subject Interdisciplinary Studies Textiles
Period Spring 2024
Credits 3
Format Studio
Mode In-Person
Start date
End date

IDISC 2350-01 / TEXT 2350-01

DIGITAL MATERIALITY

Level Undergraduate
Unit Textiles
Subject Interdisciplinary Studies Textiles
Period Spring 2024
Credits 3
Format Studio
Mode In-Person
Start and End 2024-02-15 to 2024-05-24
Times: TH | 1:10 PM - 6:10 PM Instructor(s): Joy Ko Location(s): College Building, Room 542 Enrolled / Capacity: 12 Status: Open

SECTION DESCRIPTION

The material qualities of textile design and fabrication refer to our relationship to all aspects of the physical and tangible world. While computation has long been responsible for pushing the traditional techniques of textiles to high levels of mechanical industrial expression, digital sensibility and know-how of digital technologies are now increasingly seen as means to push the frontier and very definition of fabric. Parallel advances in digital fabrication and the invention of smart materials now allow for added dimensionality and functionality in fabric, and computation is a key interface for material exploration. In this course, students will learn to modulate the performance and behavior of fabric through its geometry and other systems of continuous structural surface within a computational framework. This students will provide students with the opportunity to push the boundaries of fabric design across disciplines and studio practices.

Offered as TEXT-2350 and IDISC-2350.

Estimated Cost of Materials: Varies by project.

Please contact the department for permission to register. 

Elective

Image
Joy Ko
BA, Dartmouth College
PHD, New York University