Mimi Cabell trained in photography and the language arts; in her practice she interrogates “the image” and the different ways it is created through visual and textual grammar. She has recent or forthcoming work in Cabinet magazine, Prodigal journal, SaladePublication, The Broome Street Review, Manual (a journal about art and its making) and on Somesuch stories. Her collaborative work, American Psycho, was featured in Kunstforum’s fall 2016 ‘post-digitalism’ issue and has been available at Printed Matter in New York and Yvon Lambert Gallery in Paris. She has recently shown or presented work in Helsinki, Finland; Reykjavik, Iceland; Minneapolis, MN; and in Ramallah, Palestine as part of Shifting Ground, an offsite project commissioned by Sharjah Biennial 13, curated by Lara Khaldi.
Apparel Design Architecture Ceramics Digital + Media Experimental and Foundation Studies Film / Animation / Video Furniture Design Glass Graduate Studies Graphic Design History of Art + Visual Culture History, Philosophy + the Social Sciences Illustration Industrial Design Interior Architecture Jewelry + Metalsmithing Landscape Architecture Literary Arts + Studies Painting Photography Printmaking Sculpture Teaching + Learning in Art + Design Textiles