Courses

Curriculum

pdf iconBFA Curriculum in Printmaking 2013-14   pdf iconMFA Curriculum in Printmaking 2013-14

 

Courses

Fall Semester 2013
  • PRINT-4652

    ADVANCED INTAGLIO

    Credits: 3.00

    Presenting visual ideas clearly in any medium requires sensitive interaction with materials and an understanding of their possibilities. Intaglio processes encourage the generation of a rich variety of marks and surfaces. Proofing allows for analysis and insight into the way you construct an image, and is an ideal arena for color experimentation. Students are encouraged to master and adapt intaglio techniques in relation to their own imagery, and in the process gain proficiency in multiple-plate, color intaglio image-making, processing and printing. Group and individual critiques will allow for feedback and exchange of ideas. Emphasis is on imagery as much as technical competence, and students work towards a final project involving a series of related prints.
    Major elective; Printmaking majors only
    Elective for nonmajors by permission
  • PRINT-4644

    BIG SCREEN PRINTS

    Credits: 3.00

    Students will use the department's new 5-yard table to print their screens along lengths of paper or fabric, joining each impression to the previous one to create continuous surfaces. The process will expand their options to work on large size and large scale prints on different grounds. The first structured projects will introduce strategies for designing a continuous pattern and the use of water-base pigments. Additional techniques will include flocking, use of metallic leaf and puff pigment to enhance the print. Individual directions in work will be encouraged. At the end each student should have finished a series of prints that demonstrate creativity and competence in the application of the newly acquired techniques.
    Major Elective, Elective for Non-Majors by Permission
  • PRINT-4642

    BOOKBINDING

    Credits: 3.00

    This class is primarily about learning the function of producing of artist books. It's objective is to acquaint students with the tools and materials as well as proper construction and execution so as to facilitate their ability to use the techniques as they wish. While intertwining this with content is part of it, it is 80% form and construction. Ultimately, we will work together to gain a solid foundation in this media that can transfer into and augment the individual's own departmental work.
    Decision and problem solving en route to a final piece is key in making books. The class will discuss the positives and negatives of choosing materials and the structural layout of a book, The importance of becoming familiar with adhesives, tools and potential problems in the process will be stressed.
    Aspects of adhesive and non adhesive bindings as well as traditional and non traditional books will be covered in ways to enable each student to determine where their strengths and desires lay. It also will create work that will convey the contents narrative into a complete idea. This should not only leave each person with an enthusiasm for the book form as art, but the ability and confidence to produce books on their own. Assignments will be given each week with the objective of manifesting that week's demonstration and objectives into a realized binding. Each student will be required to produce a minimum of ten books. As weeks pass, we will slowly turn from teacher required bindings into student conceived bindings, ultimately culminating in a unique, wholly individual expression.
    Estimated Cost of Materials: $175
    Major Elective; Elective for Non-Majors by Permission
  • PRINT-4621

    DRAWING ALL TO ITSELF

    Credits: 3.00

    Drawing is very often the backbone in service of some other artistic pursuit. In this course we will explore drawing as a means of expression all to itself. Our goal is to help students better realize their personal vision by strengthening their formal and thematic approach to drawing. We aim to achieve our goal by building confidence in mark making. We will begin by using observational drawing then branching off in different directions in order to produce the widest possible range of images. Assignments that are designed to encourage experimentation with material and media will give way to more independently conceived projects as the course progresses.
    Elective
  • PRINT-726G

    GRADUATE PRINT PROJECTS I

    Credits: 3.00

    Grad Print I focuses on artistic decisions using waterbase silkscreen as a medium. Photo processes will be integral to the course. Various surfaces for printing, the integration with painting or drawing, scale investigations, and other materials combined with silkscreen will be encouraged. Aesthetic discourse will occur in individual and group critiques.
    Estimated cost of materials: $100.00
    Major requirement; Printmaking majors only
    Registration by Printmaking department, course not available via web registration
    Elective for other graduate students by permission of instructor required
  • PRINT-461G

    GRADUATE PRINTMAKING I: HISTORICAL CONTEXT AND PRACTICE

    Credits: 3.00

    Students in the graduate printmaking program will utilize graduate level research and scholarship as an impetus for growth within studio practice. Investigation into historical cycles of printmaking will be fostered through assigned texts and exploration of primary resources available at RISD, especially The RISD Museum. A dialogue stemming from intensive studio work will be developed in varied formats by faculty, visiting artists and peers throughout the semester.
    Graduate major requirement; Printmaking majors only
    Registration by Printmaking department, course not available via web registration
  • PRINT-463G

    GRADUATE PRINTMAKING III: HISTORICAL CONTEXT AND PRACTICE

    Credits: 6.00

    Students in the graduate printmaking program will utilize graduate level research and scholarship as an impetus for growth within studio practice. Investigation into historical cycles of printmaking will be fostered through assigned texts and exploration of primary resources available at RISD, especially The RISD Museum. A dialogue stemming from intensive studio work will be developed in varied formats by faculty, visiting artists and peers throughout the semester.
    Graduate major requirement; Printmaking majors only
    Registration by Printmaking department, course not available via web registration
  • PRINT-4606

    INTAGLIO I

    Credits: 3.00

    Technical fundamentals related to each of the basic intaglio processes will be demonstrated throughout the semester. Traditional and contemporary intaglio applications will also be presented and experimentation will be encouraged. A series of monotypes, small editions in each process and a larger technical combination plate will comprise the final portfolio assignment. Imagery, concept and content will represent a primary course element as technical facility is mastered. Individual critiques will be the standard throughout and two group critiques at the midpoint and end of the semester will also be scheduled.

    Estimated cost of materials: $100.00
    Major requirement; Printmaking majors only
    Registration by Printmaking department; course not available via web registration
    Elective for nonmajors by permission
  • PRINT-4648

    JUNIOR PRINT WORKSHOP: CRITIQUES

    Credits: 3.00

    This course primarily involves the search for personal, idiosyncratic visual direction. Juniors will refine technical application; engage in experimentation and study historical/contemporary entity as the course progresses from scheduled project orientation to more independent bodies of work involving printmaking and its combinations with other mediums. Installation and presentation of work created will be analyzed as a critical component. This course will encompass oral presentations, discussion pertinent to visual art issues and the establishment of a viable, professional work ethic. Critique will be frequent, on individual and group basis at mid-term and end of semester.
    Estimated cost of materials: $100.00
    Major requirement; Printmaking majors only
    Registration by Printmaking department, course not available via web registration
  • PRINT-4640

    LETTERPRESS PRINTING ON THE VANDERCOOK PROOF PRESS

    Credits: 3.00

    At the intersection of commercial and fine art printing for centuries, letterpress printing is now enjoying a resurgence of interest. This course will serve as an introduction to letterpress printing, where students will learn to operate and troubleshoot the Printmaking Department's Vandercook Universal II proof press. A wide spectrum of letterpress techniques and concepts will be discussed. Topics to be covered will include: - History of letterpress printing - Handset typesetting from the growing Printmaking type collection of wood and metal type - Printing and routine troubleshooting on the Vandercook proof press - Photopolymer platemaking, from digital and mechanically produced film - Digital file preparation and film output - Multicolor printing and registration Students will be expected to produce a body of work incorporating the various techniques covered.
    Major elective; Elective for nonmajors by permission
  • PRINT-4608

    LITHOGRAPHY

    Credits: 3.00

    This course offers basic black and white lithographic technical applications on lithostone and lithoplate to those students who are at the beginning level.
    Contemporary techniques, and technical short-cuts will elaborate on traditional processing. Experimentation is encouraged throughout the semester while emphasis is placed on the development of personally innovative imagery and concept. Informal group and individual critiques are conducted in conjunction with group mid-semester and final critiques. A professionally portfolio of assigned prints is due at the end of the course.
    Estimated cost of materials: $100.00
    Course may be repeated for credit
    Major requirement, Printmaking majors only
    Registration by Printmaking department, course not available via web registration
    Elective for nonmajors by permission
  • PRINT-4651

    SENIOR PRINT WORKSHOP: CRITIQUE

    Credits: 3.00

    this course provides the printmaking major the opportunity to work closely with Printmaking faculty on a concentrated and advanced basis beyond study in a print elective course. Focus on the development of printmaking related work prior to the Degree Project, relying primarily on individual and group critiques, will culminate in the Degree Project Proposal-foundation for both the Written Thesis and Degree Project body of work that is the focus of Spring Semester for senior printmakers.
    Estimated Cost of Materials: $200.00
    Must also register for PRINT 4622
    Major requirement; Printmaking majors only
    Registration by Printmaking department, course not available via web registration
  • PRINT-4622

    SENIOR PRINT WORKSHOP: SEMINAR

    Credits: 3.00

    This course offers a practical foundation for professional career options in printmaking and fine arts. Various aspects of a studio career will be covered including: resumes, artists' statements, grants, photographing slides of work, artists' taxes, exhibition planning, graduate school applications, web-presence, publishing workshops, & etc. Career Services serves as an important resource. Students will submit examples of all relevant materials covered, conduct research and compile a personal professional file. .
    Must also register for PRINT 4651
    Major requirement; Printmaking majors only
    Registration by Printmaking department, course not available via web registration
  • PRINT-4610

    WATERBASE SILKSCREEN I

    Credits: 3.00

    Students will stretch their own screens and will be introduced to a wide range of stencil techniques (cut film, paper stencil, crayon and glue, tusche and glue, and photo). Students are urged to experiment with stencil and printing techniques to produce a portfolio of editioned prints.
    Estimated cost of materials: $175.00
    Elective for nonmajors by permission
  • PRINT-4615

    WORKSHOP: LIGHT TO INK

    Credits: 3.00

    Contemporary Printmaking's use of photo print processes is ubiquitous. This class is about laying a foundation in making prints using those processes. The class is designed to introduce students to the basics of Printmaking using either hand made, digital or photo-made matrixes. The class will learn to make prints using the traditional print methods of intaglio, lithography and screenprint and build a base of information about the production of the film transparencies from which the matrix is made. Students will be taught the skills necessary to take the photo, computer, or handmade image from a one or a series of positive transparencies to a finished print. "From Light to Ink" is a starting point for growth and exploration in photo printmaking and an introduction to printing in intaglio, lithography and screenprint. No prior knowledge of printmaking is required. This class is most appropriate for Sophomores, Juniors and 1st semester Seniors.
    Major requirement; Non-Majors by Permission of Instructor
    Registration by Printmaking department, course not available via web registration
Wintersession 2014
  • PRINT-W460

    ARTISTS' BOOKS

    Credits: 3.00

    Artists have used books as a place for gathering ideas for many centuries. Many artists also make specific works in book format. The goals of this class are to explore the book as a space for artistic production and combine structure and content in a concise and meaningful way. Students will learn a variety of book structures from simple folded books to more complex sewn bindings. The class will include visits to view Artists' Books in the Fleet Library Special Collections and the Prints, Drawings and Photographs room in the RISD Museum.
    Estimated Cost of Materials: $175
  • PRINT-W168

    LITHOGRAPHY I

    Credits:

    In this studio-based course, students will explore drawing through traditional lithographic processes on stone and lithoplate. Drawing is a central component to lithography and students will have the opportunity to build on their drawing style while learning a new medium. We will learn the technical process involved in stone/plate preparation, the characteristics of lithographic imagery, drawing and printing. The course will focus on the traditional lithographic process while incorporating experimental printing techniques such as stencil-making and color layering. Each week will consist of demonstrations and in-class work time. Assignments will include the completion of two stone, one plate and a final exploratory print project of the student's choosing.
    A Minskoff Drawing/Print room tour will give students in-depth exposure to the medium and provide source material and a critical historical context. Critiques will take place throughout the semester with the intent of exchanging thoughtful analysis and opening a critical dialogue between peers.
    Estimated Material Costs: $175
    Open to Undergraduate and Graduate Students
  • PRINT-4607

    PHOTO PROCESS: LIGHT TO INK

    Credits: 3.00

    The course is designed to introduce traditional printmaking techniques featuring photographic process. The integral part of this class is materializing ideas into printed states. Students are encouraged to generate intriguing chemistry between the idea and material through the medium of printmaking. Source images from diverse origins are welcome, for instance, photo-shoots, digital drawing, screen captures, or photocopies. Something beyond ordinary expectation is highly encouraged. There will be demonstrations silkscreen, Intaglio, and other alternative techniques. Students will learn to optimize digital files for printing films used in photographic processes, and learn to use digital grounds for inkjet printing directly on a variety of substrates. Assessment is based on critiques, proposal of final project, and a final portfolio of prints.
    Open to Undergraduate and Graduate Students
  • PRINT-W456

    RELIEF PRINTMAKING

    Credits: 3.00

    As the oldest form of printmaking in existence, relief printmaking, that is, the transfer of ink from one inked raised surface to another surface, has an exciting, diverse, and rich history. Transforming visual culture as we know it, relief prints have served as a means to express and communicate images and information, and it remains a relevant and significant medium in contemporary art.
    Students in this introductory course will focus on linocut relief printing, as linoleum is generally easier to carve than wood, giving us more time to focus on the basics of creating an image and printing, in order for students to produce a body of work based on assignments and individual projects. The class is structured around demonstrations of techniques and projects, such as the single-block, the multi-block and the reductive-cut techniques, and an edition of prints for a class print exchange. The course will be supplemented by trips to the museum and library to see ways other artists have employed relief printmaking in their own work.
    Students will come away with a newfound understanding of the powerful graphic qualities inherent in the medium, new considerations of ways to employ markmaking, and a sense of the range of possibilities linocut printmaking can provide to his or her practice. The ability to produce linocuts at home without a press is one of the many benefits of relief printing and will allow students to continue to build on what they learn in this class after it ends.

    Estimated cost of materials: $125.00
    Open to Undergraduate and Graduate Students
  • PRINT-W447

    SILKSCREEN I

    Credits: 3.00

    Using silkscreen as an introductory platform, students in this course will investigate the creative benefits and freedoms of utilizing the print matrix in all of its capacities. Students will be asked to develop individualized reasons to explain why it's to their benefit to make an edition at all? Why would you want to have more than one copy of an image? What kind of transformations can take place in an artwork when you have a number of copies with which to explore the image's development and evolution? In addition to learning the basic techniques and skills needed to create a dynamic, multi-color screenprint, students will be introduced to monoprinting, pouchoir, photographic and transfer techniques, thus widening the tool box from which they can turn their printed editions into unique works.
    We will discuss the history of the traditional print edition, the edition variable and unique print-based artworks, utilizing the RISD museum's print department to see examples of such work. The class will conclude with a final project where students will be asked to turn a printed edition into another form(s) - sculptures, books, animations, films are all possibilities of what student will be encouraged to explore. Both undergraduate and graduate students are encouraged to enroll and we anticipate a wide range of cross-departmental experiences. Our hope is to foster a classroom community of artists who are excited to step away from convention while learning the skills necessary to create a multi-faceted and highly developed screen-print.
    Estimated Material Cost: $175
    Open to Undergraduate and Graduate Students
Spring Semester 2014
  • PRINT-4618

    ADVANCED LITHOGRAPHY

    Credits: 3.00

    This course offers color printing as well as selected advanced lithographic techniques on lithostone and plate to students who have successfully completed a basic lithography course and now wish to pursue the medium further. Initially, a black and white lithographic image will be printed before progressing to advanced color and technical applications. Experimentation is encouraged while development of personally innovative imagery and concept is stressed. Informal group and individual critiques are conducted in conjunction with mid-semester and final critiques. Prints submitted at the end of the course must be competently executed and professionally presented in a portfolio.
    Major Elective, Elective for non-majors by permission
    Estimated Cost of Materials: $150.00
  • PRINT-4642

    BOOKBINDING

    Credits: 3.00

    This class is primarily about learning the function of producing of artist books. It's objective is to acquaint students with the tools and materials as well as proper construction and execution so as to facilitate their ability to use the techniques as they wish. While intertwining this with content is part of it, it is 80% form and construction. Ultimately, we will work together to gain a solid foundation in this media that can transfer into and augment the individual's own departmental work.
    Decision and problem solving en route to a final piece is key in making books. The class will discuss the positives and negatives of choosing materials and the structural layout of a book, The importance of becoming familiar with adhesives, tools and potential problems in the process will be stressed.
    Aspects of adhesive and non adhesive bindings as well as traditional and non traditional books will be covered in ways to enable each student to determine where their strengths and desires lay. It also will create work that will convey the contents narrative into a complete idea. This should not only leave each person with an enthusiasm for the book form as art, but the ability and confidence to produce books on their own. Assignments will be given each week with the objective of manifesting that week's demonstration and objectives into a realized binding. Each student will be required to produce a minimum of ten books. As weeks pass, we will slowly turn from teacher required bindings into student conceived bindings, ultimately culminating in a unique, wholly individual expression.
    Estimated Cost of Materials: $175
    Major Elective; Elective for Non-Majors by Permission
  • PRINT-462G

    GRADUATE PRINTMAKING II: CURATORIAL & CRITICAL TOPICS AND PRACTICE

    Credits: 6.00

    What is the curatorial imperative? By incorporating curation into studio practice, artists understand the context for placing new combinations into the world. Collecting, archiving and critical analysis of source material will develop a philosophy of stewardship. Central questions about printmaking as a crucial core for many disciplines that incorporate the relation between matrix and formed object, layers, reversals, positive and negative and replication of original and appropriated media will provide a structure. The state of print publishing, art fairs and current curatorial literature will inform ongoing discussion.
    Graduate major requirement; Printmaking majors only
    Registration by Printmaking department, course not available via web registration
  • PRINT-464G

    GRADUATE PRINTMAKING IV: CRITICAL TOPICS AND PRACTICE

    Credits: 9.00

    What is the place of printmaking in the art-world and the world at large today? Central questions about printmaking as a crucial core for many disciplines that incorporate the relation between matrix and formed object, layers, reversals, positive and negative, the replication of original and appropriated media will provide a structure. The state of print publishing, art fairs and current critical literature will inform ongoing discussions, research, and presentations.
    Graduate major requirement; Printmaking majors only
    Registration by Printmaking department, course not available via web registration
  • PRINT-469G

    GRADUATE PRINTMAKING THESIS: ARTICULATING THE IDEAS AND PROCESSES THAT UNDERLIE YOUR WORK

    Credits: 3.00

    Strategies for analysis and documentation are presented and discussed as students combine their research and reflections on their own evolving production into an illustrated, written thesis that organizes, focuses, and articulates their ideas. Artist's books, online publications and other formats will be explored. Intensive support for development and production of the thesis in relation to studio practice will be given.
    Graduate major requirement; Printmaking majors only
    Registration by Printmaking department, course not available via web registration
  • PRINT-4520

    INSTALLATION/SIGHT & SOUND

    Credits: 3.00

    Installation Sight & Sound is a studio course where students may create installations, performances, or site-specific works that incorporate screenprinting techniques as a primary medium. Students are encouraged to create experiences that transform the gallery setting or exist outside it. The course is open to students of every disciple and allows for cross-media experimentation. Print will be used and viewed as a drawing and sculptural tool that can be combined with your other technical/digital knowledge and experience. Students will be challenged to explore and invent new ways of utilizing Printmaking in their work, and will be encouraged to transform and reutilize space through interdisciplinary experimentation, and to begin to think about surfaces other than walls for the display of work. In the first half of the semester, students will conduct research, experiment with a variety of screenprinting techniques, offer short presentations of past work, and collaborate on midterm projects. In the second half of the semester, students will form final project proposals, and then work collaboratively or individually on a self-directed final.
    Major elective
    Also offered as DM 4520.
    Registration by Printmaking department; course is not available via web registration
  • PRINT-4606

    INTAGLIO I

    Credits: 3.00

    Technical fundamentals related to each of the basic intaglio processes will be demonstrated throughout the semester. Traditional and contemporary intaglio applications will also be presented and experimentation will be encouraged. A series of monotypes, small editions in each process and a larger technical combination plate will comprise the final portfolio assignment. Imagery, concept and content will represent a primary course element as technical facility is mastered. Individual critiques will be the standard throughout and two group critiques at the midpoint and end of the semester will also be scheduled.

    Estimated cost of materials: $100.00
    Major requirement; Printmaking majors only
    Registration by Printmaking department; course not available via web registration
    Elective for nonmajors by permission
  • PRINT-4645

    JAPANESE PAPERMAKING

    Credits: 3.00

    Make you own paper for printing or three-dimensional constructions in this hand on experimental studio course in making paper. Curriculum will include: paper specifications, basic sheet formation, Japanese Plant fibers, recycled materials, paper modules and screens, along with paper structures for installation based work.
    Estimated Material Cost: $175.00
    Major Elective, Printmaking Majors Only
    Open to nonmajors by permission
  • PRINT-4623

    JUNIOR PRINT WORKSHOP: SEMINAR/CRITIQUE

    Credits: 3.00

    Critical readings regarding printmaking, historical and contemporary, print presentations, one studio project related to research as well as museum and printshop visits compose this class. The studio breadth of printmaking will be explored via individual investigations.
    Major requirement; Printmaking majors only
    Registration by Printmaking department, course not available via web registration
  • PRINT-4640

    LETTERPRESS PRINTING ON THE VANDERCOOK PROOF PRESS

    Credits: 3.00

    At the intersection of commercial and fine art printing for centuries, letterpress printing is now enjoying a resurgence of interest. This course will serve as an introduction to letterpress printing, where students will learn to operate and troubleshoot the Printmaking Department's Vandercook Universal II proof press. A wide spectrum of letterpress techniques and concepts will be discussed. Topics to be covered will include: - History of letterpress printing - Handset typesetting from the growing Printmaking type collection of wood and metal type - Printing and routine troubleshooting on the Vandercook proof press - Photopolymer platemaking, from digital and mechanically produced film - Digital file preparation and film output - Multicolor printing and registration Students will be expected to produce a body of work incorporating the various techniques covered.
    Major elective; Elective for nonmajors by permission
  • PRINT-4213

    PAINTERLY PRINTS

    Credits:

    This course will explore a painterly adaption to Intaglio Printmaking. The assignments will include methods that allow for a more fluid use of etching techniques. Multiple plates and large scale assignments will examine color, using a variety of procedures including: monotypes, open biting, collage, embossment, sugar-lift and photo transfer/combination and collographs (procuring monoprints that allow for experimental challenges.)
  • PRINT-4637

    PHOTOGRAVURE

    Credits: 3.00

    Photogravure is a copper plate intaglio process. The technique has unique abilities to transfer any combination of hand drawn, photographic or digitally rendered imagery to an etched copper plate. Photogravure is one of the most beautiful and revered of all photographic processes. It is a labor intensive, historic and contemporarily relevant process. Students will gain a comprehensive working knowledge of photogravure through lectures, demonstrations, critiques, and discussions. Cross process experimentation will be welcomed and supported.
    Elective; Printmaking majors only
  • PRINT-4650

    RELIEF I PROJECTS

    Credits: 3.00

    This class will utilize relief as a means of developing personal imagery. Wood engraving, reduction and multi-block techniques shown. The responsibility of direction, and problem solving will shift to the student as initial assignments proceed into more independent projects. Individual critiques will occur throughout the term, at mid-term and final week.
    Estimated cost of materials: $100.00
    Major requirement, Printmaking majors only
    Registration by Printmaking department, course not available via web registration
    Elective for nonmajors by permission
  • PRINT-4698

    SENIOR DEGREE PROJECT: CRITIQUE

    Credits: 9.00

    The Degree Project involves a semester of independent study to test the student's ability to design and successfully complete a substantial, coherent and comprehensive body of work. To facilitate Tuesday group critiques, students must register for this accordingly. A degree project exhibition AS WELL AS a completed physical and digital thesis--including a comprehensive written statement, are required for graduation.
    Estimated cost of materials: $200.00
    Major requirement; Printmaking majors only
    Registration by Printmaking department, course not available via web registration
  • PRINT-4624

    SINGLE EDITION/PORTFOLIO PROJECT

    Credits: 3.00

    This course will be dedicated to printing just one edition during the semester. Those students experienced in printmaking will be encouraged to collaborate with a faculty member. A portfolio of prints will be compiled at the end of the semester and a print exchange will be held for those participating in the project. This course will prepare the students for professional printing expectations and encourage intensity and scale to become more focused and ambitious.
    This course may be repeated for credit and taken in place of the junior requirement PRINT 4615
    Estimated cost of materials: $100.00
    Elective, Advanced students only
  • PRINT-4641

    SUITE MINIMANIA

    Credits: 3.00

    This course is specifically designed to address the format of a printed suite, a series of related images on a theme or story, using basic intaglio techniques. Progress and mastery of techniques will allow the student to progress to more advanced techniques and color printing. A minimum of six images in the suite is required with a minimum edition of six prints of each image. As this is a course that addresses miniature or small scale, prints are not to exceed 4" on any side. An archival portfolio will be fabricated to professionally present and contain the finished suite accompanied by its related colophon page.
    Estimated cost of materials: $75.00
    Course can be repeated for credit
    Major elective, elective for nonmajors by permission
  • PRINT-4610

    WATERBASE SILKSCREEN I

    Credits: 3.00

    Students will stretch their own screens and will be introduced to a wide range of stencil techniques (cut film, paper stencil, crayon and glue, tusche and glue, and photo). Students are urged to experiment with stencil and printing techniques to produce a portfolio of editioned prints.
    Estimated cost of materials: $175.00
    Elective for nonmajors by permission
Printmaking Foreground 2