Tradwives, alpha males, clean girls, femboys, bimbos…There is a seemingly endless supply of labels for contemporary versions of femininity and masculinity, all with their own norms, aesthetics, and critics. This course acts as an introduction to gender studies through the modern internet’s taxonomy of gendered labels. We will learn about the systems of power that led these trendy genders to emerge, how they relate to race, economy, and sexuality, and how they challenge and uphold structures of domination. Using feminist and queer theory, we'll analyze digital objects like TikToks and memes as we think critically about the present and future of gender.

Elective

Inflation is usually associated with retail price increases. While this is a commonly accepted indicator, it only reflects certain symptoms of inflation. The root causes of inflation are deeper and more complex. In this course we will unravel the complexity and examine the main components of the inflation pyramid, from the prices we pay at the store, to the cost of investment goods and labor, to monetary policies, to cultural perceptions, to social forces that use inflation as a vehicle to achieve their goals. We will investigate inflation as a phenomenon that spans economics, politics, and sociology. The purely quantitative aspects of inflation are not included in our discussion, we leave them to econometricians. Instead, we concentrate on social forces, political power, and economic exchange. 

Familiarity with formal economics, while useful, is not a prerequisite for this course. In the first three meetings we will discuss the basics of the economic frame of reference. The remaining time will be devoted to establishing connections between inflation (both visible and hidden), political power, collective action, and normative-value preferences of the social groups that are in position to benefit from inflation.  After taking this course, the students will be able to recognize socio-political changes that are likely to produce inflation or change the existing inflationary regime.

Elective

This course will both introduce and afford students the opportunity to develop and expand their knowledge of the history, both co-existential and conflictual, of Israel/Palestine.  Situated broadly within the context of the Middle East and beginning in antiquity with the emergence of three monotheistic religions in the Middle East – Judaism, Christianity and Islam, this course will focus initially on the Ottoman period (ca. 1500-World War One), World War One in the context of the Middle East, and the establishment of British and French mandates and the protectorates in the Middle East after World War One.  The middle part of the course will be devoted to the post-World War Two Middle East and this pivotal period in the history of Israel/Palestine.  Topics addressed here will include: the Cold War and US and Russian/Soviet interests in the Middle East; the Arab nationalist leader of Egypt Gamel Abd al-Nasser; the Suez Canal Crisis (1956); the Six-Day War (1967) and its aftermath; the Yom Kippur War (1973) War; the Camp David Peace Accords (1978); and the Lebanese Civil War (1975-1990).  The latter part of the course will focus on the recent history of Israel/Palestine and place current events and warfare in the Middle East in geographical and historical context.  With an appreciation for the complexity, geo-politics, and spatial dimensionality of this topic, this course will look to engage with the history of Israel/Palestine at and across the local, regional, and international levels.  This course will, in a step-wise and iterative manner, equip students with the requisite knowledge to grapple with, navigate, and develop, with the necessary intellectual precision, a multi-perspectival understanding of the past, present, and future of Israel/Palestine.

Elective

This course will both introduce and afford students the opportunity to develop and expand their knowledge of the history, both co-existential and conflictual, of Israel/Palestine.  Situated broadly within the context of the Middle East and beginning in antiquity with the emergence of three monotheistic religions in the Middle East – Judaism, Christianity and Islam, this course will focus initially on the Ottoman period (ca. 1500-World War One), World War One in the context of the Middle East, and the establishment of British and French mandates and the protectorates in the Middle East after World War One.  The middle part of the course will be devoted to the post-World War Two Middle East and this pivotal period in the history of Israel/Palestine.  Topics addressed here will include: the Cold War and US and Russian/Soviet interests in the Middle East; the Arab nationalist leader of Egypt Gamel Abd al-Nasser; the Suez Canal Crisis (1956); the Six-Day War (1967) and its aftermath; the Yom Kippur War (1973) War; the Camp David Peace Accords (1978); and the Lebanese Civil War (1975-1990).  The latter part of the course will focus on the recent history of Israel/Palestine and place current events and warfare in the Middle East in geographical and historical context.  With an appreciation for the complexity, geo-politics, and spatial dimensionality of this topic, this course will look to engage with the history of Israel/Palestine at and across the local, regional, and international levels.  This course will, in a step-wise and iterative manner, equip students with the requisite knowledge to grapple with, navigate, and develop, with the necessary intellectual precision, a multi-perspectival understanding of the past, present, and future of Israel/Palestine.

Elective

It was an American automobile maker, Henry Ford, who invented the assembly line. When he decided to pay his workers a five-dollar-a-day wage, he also invented America's middle class, by providing a wage that allowed autoworkers to enter the ranks of the nation's consumers. Cars have come a long way since those first Model T's rolled off of Ford's assembly line. Through their ever-changing styles, from the streamlined interwar years to the tailfins of the postwar years, we can trace both the evolution of American modernism and its connection to Cold War politics and ambivalence towards the Atomic Age. More compact designs and an emphasis on fuel economy heralded an era of increased foreign competition. For more than a century, the auto industry's need for petroleum and rubber has fueled American imperialism in Latin America, Asia, and the Middle East. From coast to coast cars created a new cultural landscape, one filled with highways, suburbs, shopping malls, police, and roadside oddities. Throughout its long history, the car has been a shifting symbol of innovation, prosperity, consumerism, and the American Dream; youth culture, rebellion, and sex; both liberation and oppression for women, people of color, and immigrants; and, more recently, environmental degradation, deindustrialization, the decline of labor unions, and America's struggle to compete in an increasingly globalized economy. Now, in the twenty-first century, the rise of Uber and ride-sharing, the advent of self-driving vehicles, a renewed emphasis on public transportation and walkability, and an entire generation that appears uninterested in driving, one cannot help but wonder whether we are witnessing the end of America's long love affair with the open road.

Elective

This seminar presents a history of modern natural and physical sciences from the 15th to 20th centuries, by looking at the development of modern astronomy, physics, chemistry, geology, and biology. By looking at the history of science through the scientists and their ideas, the course examines how the methodological, technological, and experimental systems that underpin the scientific fields led to the development of techniques still used today. The course uses conflicts in scientific inquiry, the development of a culture of science, and the scientists over time. Examples of thematic topics include the development of the heliocentric planetary view, the quest for a theory of everything, the age of the earth and its distance from the sun, the search for a means of calculating longitude, and how the Darwinian synthesis compares to 19th century evolutionary theories.

The course includes brief weekly readings and discussion that result in a journal of the readings – there will be three collections of the journals over the course of the semester, three brief presentations on elements of the various themes we look at, a book review of a history of Science book of the student’s choosing and a final summary in-class discussion on the exam day. There will be two to three field trips near campus to see some of the history of modern science around us. Finally, due to the importance of class participation in the course, a significant portion of the grade relies on participation not only in discussions but also in class activities as well as attendance in each class.

Elective

What is the popular perception of the indigenous peoples in the media today? How do media constructions of Native people tell us as much, if not more, about American identity than the indigenous peoples they depict? How do these various representations impact the indigenous people whose images are featured in documentaries, films, television shows, and internet media? How are Native American people taking charge of their image and stories through media production? This course explores the construction and depiction of Native American and Indigenous identity, history, culture, and language and some of America's major issues facing contemporary indigenous peoples through film and media. We will examine issues of representation, visual and textual imagery, and aesthetically distinctive but recognizable design choices that often stand in for Indigenous media. We will view award-winning films, theater depictions, television episodes, internet media, social media, comic books, and documentaries to explore these issues.

Elective

What is the popular perception of the indigenous peoples in the media today? How do media constructions of Native people tell us as much, if not more, about American identity than the indigenous peoples they depict? How do these various representations impact the indigenous people whose images are featured in documentaries, films, television shows, and internet media? How are Native American people taking charge of their image and stories through media production? This course explores the construction and depiction of Native American and Indigenous identity, history, culture, and language and some of America's major issues facing contemporary indigenous peoples through film and media. We will examine issues of representation, visual and textual imagery, and aesthetically distinctive but recognizable design choices that often stand in for Indigenous media. We will view award-winning films, theater depictions, television episodes, internet media, social media, comic books, and documentaries to explore these issues.

Elective

How we die says as much about us as how we live. As a result, much can be learned by exploring America's changing attitudes toward death and dying, funeral rites, burial practices, and mourning rituals. Part personal tragedy, part communal experience, and part political event, our individual and collective responses to death should be treated as socially constructed artifacts, offering valuable insight into complex cultural, historical, and socio-economic forces. Buried within the American way of death are clues to understanding how this nation's physical, spiritual, economic, scientific, and political landscapes have changed over time. Rituals and practices surrounding death reflect the realities of class conflict, gender politics, race relations, and an increasingly diverse population. So often, deathcare has often been at the forefront of major cultural shifts and national debates over who belongs here, the role of government, the shape of our cities and towns, patterns of consumption, and, more recently, the future of our planet. Growing interest in green burials suggests not only a burgeoning concern with the carbon footprint of human remains, but shifting ideas about our individual legacies and what we leave behind. A discussion-based course, student engagement and active participation are key. Each student will be required to select a portion of the assigned reading to present to the class. In addition, students will work in small groups to craft a 20-minute oral presentation that examines and contextualizes the funeralization practices of a particular segment of the American people. Finally, each student will complete a 5 - 7 page research paper using a combination of primary and secondary sources (to be approved by the instructor) that elucidate and interrogate a specific aspect of the American way of death.

Elective

Native American oral traditions, which include storytelling, teachings, family and tribal history, and contemporary Indian literature, lie at the heart of tribal culture. It is mainly through oral tradition that American Indian cultures have been preserved and transmitted through the generations. American Indian stories, teachings, and oral histories are rich in cultural context. They provide great insight into the worldview, values, and lifestyle, which are an integral part of the heritage of American Indians. This course examines the cultural and historical contexts of Native American and Indigenous oral traditions with a focus in North America and other Indigenous traditions.

Elective

Feminist movements have changed the world in profound ways, despite often radical resistance to and backlash against those movements. Primarily through readings and film, this course will consider the ways in which the various strands of feminism have theorized and acted around reproductive justice, environmental justice, and anti-militarism. We will situate contemporary issues within a historical context and examine and critique the methods by which feminist activists and scholars question, challenge, and reshape structures of power. 

Elective

Set within a transnational and transdisciplinary feminist framework, Writing Resistance will unfold and examine the ways traumatic, lived experiences of gender and structural violence, systematic oppression and precarity, incarceration, racism, and colonialism, have been silenced or submerged in canonical writing and official history making. As an antidote, we will attempt a queering of this patriarchal and "colonial archive" (Stoler), by shedding light and focusing on diverse forms of writing, autobiographies and biomythographies, poetry and fiction, and theoretical readings that are either produced by or centered on the lived experiences, psyches and bodies, of women, people of color, dissidents and incarcerated people, queer, transgender, and non-binary individuals, refugees and other historically and systematically marginalized voices and identities. Students will familiarize themselves with various forms of creative and testimonial narratives, feminist and queer theory texts, while being exposed to a series of case studies and various political and historical contexts. The course requires several one-page reflections, one short paper, as well as an individually designed creative final project at the end of the term. As always, classroom participation is important.

Elective

In the wake of the Russian Federation's invasion of Ukraine, this seminar course is designed to equip students with the historical and geo-political context required to analyze and grapple knowledgeably with the past, present, and future of Russian-Ukrainian relations. The question of Russian and Ukrainian national identity (both historically and today) and the dynamics of the relationship between imperialism and nationalism will be over-arching themes of this course. As part of an introduction to the history of medieval Russia, Imperial Russia, and the Soviet Union, this course will pay particular attention to the evolving understanding of Ukraine and the Ukrainian people within and in relation to the Russian imperial narrative. The main themes that will be developed in this course include: the spatial dimension in Russian history; the historical process of imperial formation, transformation, and collapse; the incorporation and assimilation of multi-ethnic and multi-confessional groups into an imperial polity; Islam in Russia; pan-Slavism; and political violence and revolution. This course is organized around assigned readings, a representative sampling of primary historical documents relating to the history of the Russian Empire and the Soviet Union, and in-class discussions designed to isolate and illuminate the core themes and topics of the course. In combination with engaged reading of the assigned textbook for the course and the content provided through "mini-lectures", films, videos, and literary works will be mobilized to extend the imaginary and visual dimensions of the course.

Elective

What is phenomenology, and why does it matter for art? This course will serve as an introduction to phenomenology and some of its central methods, themes, and questions. Working within and between philosophy, art, and design, we will explore how phenomenology can enliven and enrich artistic practices, and how artistic practices can broaden and enrich our understandings of perception, sensation, and embodied experience. We will consider a range of philosophical views, from canonical figures in the field (Edmund Husserl, Martin Heidegger, Maurice Merleau-Ponty) to key insights from critical phenomenologists (Alia Al-Saji, Mariana Ortega, Lisa Guenther) who question how socially and historically contingent systems of power shape our experiences in and of the world. Students will be required to complete weekly readings and participate in class discussions. The course will also include long and short form writing assignments as well as student presentations.

Elective

Leaders, teachers, writers, artisans, laborers, mothers. While this brief list may look like a small selection of roles available to women today, it also represents positions held by women in the Middle Ages. In taking the broadest possible chronological approach to this time period from the years 500 to 1500, this course will examine the lives of medieval women. From queens to peasants, nuns to wives, and mystics to proprietors, we will explore the wide variety of roles and statuses that these women had. Over the course of the semester, we will investigate whether these figures were marginalized members of society, powerful agents, or a combination of both.

Elective

How do indigenous communities and nations express their values?  This is a seminar course exploring the strategic planning, collaboration, and implementation of art as a means of activism, protesting, and mobilizing community-led initiatives to protect ancestral Indigenous lands and public lands spaces in the United States. These art projects include press and media campaigns, social media and low-key local activism, full community-based participatory projects, and national and international art campaigns which cross-pollinate with other sectors of land conservation such as non-profits, wilderness and conservation groups, tribal nations, and federal lands management agencies. This course prioritizes the Native American and Indigenous art contributions through art mediums such as illustration, design, painting, sculpture, architecture, films, music, agriculture, and social media contexts. These indigenous art examples are going to be placed into dialogue with United States western frameworks of conservation, including critiques and case study examples of the application of these techniques, narratives, and artistic projects that have influenced visibility, participation, dialogue, messaging, and policy outcomes on land protection.

Elective

-What are some differences between classic Western Philosophy and Native American Philosophy?

-How do we tell the diversity and variety of philosophical concepts amongst Native American tribes and regions?

-What kinds of ideas and stories outline philosophical guidelines for culture and background in certain Indigenous communities?

These are some of the questions and ideas that will be explored in this course. This course will examine American Indian philosophy through introductory and culturally specific contexts using a variety of sources, both historical and contemporary. Sources will range from being recorded texts from archives, books, journals, and other audio/visual materials, as well as online websites, journals, and other repositories of knowledge. It is designed to give people who have very little familiarity with indigenous, philosophical concepts, in a broad overview. Interaction with these ideas in conjunction with other western philosophical concept will by no means be a comprehensive coverage of philosophy, but it will be complementary to western academic fundamental philosophical, and well-known European and American philosophy concepts for deeper conversations for people to examine further in class discussions.

Elective

What is knowledge, and how do we know things? How is this "knowing" shaped by relationships of politics and power? This class will serve as an introduction to the philosophical tradition of epistemology with a particular focus on critical epistemologies, i.e., studies of epistemic injustice, ignorance, and resistance. The course will cover some of the central figures and concepts within the field, as well as critical interventions borne of feminist philosophers, critical race theorists, Indigenous philosophers, and crip theory. The course will include long and short form writing assignments, discussions, as well as student presentations. 

Elective

Is AI-generated art actually art? What does generative AI mean for artists, audiences, workers, or the most marginalized in society? This course is a deep dive into the politics of this technology and the kinds of images it produces. We'll examine AI image generation's actual and imagined functionality, the invisible (racialized, classed, gendered) labors behind it, the impact of its use, and how it relates to our cultural and political present. This context will set us up to ask big questions about the labor and consumption of art, the aesthetics of fascism, and what kinds of social relations are required in order to build the technofutures we want to see. 

Elective

This is a course about how to think, write, and read philosophically. Samples of classic philosophical writings in existentialism on topics such as free will, personal identity, subjective value, the existence of God, and the meaning of human existence will be the launching pads for students’ oral and written analysis. Philosophical and literary texts in addition to class discussions will be used to encourage close scrutiny of underlying assumptions, logical progression, and how well claims are substantiated. By noting the strengths and weaknesses in the arguments of others and practicing the skill of philosophical argumentation, students will be better able to navigate through the thickets of challenges arising from everyday living as persons of careful thought and considered action.

A version of this course was taught previously as an S101: Topics in History, Philosophy, and the Social Sciences. If you took this topic as your S101, please do not enroll in this course.

Elective