This course explores the relationships between new media languages and physical space. Building from the history and aesthetics of installation art and relational theater and based on conceptualizations such as "Relational Architecture" by Lozano-Hemmer and the "Poetics of Augmented Space" by Lev Manovich, we will learn to leverage interactive and audiovisual elements in order to design spatial experiences that are media-rich, relational, and responsive. We will use software, video-projectors, sensors and VR equipment, and explore emergent techniques including video-mapping, computer vision and augmented reality. We will learn to deploy not only vision, but also hearing and haptics to create immersive and multi-sensory environments. Class is comprised of lectures, hands-on workshops and individual projects. Students will gain a deep understanding of topics of spatial thinking and user-generated experiences related to space, as well as a theoretical and critical understanding of the history of installation and interactive arts. Although not a prerequisite, basic coding or scripting knowledge (Processing, javascript, or MAX, Touch Designer, etc.) is recommended.

Estimated Cost of Materials: $250.00

Elective

"Art is either plagiarism or revolution" - Paul Gauguin. This studio course explores how AI’s rapid progress is challenging artists today. As we work with these exciting, terrifying new tools, we’ll discuss how artists have responded to transformative media of the past like the camera, the television, and the internet. How can we comment on the ethical concerns of AI technology? Should we change how we think about creativity? And who will the machines replace? 

Students will experiment with new tools as they are released throughout the semester, as well as interview machine learning researchers and digital artists. Authors include: Walter Benjamin, Ray Kurzweil, Harold Cohen, N. Katherine Hayles, and Ted Chiang. No coding experience is required. 

Estimated Cost of Materials: $100.00

Elective

‘Camouflage as Praxis: Now You See Me Now You’ is a course exploring the forms, uses, and potentials of camouflage (or invisibility) as a strategy deployed by marginalized communities in the face of dominant hegemonies that seek to detect and disempower us. Grappling with the nuanced politics of representation and carefully unpacking the potential pitfalls and advantages of visibility, this course asks students to confront their own relationships with being in/visible, and create work from this place of definition/obscurity. 

The course considers various figures such as the undercommons (Fred Moten & Stefano Harney), Ditto (the formless pokémon), Banksy (the anonymous artist), and cuttlefish (camouflaging cephalopods), among others, to uncover what it means to cover and make visible what it means to be invisible. Readings include excerpts from Trap Door: Trans Cultural Production and the Politics of Visibility, For Opacity by Edouard Glissant, and Undrowned by Alexis Pauline Gumbs.

While course content will focus on film/video, animation, photography, and installation works, this course is interdisciplinary, and invites creative practitioners and scholars from all backgrounds and disciplines to consider how concepts of il/legibility apply to their chosen disciplines.

Estimated Cost of Materials: $100.00

Elective

In this graduate-level interdisciplinary research studio, we will explore notions of sympoiesis (“worlding-with, in company") and entanglement through theory, research and creative practice across media. Guided by critical texts, creative prompts, and visits from artists and collectives, we will consider mycelial webs, hydrocommons, queer ecologies, quantum physics, ecomedia, mutual aid networks, etc. Participants will then follow their own lines of critical inquiry to support creative work, sharing findings with the class and teaching one another. Final projects will be research-based artistic engagements with interrelation and entanglement (“research” casts a wide net here, referring to an array of embodied, scientific, theoretical and communal practices) and can be in participants’ media of choice. Thinking and making will happen independently, collaboratively and interstitially throughout the semester.

Estimated Cost of Materials: $100.00

Elective

Sonic Practices is a research intensive course focused on acoustic, electronic, and/or computer-based means of sound production and reception. Participants explore audio culture and technology while developing experimental approaches to composition, performance, recording, and/or listening. Areas of investigation include, but are not limited to: audio programming languages, embedded/mobile computing for sound and music, spatial audio, sound synthesis, audio electronics, sonification and auditory display, electroacoustic music composition and improvisation, field recording and soundscape studies, sound installation and performance, and sonic interaction design. Each semester, course content changes in response to a new unifying theme upon which students base individual and team-based research projects. Meetings consist of discussions, workshops, critiques, and collaborations that support students' individual inquiries, the exchange of ideas, and the exploration of research methodologies.

Estimated Cost of Materials: $100.00 - $200.00

Elective

This combined studio and seminar forum for Digital + Media first year students supports the exploration of theoretical, social, material, technical and contextual research and concerns in new media arts practices during the first semester of the D+M MFA program at RISD. Students are introduced to a core set of methodologies and technologies from basic electronics, programming and interaction design to installation, and are encouraged to break comfort zones through experimentation. Students conceptualize and discuss their work and ongoing practice. The course is a mix of group discussions, individual meetings, required lecture and workshop series, and group critiques. The technical workshops are opportunities for students to experiment and test out aspects of their research in order to develop a sound practice. Guest lecturers and visiting critics may join during other portions of the class time on occasion.

Estimated Cost of Materials: $100.00 - $300.00

Majors are pre-registered for this course by the department. Enrollment is limited to Digital + Media Students.

Major Requirement | MFA Digital + Media

In this historical survey, we analyze the aesthetic conventions, narratives, and formats of works in new media. We examine the impact digital technologies and new media have had on existing media, as well as the ways in which new media function as a unique system of communication. While investigating the aesthetic conventions, economic conditions and infrastructures that affect the production of new media, we address the social and political contexts in which new media are disseminated, interpreted and privileged. We make connections across decades by focusing on the recurring themes of language, futurism, simulation, hyper-reality, transnationality and information.

Majors are pre-registered for this course by the department. Enrollment is limited to Digital + Media Students.

Major Requirement | MFA Digital + Media

The course supports the exploration of theoretical, social, material, technical, and contextual research and concerns in new media arts practice during the final semester of the DM MFA program. It is a combined studio and seminar forum for Digital + Media second-year students. (Students conceptualize and discuss their work and their ongoing practice and thesis process). The course is a mix of individual meetings, group discussions and group critiques. Guest lecturers and visiting critics will also become involved with this class in terms of critical/research aspects. Each student will practice articulating their art process and work towards their thesis and will contribute to the dialogue concerning the research and work of their classmates.

Estimated Materials Cost: $100.00 - $300.00

Majors are pre-registered for this course by the department. Enrollment is limited to Digital + Media Students.

Major Requirement | MFA Digital + Media

This course focuses on material and process investigations that lead to a higher degree of technical proficiency providing students with an expanded foundation on which to carry out their ideas. The content of the course emphasizes how exploration and application operate in both pragmatic and unorthodox ways and reinforces ideas of how critical making and material investigation can lead to innovation. The technical aspects of production and outsourcing will also be examined.

Estimated Materials Cost: $150.00

Majors are pre-registered for this course by the department. Enrollment is limited to Graduate Furniture Design Students.

Major Requirement | MFA Furniture Design

This course concentrates on the exploration of personal design aesthetics and the development of furniture projects that exhibit a high degree of technical proficiency.

Enrollment is limited to Graduate Furniture Design Students only.

Major Requirement | MFA Furniture Design

This course concentrates on projects that begin the thesis body of work. Advanced design and technical processes are continued as part of this process.

Majors are pre-registered for this course by the department. Enrollment is limited to Graduate Furniture Design Students.

Major Requirement | MFA Furniture Design

This graduate seminar is organized in parallel with the Graduate Furniture Design Thesis studio for the purpose of guiding the written thesis document. The goal is to provide students with a focused opportunity to map their thesis projects and to create the document that supports their studio practice and body of work known as the thesis.

Majors are pre-registered for this course by the department. Enrollment is limited to Graduate Furniture Design Students.

Major Requirement | MFA Furniture Design

Introduces students to ways of thinking about arts and culture comparatively, through interrogation of the very terms global, "arts" and "culture." Critical Globalisms emphasizes the development of broad theoretical perspectives within which to situate specific research interests. A requirement in the first semester of the GAC MA degree, Critical Globalisms provides a common vocabulary and experience for all GAC MA students. The course will run as a seminar with weekly reading assignments, regular writing assignments, and in class discussion.

Enrollment is limited to Global Arts and Cultures Students.

This is a co-requisite course. Students must register for GAC-700G and GAC-701G.

Major Requirement | MA Global Arts and Cultures

Provides an opportunity for independent research related to the discussions, topics, readings and other activities from GAC-700G. Students will begin to develop areas of focus in order to identify future electives and research topics leading toward the Master's Thesis.

Enrollment is limited to Global Arts and Cultures Students.

This is a co-requisite course. Students must register for GAC-700G and GAC-701G.

Major Requirement | MA Global Arts and Cultures

Introduces a variety of interdisciplinary, transdisciplinary, and multidisiciplinary approaches to thinking about cultural imagination and cultural production. Students explore their own research habits and consider the viability of standard as well as experimental approaches for the kinds of projects they want to pursue. Key to the work of the course is exploration of the challenges (definitional, practical, ethical) that arise in doing different kinds of research. A requirement in the first semester of the GAC MA degree, the course creates a common vocabulary and experience for all GAC MA students. The course will be run as a seminar, with weekly reading assignments, regular writing assignments, and in class discussion.

Enrollment is limited to Global Arts and Cultures Students.

Major Requirement | MA Global Arts and Cultures

Images provoke, hail, console, and incriminate us. They disrupt our understanding of time; expose that which governs our lives and deaths; and influence how we negotiate selfhood and otherness. Yet, we pay little attention to the ontology of the image. This course asks: what does it mean to read and respond to images contemporaneously? What are the uses and abuses of images? Are we too passive to all we see, or visually too tired to care? Students will read a variety of texts; debate and discuss in class; and submit assignments that knit together their analyses of readings with an artist whose work they are investigating in their own research. We will be reading theoretical writings that are primarily concerned with the painterly, the photographic, and the moving image. Readings are paired thematically. Some of the themes addressed in this class are: the ontology of the image, "images and reading," "images and history," "images and race," "images of / and trauma," "images and desire," and "images and death".

Elective

A Master's Thesis is a substantive, research-based scholarly essay of at least 60 double-spaced pages that involves original research and makes an original intervention in the field. The culmination of the Master's Degree, the Master's Thesis is of publishable quality. This course supports the completion of the Master's Thesis. Students are required to work independently, in conversation with peers, and in individual consultation with their MA Thesis Committee to develop, complete, revise, and finalize the Master's Thesis. The Master's Thesis will be housed in the RISD Library in both print and electronic forms. Students are also expected to present work related to the Master's Thesis at the GAC MA Symposium. Please see the GAC MA Thesis Timeline for a clear sequence of required deadlines. Please see the GAC MA Thesis Guidelines and Policies for clarification of the goals and expectations of the GAC MA.

Prerequisite: Successful completion of GAC-798G and approval of the prospectus are required for enrollment.

Enrollment is limited to Global Arts and Cultures Students.

Major Requirement | MA Global Arts and Cultures

A Master's Thesis is a substantive, research-based scholarly essay of at least 60 double-spaced pages that involves original research and makes an original intervention in the field. The culmination of the Master's Degree, the Master's Thesis is of publishable quality. This course supports the completion of the Master's Thesis. Students are required to work independently, in conversation with peers, and in individual consultation with their MA Thesis Committee to develop, complete, revise, and finalize the Master's Thesis. The Master's Thesis will be housed in the RISD Library in both print and electronic forms. Students are also expected to present work related to the Master's Thesis at the GAC MA Symposium. Please see the GAC MA Thesis Timeline for a clear sequence of required deadlines. Please see the GAC MA Thesis Guidelines and Policies for clarification of the goals and expectations of the GAC MA.

Prerequisite: Successful completion of GAC-798G and approval of the prospectus are required for enrollment.

Enrollment is limited to Global Arts and Cultures Students.

Major Requirement | MA Global Arts and Cultures

A Master's Thesis is a substantive, research-based scholarly essay of at least 60 double-spaced pages that involves original research and makes an original intervention in the field. The culmination of the Master's Degree, the Master's Thesis is of publishable quality. This course supports the completion of the Master's Thesis. Students are required to work independently, in conversation with peers, and in individual consultation with their MA Thesis Committee to develop, complete, revise, and finalize the Master's Thesis. The Master's Thesis will be housed in the RISD Library in both print and electronic forms. Students are also expected to present work related to the Master's Thesis at the GAC MA Symposium. Please see the GAC MA Thesis Timeline for a clear sequence of required deadlines. Please see the GAC MA Thesis Guidelines and Policies for clarification of the goals and expectations of the GAC MA.

Prerequisite: Successful completion of GAC-798G and approval of the prospectus are required for enrollment.

Enrollment is limited to Global Arts and Cultures Students.

Major Requirement | MA Global Arts and Cultures

A Master's Thesis is a substantive, research-based scholarly essay of at least 60 double-spaced pages that involves original research and makes an original intervention in the field. The culmination of the Master's Degree, the Master's Thesis is of publishable quality. This course supports the completion of the Master's Thesis. Students are required to work independently, in conversation with peers, and in individual consultation with their MA Thesis Committee to develop, complete, revise, and finalize the Master's Thesis. The Master's Thesis will be housed in the RISD Library in both print and electronic forms. Students are also expected to present work related to the Master's Thesis at the GAC MA Symposium. Please see the GAC MA Thesis Timeline for a clear sequence of required deadlines. Please see the GAC MA Thesis Guidelines and Policies for clarification of the goals and expectations of the GAC MA.

Prerequisite: Successful completion of GAC-798G and approval of the prospectus are required for enrollment.

Enrollment is limited to Global Arts and Cultures Students.

Major Requirement | MA Global Arts and Cultures