The goal of Independent Drawing Projects is for students to develop a distinct, carefully conceived, and self-directed body of works through a process of investigation, critical assessment and production. Through a rigorous studio practice, students are expected to identify and develop their own conceptual interests and material approaches. Individual and group critiques support, facilitate, and intensify this process. While drawing concentrators will be given priority, interested students outside of the concentration and beyond the sophomore level may take this course. For the drawing concentrator, the work created for the Independent Drawing Project serves as the culmination of the Drawing Concentration program.

Elective

What is the curatorial imperative? By incorporating curation into studio practice, artists understand the context for placing new combinations into the world. Collecting, archiving and critical analysis of source material will develop a philosophy of stewardship. Central questions about printmaking as a crucial core for many disciplines that incorporate the relation between matrix and formed object, layers, reversals, positive and negative and replication of original and appropriated media will provide a structure. The state of print publishing, art fairs and current curatorial literature will inform ongoing discussion.

Enrollment is limited to Graduate Printmaking Students.

Major Requirement | MFA Printmaking

This course continues from Textile Seminar I and focuses on issues in the professional textile field, such as the effect of production parameters and end use on design decisions. While helping students become more familiar with the wide ranging textile market, from traditional work to the most highly innovative, this course aims to provide an awareness of how one's personal expression fits in to this context. Lecturers include professionals from the field, who advise on the studio work required in this class.

Please contact the department for permission to register. This course is a requirement for Graduate Textiles Students.

Major Requirement | MFA Textiles

Under the supervision of a faculty advisor, students are responsible for the preparation and completion of an independent thesis project.

Estimated Materials Cost: $50.00 - $200.00

Permission for this class is based on the student's overall academic record, as well as their performance in the Wintersession course ARCH 2197: Thesis Discursive Workshop. If the department recommends against a student undertaking ARCH-2198: Thesis Project, two advanced elective studios must be taken instead.

Majors are pre-registered for this course by the department. Enrollment is limited to Architecture Students.

Major Requirement | BArch, MArch (3yr), MArch (2yr): Architecture

Under the supervision of a faculty advisor, students are responsible for the preparation and completion of an independent thesis project.

Estimated Materials Cost: $50.00 - $200.00

Permission for this class is based on the student's overall academic record, as well as their performance in the Wintersession course ARCH 2197: Thesis Discursive Workshop. If the department recommends against a student undertaking ARCH-2198: Thesis Project, two advanced elective studios must be taken instead.

Majors are pre-registered for this course by the department. Enrollment is limited to Architecture Students.

Major Requirement | BArch, MArch (3yr), MArch (2yr): Architecture

Under the supervision of a faculty advisor, students are responsible for the preparation and completion of an independent thesis project.

Estimated Materials Cost: $50.00 - $200.00

Permission for this class is based on the student's overall academic record, as well as their performance in the Wintersession course ARCH 2197: Thesis Discursive Workshop. If the department recommends against a student undertaking ARCH-2198: Thesis Project, two advanced elective studios must be taken instead.

Majors are pre-registered for this course by the department. Enrollment is limited to Architecture Students.

Major Requirement | BArch, MArch (3yr), MArch (2yr): Architecture

Under the supervision of a faculty advisor, students are responsible for the preparation and completion of an independent thesis project.

Estimated Materials Cost: $50.00 - $200.00

Permission for this class is based on the student's overall academic record, as well as their performance in the Wintersession course ARCH 2197: Thesis Discursive Workshop. If the department recommends against a student undertaking ARCH-2198: Thesis Project, two advanced elective studios must be taken instead.

Majors are pre-registered for this course by the department. Enrollment is limited to Architecture Students.

Major Requirement | BArch, MArch (3yr), MArch (2yr): Architecture

Under the supervision of a faculty advisor, students are responsible for the preparation and completion of an independent thesis project.

Estimated Materials Cost: $50.00 - $200.00

Permission for this class is based on the student's overall academic record, as well as their performance in the Wintersession course ARCH 2197: Thesis Discursive Workshop. If the department recommends against a student undertaking ARCH-2198: Thesis Project, two advanced elective studios must be taken instead.

Majors are pre-registered for this course by the department. Enrollment is limited to Architecture Students.

Major Requirement | BArch, MArch (3yr), MArch (2yr): Architecture

Under the supervision of a faculty advisor, students are responsible for the preparation and completion of an independent thesis project.

Estimated Materials Cost: $50.00 - $200.00

Permission for this class is based on the student's overall academic record, as well as their performance in the Wintersession course ARCH 2197: Thesis Discursive Workshop. If the department recommends against a student undertaking ARCH-2198: Thesis Project, two advanced elective studios must be taken instead.

Majors are pre-registered for this course by the department. Enrollment is limited to Architecture Students.

Major Requirement | BArch, MArch (3yr), MArch (2yr): Architecture

All Landscape Architecture graduate students at RISD are required to submit a Thesis Book that is the culmination of the work undertaken in the Advanced Design Research Studio (Thesis). The Thesis Book class is designed to support the written and graphic component of the Thesis Book. The course will provide resources to support the framing and reflection of the thesis work through writing. In addition, the graphic layout of the book will be used as a tool to help structure the inquiry into student's thesis topics.

Estimated Cost of Materials: $200.00

Majors are pre-registered for this course by the department. Enrollment is limited to Landscape Architecture Students.

Major Requirement | MLA-I, MLA-II Landscape Architecture

This studio course is designed to help students slow down and become more contemplative with their photographic practice. This darkroom based course will give students ultimate compositional control as they learn to use the large format camera. Topics covered will include using the view camera's tilt, swing, shift and rise movements to control focus, perspective and image shape. Student will also learn film exposure techniques and advanced black and white printing controls. Later in the course students will be introduced to large format digital scanning and printing workflows.

Estimated Materials Cost: $150.00 - $500.00

Elective

In A Hands-On History of Electronic Music, we will study the development of electronic music from a tactile approach using historical studio techniques. While learning about pioneering and underrepresented artists within the genre, students will use reel-to-reel tape machines, tube signal generators, modular synthesizers, and early computer music concepts to recreate key compositions within the field. Critical listening and analysis skills will be cultivated through guided exercises and projects. The hands-on approach this course takes will support a foundational understanding of electronic music history through methodologies as they evolved into current practice.

Estimated Cost of Materials: $100.00

Elective

In this junior studio students are presented with the idea of using metal to develop furniture forms. While the primary metal used to investigate form is mild steel, properties and techniques are also presented that apply to stainless steel, aluminum, copper, brass and bronze. Students become proficient in TIG welding, and are introduced to arc welding, spot welding, gas welding, brazing and soldering. Basic structural properties of steel are investigated through a series of short projects designed to inform students of the appropriate forms and applications. Basic and more advanced fabrication techniques, metal surface treatments, as well as metal finishing are also topics of class demonstrations.

Prerequisite: FD-2502

Major Requirement | BFA Furniture Design

This class will focus on the challenges and opportunities of designing furniture for mass production. Students in this course will be introduced to the numerous challenges designers face in developing furniture as consumer products, especially as it relates to market fit (determining who customers are and what they need), production (how to make it), and distribution (getting it to customers). Through interactions with industry professionals, analysis of case studies, and applied research, students will gain practical insights into the production furniture industry, with exposure to diverse design practices across its many facets. As a studio course, work will be based on design projects that challenge students to propose a commercially viable furniture collection that addresses the current realities of both the furniture industry and the market for its offerings.

Elective

This hands-on course introduces the fundamentals of mold making and casting, with an emphasis on experimentation and iterative problem-solving as essential to the process. Students will work with plaster and other easy-to-use mold making and casting materials to explore one-part and simple textural molds, direct modeling with oil clay, and basic casting techniques. The course builds toward more complex flexible mold systems—particularly with silicone rubber—while addressing key challenges like undercuts and scale. Alongside technical instruction, students will examine contemporary uses of casting in art and develop the skills to confidently adapt mold making techniques to suit their evolving studio practices.

Estimated Cost of Materials: $300.00

Elective

This course is meant to give students an understanding of the process of serigraphy. Using the basic T-shirt as the format, emphasis will be on creating and developing a concept: learning and implementing the techniques of silk-screen in order to produce wearable illustration. The course will also include historical and contemporary issues on the phenomenon of the printed shirt, including uses ranging from social protest to advertising and the use of the body as a substrate for images. A variety of techniques will explore everything from simple handmade stencils to the use of photo/computer technology to create individual designs. Assignments will be given through the developmental phase, and in-class critiques will play an important role in determining the final product. By the end of the semester, students will also investigate the business/commercial side of silk-screening, including at-home studio setup, recordkeeping and selling the product.

Elective

In Graduate Jewelry 2, first-year graduates hone in on recognized personal areas of interest specific to jewelry from the Fall semester. Students are encouraged to embrace new studio habits in order for individualized working methodologies to become apparent. Faculty, work with students, to foster the strengths of their natural proclivities and problem-solve areas of personal sabotage. Critical to the success of this course, it is essential that first year students demonstrate a high level of self-direction, curiosity, and drive reflected through their bench work and independent research. Course content continues to focus around jewelry's power and potential as a platform and catalyst for dialogue.

Majors are pre-registered for this course by the department. Enrollment is limited to Graduate Jewelry + Metalsmithing Students.

Major Requirement | MFA Jewelry + Metalsmithing

This first-year graduate seminar approaches painting as a technical skill, a historical practice and an intellectual project. Weekly sessions begin with group discussions of key readings about recent painting. Readings are organized in three sections. The first looks backward, to the problem of medium that preoccupied modernist painting and, residually, contemporary practices until the 1980s. The second section looks at the academy, the institution and the art market, and their effect on how painting is produced, disseminated, discussed and received. The third, the most speculative, looks laterally at a range of contemporary practices and their cultural frameworks from the 1990s to the present. Frequent studio visits will occur and drive some of the reading and discussion.

Please contact the instructor for permission to register. Preference is given to Graduate Painting Students.

Elective

This course offers a comprehensive introduction to intaglio printmaking, with a primary focus on developing technical skills and image-making abilities. Students will explore traditional and contemporary approaches to intaglio processes, including drypoint, hard ground, soft ground, and aquatint. Through hands-on demonstrations, guided studio practice, and individual experimentation, participants will learn how to translate their visual ideas into prints with depth, texture, and tonal variation.

The class will emphasize technical proficiency, process-based learning, and creative problem-solving through the printmaking medium. Students will build a body of work that reflects their understanding of the materials, tools, and expressive potential of intaglio. Instruction will be supported by group discussions, critiques, and visits to print collections and exhibitions.

Estimated Cost of Materials: $100.00

Elective

This course has been designed as an introduction to handbuilding ceramics with a focus on teaching ceramics. The class aims to provide a foundation for teaching ceramics through a variety of hands-on learning experiences and lively discussions. Introductory ceramic techniques (like basic pinch, slab and coil methods) will be shared and then built upon for a more sophisticated understanding. Additionally, students will leave the course with fired examples that they can use for lessons for teaching ceramics to young people (PK to 12th grade). Students will also be introduced to types of glazes, a variety of surface decoration techniques, tips and tricks for the studio, types of clay, tools, electric kiln firing and some contemporary artists using the techniques you are learning.

Estimated Cost of Materials: $50.00

Elective