This class examines fashion in Europe and America from the eighteenth century to the present, covering the industrial revolution through the development of couture and postmodern fashion. It analyzes clothing as a social and cultural artifact, central to the construction of group and individual identity. Lectures and readings explore the production, consumption, use and meanings of dress, and will be supplemented by visits to the RISD museum. Course work will be comprised of group and independent research, written papers, and oral presentations.

Majors are pre-registered for this course by the department. Preference is given to Apparel Design Students.

Major Requirement | BFA Apparel Design

Topics in Fashion Theory introduces students to the ideas and debate that have enriched our understanding of fashion. Through the manipulation of the visual and tactile symbols of clothing (cut, cloth, texture, ornament, and color) fashion expresses individual, community and societal attributes and attitudes. Yet, as Fred Davis notes, social identities are rarely the stable amalgams we take them to be.They can shift over the course of a lifetime and are prodded by social and technological change. Drawing on scholarship in a range of disciplines, including sociology, cultural studies, gender studies and queer theory, the class explores how clothing communicates aspects of identity linked to gender, sexuality, class, race, religion, and nation. We will examine the extent to which fashion is currently formulating effective social commentary, and consider questions, for example, that surround sustainable fashion and cultural appropriation. The class integrates reading and reading responses with discussion and visual analysis of clothing and fashion across the twentieth- and twenty-first centuries. Students will develop a final essay that assesses a debate of interest encountered in class discussion and readings.

Please contact the instructor for permission to register. Preference is given to Apparel Design Students. 

Elective

As a field of study, material culture explores how we make things and how things, in turn, make us. This class examines the material culture of late consumer capitalism, focusing on how objects organize experience in everyday life. We will investigate the practices through which things-from food and clothing to smart phones-become meaningful, as we tackle political and ethical questions related to the design, manufacture, use and disposal of material goods. The class will introduce students to a range of scholarship on material culture from several disciplinary perspectives including anthropology, history, sociology, art and architectural history, and cultural studies.

Open to Sophomore, Junior, Senior or Graduate Students.

Elective