mild steel

Eternal Recurrence – Landing, is the second half of a speculative project investigating a search for cyclic life. It serves as the “landing pad” for a philosophical escape from linear time and seeks to contextualize cyclic life through a specific ambiguity in form, suggesting ideas of birth, transport and communication.

post-consumer paper pulp, corn starch, woven cotton

Chair 03V08 Lite, is a plant-based, compostable chair. It consists of three primary raw materials: post-consumer paper pulp, corn starch and woven cotton. Chair 03V08 Lite is built to last as long as you'd like and designed to compost in less than a year at the end of its life. The use of commercially available materials is intentional as it tells us what is possible, at scale, here and now, to directly address our dependence on oil. Chair 03V08 Lite is a proof of concept: proof that our hurdle is not a matter of resources, but design ingenuity and industriousness. 

steel, paint, #2 pencil

Made of steel, Oak Chest draws on little everyday absurdities that often go unnoticed, like the plastic laminate printed with oak woodgrain that covers school desks. The oak pattern is hand drawn with a #2 pencil and etched into the surface, creating a faux woodgrain pattern while simultaneously exposing the steel underneath. Oak Chest pokes fun at the casual artiface that we are so accustomed to in our day-to-day material world and questions why we attach value to some materials and disguise others. 

Baltic birch plywood

Composed entirely of Baltic birch plywood, Twig Chair intends to reveal the inconspicuous beauty inside this material and its mundanity. With CNC-milled laminated plywood, the contour lines of birch veneer gradually shape a pattern resembling the growth rings of trees. Inspired by waterfalls and the human figure, Twig Chair's minimalist sculptural form is a metaphor for humanity: through its form and materiality, it prompts a contemplative dialogue between humans, nature and industrialization. Twig Chair could be produced by recycled and wasted commercial plywood to create a sustainable, economical and aesthetic future product. 

steel tube, braised bronze

New Land is a reflection of the Asian American experience. The chair takes the traditional form of the Ming Dynasty ox bow chair but alters it through new materials: steel and bronze. This way, the chair creates a physical metaphor by translating the old culture into a new land through new material. 

copper pipe

This piece is made from a collection of copper pipes found at the scrapyard that have been repetitively processed into the form of six chains trapped within a frame to form a basket.

one cedar 5x5, yellow oil pigment

This piece is the result of an entirely spontaneous making process, where a cedar 5x5 has been segmented, glued together, painted and then slowly cut away without any predetermined model or drawing dictating its form. Based on imagery of paint peeling and chipping from surfaces to reveal the true material underneath, this chair aims to assign value to mass-produced, big-box lumber through the platform of design, deprogramming associations of disposability in regard to cheap materials. 

Douglas fir, found branches, pine tar, linseed oil

To memorialize the gently rocking docks by the Fraser River in Fort Langley, British Columbia, the Fraser Bench embodies forms of the site. The Douglas fir, sourced in Rhode Island, is inlaid with branches and driftwood collected on the river’s shores. Bringing the two into one surface explores the transient nature of home and accumulation of memory. 
 

ash, shellac, paste wax

This chair is an exploration in woven wood bending. An object built to better wrap my head around new ways of thinking: the incredible ability of steam, the hidden softness of lignin, the brute strength of glue and the deceptive similarity of chipboard. Inspired by marlinspike seamanship sailing traditions, this chair demonstrates how laminated and steam-bent wood can be tied into a knot.
 

ash, ash plywood, dust

Day Mantle (Heart of the Home) is an exploration of adornment and surface treatment. Composed of ash, ash plywood and dust, a material developed and explored by Bill Carroll in his 2022 piece Dust Chair, Day Mantle (Heart of the Home) replaces usual methods of adornment found in fireplace surrounds such as marble with material left behind from the piece’s becoming. Day Mantle (Heart of the Home) is an exploration towards a “new beauty,” one that honors the life of the materials in each state of their being and makes this life apparent through ornamentation and the crafting of a living surface. 

carbon steel, sea stones

Sauna Stove was designed focusing on the spiritual personality that inanimate objects contain, speculating on the nature of the spirit that the stove might house with years of use. The patina is a naturally occurring oxidation that happens on the surface of the metal when a fire is burned inside, a physical manifestation of the spirit of the stove. Considering the inherent contradictions between the industrial and traditional, the stove was inspired by both ubiquitous industrially made objects like the moka pot and smokey joe barbeque and the traditional wood-fired sauna stove.

beech, danish oil

This chair was made using traditional Windsor construction methods in an unusually reductive and rectilinear manner. Material was excavated from the square wooden components with precision planar cuts in contrast to the usual round turnings found in this type of chair. By defying convention, the chair's industrial manner presents the wood as a descriptive surface, unmoored from tradition and tree.

poplar, speckled spray paint

This sled is an exercise in destabilizing a total reality: a transportation vehicle offering a mode for speculation and dreaming, beyond presumed constraints. 

red oak, quarter-sawn; polished steel

Poetic and subdued, Reflection Plane is a hushed arrangement of two elements: oak and steel. A mirror created from a single plank of red oak and a circle of polished stainless steel serve as both a functional and sculptural object. 

European beech, soap finish

Designed with the intention of pulling people together towards its center, the Sinew Table uses a series of tangentially continuous curves to blend forms and keep the eye moving inward. Gently sloping surfaces present an invitation to the hand, while the table’s scale suggests opportunity for intimate gatherings.

mild steel, ferric nitrate patina

Vessel 01 is an exercise in intuition. Let go of a destination and allow play to find an intuitive use of the shapes available.