What is the popular perception of the indigenous peoples in the media today? How do media constructions of Native people tell us as much, if not more, about American identity than the indigenous peoples they depict? How do these various representations impact the indigenous people whose images are featured in documentaries, films, television shows, and internet media? How are Native American people taking charge of their image and stories through media production? This course explores the construction and depiction of Native American and Indigenous identity, history, culture, and language and some of America's major issues facing contemporary indigenous peoples through film and media. We will examine issues of representation, visual and textual imagery, and aesthetically distinctive but recognizable design choices that often stand in for Indigenous media. We will view award-winning films, theater depictions, television episodes, internet media, social media, comic books, and documentaries to explore these issues.

Elective

Native American oral traditions, which include storytelling, teachings, family and tribal history, and contemporary Indian literature, lie at the heart of tribal culture. It is mainly through oral tradition that American Indian cultures have been preserved and transmitted through the generations. American Indian stories, teachings, and oral histories are rich in cultural context. They provide great insight into the worldview, values, and lifestyle, which are an integral part of the heritage of American Indians. This course examines the cultural and historical contexts of Native American and Indigenous oral traditions with a focus in North America and other Indigenous traditions.

Elective

Topics in History, Philosophy, and the Social Sciences is an introductory course in which students are encouraged to develop the skills in critical thinking, reading, and writing that are common to the disciplines represented in the Department of History, Philosophy, and the Social Sciences (HPSS). Sections focus on the topics typically addressed within the department's disciplines; through discussion about key texts and issues, students are introduced to important disciplinary methodologies and controversies. All sections have frequent writing assignments, which, combined with substantial feedback from HPSS faculty, afford students the opportunity to develop the strategies and techniques of effective writing. There are no waivers for HPSS-S101 except for transfer students who have taken an equivalent college course.

- First-year students are registered by the Division of Liberal Arts.

- Transfer and upper-level students should register for one of the evening sections that are offered in the Fall and Spring semester.

Major Requirement | BFA 

Topics in History, Philosophy, and the Social Sciences is an introductory course in which students are encouraged to develop the skills in critical thinking, reading, and writing that are common to the disciplines represented in the Department of History, Philosophy, and the Social Sciences (HPSS). Sections focus on the topics typically addressed within the department's disciplines; through discussion about key texts and issues, students are introduced to important disciplinary methodologies and controversies. All sections have frequent writing assignments, which, combined with substantial feedback from HPSS faculty, afford students the opportunity to develop the strategies and techniques of effective writing. There are no waivers for HPSS-S101 except for transfer students who have taken an equivalent college course.

- First-year students are registered by the Division of Liberal Arts.

- Transfer and upper-level students should register for one of the evening sections that are offered in the Fall and Spring semester.

Major Requirement | BFA 

How do indigenous communities and nations express their values?  This is a seminar course exploring the strategic planning, collaboration, and implementation of art as a means of activism, protesting, and mobilizing community-led initiatives to protect ancestral Indigenous lands and public lands spaces in the United States. These art projects include press and media campaigns, social media and low-key local activism, full community-based participatory projects, and national and international art campaigns which cross-pollinate with other sectors of land conservation such as non-profits, wilderness and conservation groups, tribal nations, and federal lands management agencies. This course prioritizes the Native American and Indigenous art contributions through art mediums such as illustration, design, painting, sculpture, architecture, films, music, agriculture, and social media contexts. These indigenous art examples are going to be placed into dialogue with United States western frameworks of conservation, including critiques and case study examples of the application of these techniques, narratives, and artistic projects that have influenced visibility, participation, dialogue, messaging, and policy outcomes on land protection.

Elective