Brian Payne

Critic - Illustration

BA, Maryland Institute College of Art
MID, Rhode Island School of Design

Courses

Fall 2023 Courses

ILLUS 2000-08 - VISUAL THINKING
Level Undergraduate
Unit Illustration
Subject Illustration
Period Fall 2023
Credits 3
Format Studio
Mode In-Person
Start date
End date

ILLUS 2000-08

VISUAL THINKING

Level Undergraduate
Unit Illustration
Subject Illustration
Period Fall 2023
Credits 3
Format Studio
Mode In-Person
Start and End 2023-09-06 to 2023-12-13
Times: TH | 8:00 AM - 1:00 PM Instructor(s): Brian Payne Location(s): Illustration Studies Building, Room 407 Enrolled / Capacity: 15 Status: Open

SECTION DESCRIPTION

Illustration is visual communication: meaning made visible. Visual thinking, the creative process by which all successful illustration is developed, constitutes the development of an articulate images through thorough, iterative exploration of ideas. This class emphasizes process over finish, idea over application and significance over style-exploring both ways of seeing and ways of showing. Coursework will encourage conceptual invention and application fundamental to an understanding of what the practice of illustration is and can be. The object of the course is to strengthen the students' inventive talents and interpretive skills - and thereby to augment their ability to articulate complex ideas with clarity, eloquence and power.

Majors are pre-registered for this course by the department. Preference is given to Sophomore Illustration Students.

Major Requirement | BFA Illustration

Spring 2024 Courses

ID 239G-01 - GRADUATE COMMUNICATION INTRODUCTION
Level Graduate
Unit Industrial Design
Subject Industrial Design
Period Spring 2024
Credits 3
Format Studio
Mode In-Person
Start date
End date

ID 239G-01

GRADUATE COMMUNICATION INTRODUCTION

Level Graduate
Unit Industrial Design
Subject Industrial Design
Period Spring 2024
Credits 3
Format Studio
Mode In-Person
Start and End 2024-02-15 to 2024-05-24
Times: W | 8:00 AM - 1:00 PM Instructor(s): Brian Payne, Jordan Gushwa Location(s): Center for Integrative Technologies, Room 217 Enrolled / Capacity: 12 Status: Closed

SECTION DESCRIPTION

Graduate Communication Introduction is a studio course about writing and speaking as design tools. We think about writing and speaking in two ways. First as a communication tool and second as a design tool. On the communication side, we address the many ways that writing and speaking surrounds a designed object (as a proposal, as sales copy, as instructions to users, as specs for manufacture, as criticism, etc.). We think about the audiences for those various kinds of communication and how to think about what they want and need. We look at examples of great design communication and we develop and practice our own skills for succinctly explaining our ideas. On the design tool side, we think about the many ways that writing can help clarify and quickly test out ideas. We think about writing as a form of rapid prototyping alongside sketching, model making, etc. We talk about what writing is good at, when other methods might be more useful, and when to combine methods. We explore techniques such as design fiction, scenario planning, and other narrative methodologies that are used in industrial design and related fields.

Enrollment is limited to Graduate Industrial Design Students.

Major Requirement | MID Industrial Design

ILLUS 2004-08 - VISUAL STRATEGIES
Level Undergraduate
Unit Illustration
Subject Illustration
Period Spring 2024
Credits 3
Format Studio
Mode In-Person
Start date
End date

ILLUS 2004-08

VISUAL STRATEGIES

Level Undergraduate
Unit Illustration
Subject Illustration
Period Spring 2024
Credits 3
Format Studio
Mode In-Person
Start and End 2024-02-15 to 2024-05-24
Times: T | 8:00 AM - 1:00 PM Instructor(s): Brian Payne Location(s): Illustration Studies Building, Room 412 Enrolled / Capacity: 15 Status: Open

SECTION DESCRIPTION

Building on the skills and sensibilities developed in ILLUS 2000: Visual Thinking, this course will address a range of strategic considerations important for the articulation of ideas. While emphasis will remain on methods for encouraging conceptual aptitude and innovation, there will be greater focus on specific forms of communication. Practical issues such as the nature of audience and the context for interpretation will be matters of concern, as will vehicles for communication and the handling of media. The basic aim of this course is to enable the student to discover a creative identity and develop an itinerary for upper-class study; its larger goal is to wed communicative purpose to artistic voice.

Majors are pre-registered for this course by the department. Preference is given to Sophomore Illustration Students.

Major Requirement | BFA Illustration

ID 239G-02 - GRADUATE COMMUNICATION INTRODUCTION
Level Graduate
Unit Industrial Design
Subject Industrial Design
Period Spring 2024
Credits 3
Format Studio
Mode In-Person
Start date
End date

ID 239G-02

GRADUATE COMMUNICATION INTRODUCTION

Level Graduate
Unit Industrial Design
Subject Industrial Design
Period Spring 2024
Credits 3
Format Studio
Mode In-Person
Start and End 2024-02-15 to 2024-05-24
Times: W | 8:00 AM - 1:00 PM Instructor(s): Brian Payne, Jordan Gushwa Location(s): Center for Integrative Technologies, Room 217 Enrolled / Capacity: 12 Status: Open

SECTION DESCRIPTION

Graduate Communication Introduction is a studio course about writing and speaking as design tools. We think about writing and speaking in two ways. First as a communication tool and second as a design tool. On the communication side, we address the many ways that writing and speaking surrounds a designed object (as a proposal, as sales copy, as instructions to users, as specs for manufacture, as criticism, etc.). We think about the audiences for those various kinds of communication and how to think about what they want and need. We look at examples of great design communication and we develop and practice our own skills for succinctly explaining our ideas. On the design tool side, we think about the many ways that writing can help clarify and quickly test out ideas. We think about writing as a form of rapid prototyping alongside sketching, model making, etc. We talk about what writing is good at, when other methods might be more useful, and when to combine methods. We explore techniques such as design fiction, scenario planning, and other narrative methodologies that are used in industrial design and related fields.

Enrollment is limited to Graduate Industrial Design Students.

Major Requirement | MID Industrial Design


BA, Maryland Institute College of Art
MID, Rhode Island School of Design