Sage Gerson
Sage Gerson (she/hers) is a settler scholar who researches and teaches in the fields of Indigenous literatures and ecologies; environmental justice; 20th- and 21st-century literatures; the energy humanities and infrastructure studies; Native, Black and Women of Color feminisms; anticolonial and decolonial theory; and futurisms, futurity and speculative fiction. At RISD, in addition to teaching in Literary Arts and Studies, she also teaches as part of the Nature-Culture-Sustainability Studies (NCSS) and Global Arts and Cultures (GAC) graduate programs, as well as the NCSS undergraduate concentration. In all of her courses, Gerson asks students to dwell with cultural imaginaries that provide glimpses of a differently perceivable world, where other formations of environment, identity, power and resistance are possible.
Gerson’s research resides at the intersections of the environmental humanities and the study of colonial modernity through a perspective informed by Black Studies and Native American and Indigenous Studies. She is currently working on a book-length project focused on electrified literary imaginaries that complicate linear narratives linking electricity with progress, instead favoring transformative environmental perspectives that exceed developmental and extractive frameworks. You can find her work in (or forthcoming in) Teaching Energy Humanities, Social Text, Media+Environment, Lateral, the University of California Humanities Research Institute’s (UCHRI) Foundry, and as part of The Black Scholar’s Social Justice Handbook series. She is the 2023–24 faculty fellow in the RISD Museum's Prints, Drawings, and Photographs collection. Gerson received her PhD in English from the University of California, Santa Barbara, where she also completed an interdepartmental PhD emphasis in Environment and Society.
Courses
Fall 2024 Courses
LAS E101-13
FIRST-YEAR LITERATURE SEMINAR
SECTION DESCRIPTION
An introduction to literary study that helps students develop the skills necessary for college-level reading, writing, research and critical thinking. Through exposure to a variety of literary forms and genres, historical periods and critical approaches, students are taught how to read closely, argue effectively and develop a strong writing voice. The course is reading and writing intensive and organized around weekly assignments. There are no waivers for LAS-E101 except for transfer students who have taken an equivalent college course.
First-year Students are pre-registered for this course by the department.
Sophomore, Junior, Senior or Transfer Students register into designated section(s).
Major Requirement | BFA
LAS E101-14
FIRST-YEAR LITERATURE SEMINAR
SECTION DESCRIPTION
An introduction to literary study that helps students develop the skills necessary for college-level reading, writing, research and critical thinking. Through exposure to a variety of literary forms and genres, historical periods and critical approaches, students are taught how to read closely, argue effectively and develop a strong writing voice. The course is reading and writing intensive and organized around weekly assignments. There are no waivers for LAS-E101 except for transfer students who have taken an equivalent college course.
First-year Students are pre-registered for this course by the department.
Sophomore, Junior, Senior or Transfer Students register into designated section(s).
Major Requirement | BFA
Spring 2025 Courses
GRAD 700G-01 / LAS E700-01
THEORIES OF NATURECULTURE
SECTION DESCRIPTION
Theories of NatureCulture is a graduate-level critical and cultural theory seminar with a focus on environmental justice approaches that lays the foundations for advanced study in the interdisciplinary field of nature-culture-sustainability studies, introducing students to vital topics, theories, and perspectives in the environmental humanities.
Why does mainstream US environmental thought conceive of nature and human culture as separate? Are they really a dichotomy? What does it mean to describe something as “natural”? What do the humanities and arts have to contribute to environmental studies and environmental justice? This iteration of Theories of NatureCulture asks students to engage with a variety of cultural production, including poetry, essays, short fiction, film, music, and critical theory to analyze how the concept of nature is represented in different cultural imaginaries, as well as the embodied and material consequences of its representations. The course will expand and complicate students’ understandings of environmentalism by asking them to carefully and thoughtfully engage with a variety of ecological modes of thought, including: queer ecologies, ecofeminisms, Black ecological imaginings, Indigenous environmental thought, anticolonial environmentalisms, eco-crip theory, and Black feminist ecologies, among others.
In this seminar, we will carefully read and discuss a range of texts centered on environmental issues and concepts. Our readings and discussions will be complemented by field trips, writing assignments, group projects, and site visits. Close engagement with theoretical material will enable us to consider how different styles and disciplinary practices encourage particular forms of comprehension and interaction with the environment.
This course is open to all graduate level students and to junior, senior/fifth year undergraduate students, with priority given to those in the NCSS and other Liberal Arts concentrations pending seat availability.
Elective
GRAD 700G-01 / LAS E700-01
THEORIES OF NATURECULTURE
SECTION DESCRIPTION
Theories of NatureCulture is a graduate-level critical and cultural theory seminar with a focus on environmental justice approaches that lays the foundations for advanced study in the interdisciplinary field of nature-culture-sustainability studies, introducing students to vital topics, theories, and perspectives in the environmental humanities.
Why does mainstream US environmental thought conceive of nature and human culture as separate? Are they really a dichotomy? What does it mean to describe something as “natural”? What do the humanities and arts have to contribute to environmental studies and environmental justice? This iteration of Theories of NatureCulture asks students to engage with a variety of cultural production, including poetry, essays, short fiction, film, music, and critical theory to analyze how the concept of nature is represented in different cultural imaginaries, as well as the embodied and material consequences of its representations. The course will expand and complicate students’ understandings of environmentalism by asking them to carefully and thoughtfully engage with a variety of ecological modes of thought, including: queer ecologies, ecofeminisms, Black ecological imaginings, Indigenous environmental thought, anticolonial environmentalisms, eco-crip theory, and Black feminist ecologies, among others.
In this seminar, we will carefully read and discuss a range of texts centered on environmental issues and concepts. Our readings and discussions will be complemented by field trips, writing assignments, group projects, and site visits. Close engagement with theoretical material will enable us to consider how different styles and disciplinary practices encourage particular forms of comprehension and interaction with the environment.
This course is open to all graduate level students and to junior, senior/fifth year undergraduate students, with priority given to those in the NCSS and other Liberal Arts concentrations pending seat availability.
Elective