Derrick Woods-Morrow

Schiller Family Assistant Professorship in Race in Art and Design Assistant Professor of Sculpture, Painting & Textiles
Image
head shot of Derrick Woods-Morrow
MFA, School of Art Institute of Chicago
Post-Bacc, Massachusetts College of Art and Design

Derrick Woods-Morrow (b.1990) centers process-oriented collaborative projects with Queerx Black Fol(x) across a wide variety of media. His work has been exhibited in collaboration with Paul Mpagi Sepuya in the Whitney Biennial (2019); in Photography Now: The Searchers (2019 at The Center for Photography at Woodstock); and in thematic international and national group exhibitions at Kunsthal KAdE in the Netherlands (2020), the Schwules Museum in Berlin (2020/21), The Contemporary Art Center in New Orleans (2020), the Museum of Contemporary Art Chicago (2020) and the Smart Museum Chicago (2019).

In 2019 his second short film, much handled things are always soft, debuted in collaboration with the VISUAL AIDS 30th Annual Day With(out) ART programming at the Whitney Museum of American Art, Museum of Contemporary Art LA, The Museum of Contemporary Art Chicago, The Brooklyn Museum, The New Museum and more than 100 institutions worldwide. Much handled things are always soft would later be independently screened in the social media POC cruising App Jack’d, reaching an audience of over 3 million Black and Brown folx in Canada and the US.

In 2021 he was invited to be a part of the Knight Foundation Art & Research Center virtual colloquium and seminars series Animating Archives. He is the 2021 Edith and Philip Leonian fellow at the Center of Photography Woodstock and has completed residencies at The Bemis Center for Contemporary Art (2021), Antenna Works (2020/21), Chicago Artists Coalition (2018), the Fire Island Artist Residency (2016) and ACRE (2015). He is the recipient of the 2018 Artadia Award–Chicago and a 2021 Uprise Grant recipient from the Sundance Film Institute. 

Woods-Morrow is a member of the Chicago-based collective Concerned Black Image Makers and serves on the Board of Directors at the Fire Island Artist Residency. His work has been written about in The New York Times, W Magazine, Artforum, Artnet, The Chicago Tribune, Newcity, Hyperallergic, Visual Art Source, Artpapers, ArtDaily and Spot Magazine. Originally from Greensboro, NC, he splits his time between Chicago and Rhode Island.
 

Courses

Fall 2024 Courses

TEXT 4805-01 - CHANGING FABRIC SURFACE
Level Undergraduate
Unit Textiles
Subject Textiles
Period Fall 2024
Credits 3
Format Studio
Mode In-Person
Start date
End date

TEXT 4805-01

CHANGING FABRIC SURFACE

Level Undergraduate
Unit Textiles
Subject Textiles
Period Fall 2024
Credits 3
Format Studio
Mode In-Person
Start and End 2024-09-04 to 2024-12-11
Times: T | 1:10 PM - 6:10 PM Instructor(s): Caroline Silverman, Derrick Woods-Morrow Location(s): College Building, Room 510 Enrolled / Capacity: 12 Status: Open

SECTION DESCRIPTION

Students work on a specific theme of their choosing and derive designs and concepts from this theme for work in fabric silkscreen. After completing assignments that focus on specific techniques and design problems, students plan and execute a more defined and larger project relying on the experience incorporated during the first part of the course. Fabric construction and dyeing techniques can be integrated into the work.

Prerequisite: TEXT 4803 - FABRIC SILKSCREEN

Elective

TEXT 4828-01 - FINE ARTS TEXTILES
Level Undergraduate
Unit Textiles
Subject Textiles
Period Fall 2024
Credits 3
Format Studio
Mode In-Person
Start date
End date

TEXT 4828-01

FINE ARTS TEXTILES

Level Undergraduate
Unit Textiles
Subject Textiles
Period Fall 2024
Credits 3
Format Studio
Mode In-Person
Start and End 2024-09-04 to 2024-12-11
Times: T | 1:10 PM - 6:10 PM Instructor(s): Derrick Woods-Morrow, Mary Anne Friel Location(s): College Building, Room 210 Enrolled / Capacity: 12 Status: Open

SECTION DESCRIPTION

In this senior level course emphasis is placed on the development and definition of individual direction. Students' work can range from installations to two-dimensional pieces and can employ any techniques and materials, from weaving, printing, knitting, or any improvised construction techniques.

Estimated Cost of Materials: Varies based on use of advanced equipment. Additional fees may incur.

Elective

SCULP 471G-01 - GRADUATE STUDIO I
Level Graduate
Unit Sculpture
Subject Sculpture
Period Fall 2024
Credits 9
Format Studio
Mode In-Person
Start date
End date

SCULP 471G-01

GRADUATE STUDIO I

Level Graduate
Unit Sculpture
Subject Sculpture
Period Fall 2024
Credits 9
Format Studio
Mode In-Person
Start and End 2024-09-04 to 2024-12-11
Times: W | 11:20 AM - 4:20 PM Instructor(s): Derrick Woods-Morrow Location(s): 15 West, Roger Mandle Building, Room 101 Enrolled / Capacity: 7 Status: Closed

SECTION DESCRIPTION

Students pursue individual work under advisement of resident faculty, visiting artists and critics during the semester. Individual objectives are clarified and professional practices are discussed. Group interaction and discussions are expected.

Students are pre-registered for this course by the department; registration is not available in Workday. Enrollment is limited to Graduate Sculpture Students.


Major Requirement | MFA Sculpture

PAINT 4587-01 - SENIOR INTERDISCIPLINARY CRITIQUE
Level Undergraduate
Unit Painting
Subject Painting
Period Fall 2024
Credits 3
Format Studio
Mode In-Person
Start date
End date

PAINT 4587-01

SENIOR INTERDISCIPLINARY CRITIQUE

Level Undergraduate
Unit Painting
Subject Painting
Period Fall 2024
Credits 3
Format Studio
Mode In-Person
Start and End 2024-09-04 to 2024-12-11
Times: TW | 6:30 PM - 9:00 PM Instructor(s): Derrick Woods-Morrow Location(s): College Building, Room 510 Enrolled / Capacity: 12 Status: Open

SECTION DESCRIPTION

This is a course in which first-semester seniors who have already demonstrated unusual commitment, ambition and initiative within their majors will pursue and discuss independent work in a setting that reflects, as closely as possible, the interdisciplinary conversation that actually takes place around advanced art practice today. The course is intended to allow those working within medium-specific vocabularies to test how their work will make meaning in an art world in which a variety of disciplinary histories and conventions coexist, clash, and inform one another, as well as to provide an opportunity for students whose work bridges two or more disciplines (or involves performance/new genres/post-studio approaches) to learn from one another and from faculty capable of addressing all of these sorts of practices. This is a demanding critique course with additional seminar components (readings, screenings, discussions, slide presentations, etc.), and as such students can expect a workload equivalent to a core studio requirement within their major.

Acceptance into the course will be based on a GPA of 3.25 or greater as well as the recommendation of faculty and department heads from the student's major and on review of previous work. Candidates will be identified in discussions between the instructor and department heads during the preceding spring semester. Successful completion of THAD-H490/PAINT-4507 (Contemporary Art & its Discourses) or equivalent coursework is a prerequisite, ensuring students have a shared understanding of the art historical context for interdisciplinary. The maximum enrollment is limited to seminar-size (c. 15 students) in order to provide sufficient attention to each student's work in group and individual critiques while still allowing for seminar-style discussions.

Please contact the instructor for permission to register.

Elective

Image
head shot of Derrick Woods-Morrow
MFA, School of Art Institute of Chicago
Post-Bacc, Massachusetts College of Art and Design