This course frames contemporary art as a set of conversations, arguments and counterarguments that have been proposed in key exhibitions, works of art, and critical writings produced across multiple continents over the past three decades. We will identify and critique the ideas that have shaped contemporary art, discuss their impetus, and examine their assumptions. Through such conversations, the course presents contemporary art as a form of processing a present and a past in which the artwork is indivisible from the dialogues and conversations that create, define and continue to change it. The title of the class alludes not only to the idea of making and reading contemporary art as cognitive, rhetorical and dialogic activities, but also to the art world as a series of geographically dispersed and temporally promiscuous processes, deeply resistant to modernist systems of order, periodization and mapping. The course combines lectures by the instructor, as well as by visiting critics and art historians, which outline some of the key issues and historical pressures of contemporary art, alongside seminar-type discussions where we process the lectures and select readings as a group.

This is a co-requisite course. Students must register for PAINT-148G/GRAD-148G and GRAD-248G.

Please contact the instructor for permission to register; registration is not available in Workday. Preference is given to Graduate Students.

Elective

The course offers graduate students a forum for exploring historical and theoretical foundations of contemporary design and craft arts. Readings, discussions, lectures, and writing projects address a range of contexts for the practice of design, from materials and making, to ways that objects are encountered, consumed, and lived with, to design's promises and limitations for dealing with global crises of climate, poverty, conflict, disease, and displacement. Weekly meetings are structured around critical themes selected through student input. Readings and case studies offer points of departure for discussion and writing. Guest lectures by designers, curators, and critics provide viewpoints on contemporary practice. Culminating with a final artist statement and presentation, the work undertaken throughout the term will be oriented toward developing historical and critical frameworks in which to situate students' own studio and research practices.

Open to Graduate Students.

Elective

This “practicum” workshop in criticism and critique comprises a series of studios with visiting critics, curators, art historians and artists attached to the Graduate Studies course “Conversations in Contemporary Art” (GRAD-148G/PAINT-148G). We will discuss key readings and debates in contemporary art by testing them on individual works of art, as well as the logistics of art criticism as the interface  between ideas and their material resistance. Students in Fine Arts and Liberal arts will have a chance to discuss or write on theirs and others’ work and to practice various kinds of art criticism. In previous years, visiting critics have included curators Rujeko Hockley and Jane Panetta, Lynn Cooke, Chrissie Iles, Claire Bishop and others. For details of past guests click here.

This is a co-requisite course. Students must register for PAINT-148G/GRAD-148G and GRAD-248G.

Please contact the instructor for permission to register; registration is not available in Workday. Preference is given to Graduate students.

Elective

This course is designed to introduce students to the major historical and intellectual developments in the field of Chinese archaeology, from its inception in the 10th century as antiquarianism, to the latest scientific achievements. The course will provide a general overview of key discoveries relating to the period of time spanning from the Paleolithic to the Han period, concentrating on crucial research issues on such topics as (among others), the origin of man in Asia (an alternative to the Out of Africa theory), the earliest settled societies and the beginning of rice and millet agriculture, the origins and impact of Chinese writing, the Chinese urban revolution of the late Neolithic and early Bronze Age, the political use of bronze and jade in the dynastic period, and the burial customs and religious beliefs of the early imperial period.

Offered as THAD-C333 and HPSS-C333.

Open to Sophomore, Junior or Senior Undergraduate Students.

Elective

Why does film seem obsessed with the figure of the artist? How are art histories told through such biopics? Why do such films have such popular effect? What do these representations have to do with longstanding myths about artistic production and artists? What is the cultural role of such tellings of "making"? And, most importantly, how do these films reproduce, or maybe subvert, the colonial, patriarchal, and racialist figurations of the artist that dominate Western culture still? What happens when film, history, myth, and art intersect? This course examines the intermediality of film, historical narrative and the arts through a selection of artist biopics from feature film and documentary. Centered around questions of the representation of artistic myths (of "genius" or "bohemian suffering," for example) in relation to the construction of popular art histories, this course will ask what happens when film attempts to "tell" the story of art, how audiences receive such stories, how cinema obsesses upon the relationship of film to other media, and how these constructions of artistic "culture" tend to subvert or reproduce gendered, classist, and neo-colonial assumptions of artists, artistic process, and history itself. Various theoretical approaches on the subject will also be studied, from Panofsky to Berger (Doris and John) to theorists of historical film and theorists of popular culture and the intersection between the visual and literary arts (visual cultural theorists like WJT Mitchell and Nicholas Mirzhoeff). We'll focus upon ten films in our journey through these questions, from three films about Van Gogh (Minelli, Schnabel, Kurasawa), to the 90s Hollywood productions like Pollock and Basquiat and documentary responses to them (Hans Namuth on Pollock) to the issue of gender in the genre of artistic biopic (Seraphine, Artemesia, Camille Claudel, Frida), to the "querying" of these lines in queer artist biopics like CARRAVAGGIO (Derek Jarman), to a final decolonizing analysis of films about Gauguin and Turner. Students will explore these questions through weekly short essays and a longer final essay (10-12 pages) that asks them to explore one film from outside the syllabus (from a list provided).

Offered as THAD-C708 and LAS-C708.

Open to Sophomore, Junior, Senior or Graduate Students.

Elective

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters. 
 
Registration process: First-year students are registered into sections by the Liberal Arts Division.
Transfer and sophomore and above students should register into the evening section offered in the fall. 
 
For schedule conflicts during lecture times, please contact the Academic Programs Coordinator in the Liberal Arts Division office. For issues with registration, contact the Registrar's office for assistance. 
 

Major Requirement | BFA

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters. 
 
Registration process: First-year students are registered into sections by the Liberal Arts Division.
Transfer and sophomore and above students should register into the evening section offered in the fall. 
 
For schedule conflicts during lecture times, please contact the Academic Programs Coordinator in the Liberal Arts Division office. For issues with registration, contact the Registrar's office for assistance. 
 

Major Requirement | BFA

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters. 
 
Registration process: First-year students are registered into sections by the Liberal Arts Division.
Transfer and sophomore and above students should register into the evening section offered in the fall. 
 
For schedule conflicts during lecture times, please contact the Academic Programs Coordinator in the Liberal Arts Division office. For issues with registration, contact the Registrar's office for assistance. 
 

Major Requirement | BFA

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters. 
 
Registration process: First-year students are registered into sections by the Liberal Arts Division.
Transfer and sophomore and above students should register into the evening section offered in the fall. 
 
For schedule conflicts during lecture times, please contact the Academic Programs Coordinator in the Liberal Arts Division office. For issues with registration, contact the Registrar's office for assistance. 
 

Major Requirement | BFA

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters. 
 
Registration process: First-year students are registered into sections by the Liberal Arts Division.
Transfer and sophomore and above students should register into the evening section offered in the fall. 
 
For schedule conflicts during lecture times, please contact the Academic Programs Coordinator in the Liberal Arts Division office. For issues with registration, contact the Registrar's office for assistance. 
 

Major Requirement | BFA

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters. 
 
Registration process: First-year students are registered into sections by the Liberal Arts Division.
Transfer and sophomore and above students should register into the evening section offered in the fall. 
 
For schedule conflicts during lecture times, please contact the Academic Programs Coordinator in the Liberal Arts Division office. For issues with registration, contact the Registrar's office for assistance. 
 

Major Requirement | BFA

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters. 
 
Registration process: First-year students are registered into sections by the Liberal Arts Division.
Transfer and sophomore and above students should register into the evening section offered in the fall. 
 
For schedule conflicts during lecture times, please contact the Academic Programs Coordinator in the Liberal Arts Division office. For issues with registration, contact the Registrar's office for assistance. 
 

Major Requirement | BFA

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters. 
 
Registration process: First-year students are registered into sections by the Liberal Arts Division.
Transfer and sophomore and above students should register into the evening section offered in the fall. 
 
For schedule conflicts during lecture times, please contact the Academic Programs Coordinator in the Liberal Arts Division office. For issues with registration, contact the Registrar's office for assistance. 
 

Major Requirement | BFA

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters. 
 
Registration process: First-year students are registered into sections by the Liberal Arts Division.
Transfer and sophomore and above students should register into the evening section offered in the fall. 
 
For schedule conflicts during lecture times, please contact the Academic Programs Coordinator in the Liberal Arts Division office. For issues with registration, contact the Registrar's office for assistance. 
 

Major Requirement | BFA

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters. 
 
Registration process: First-year students are registered into sections by the Liberal Arts Division.
Transfer and sophomore and above students should register into the evening section offered in the fall. 
 
For schedule conflicts during lecture times, please contact the Academic Programs Coordinator in the Liberal Arts Division office. For issues with registration, contact the Registrar's office for assistance. 
 

Major Requirement | BFA

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters. 
 
Registration process: First-year students are registered into sections by the Liberal Arts Division.
Transfer and sophomore and above students should register into the evening section offered in the fall. 
 
For schedule conflicts during lecture times, please contact the Academic Programs Coordinator in the Liberal Arts Division office. For issues with registration, contact the Registrar's office for assistance. 
 

Major Requirement | BFA

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters. 
 
Registration process: First-year students are registered into sections by the Liberal Arts Division.
Transfer and sophomore and above students should register into the evening section offered in the fall. 
 
For schedule conflicts during lecture times, please contact the Academic Programs Coordinator in the Liberal Arts Division office. For issues with registration, contact the Registrar's office for assistance. 
 

Major Requirement | BFA

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters. 
 
Registration process: First-year students are registered into sections by the Liberal Arts Division.
Transfer and sophomore and above students should register into the evening section offered in the fall. 
 
For schedule conflicts during lecture times, please contact the Academic Programs Coordinator in the Liberal Arts Division office. For issues with registration, contact the Registrar's office for assistance. 
 

Major Requirement | BFA

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters. 
 
Registration process: First-year students are registered into sections by the Liberal Arts Division.
Transfer and sophomore and above students should register into the evening section offered in the fall. 
 
For schedule conflicts during lecture times, please contact the Academic Programs Coordinator in the Liberal Arts Division office. For issues with registration, contact the Registrar's office for assistance. 
 

Major Requirement | BFA

This is a required course for all first year and transfer students to introduce them to global modern and contemporary art, architecture and design in the period between 1750 and the present. The course addresses modernism as a global project, presenting several case studies from across the world that unfold to show how multiple kinds of modernism developed in different times and distant places. By presenting alternate, sometimes contradictory stories about modern and contemporary art and design, along with a set of critical terms specific to these times and places, the class aims to foster a rich, complex understanding of the many narratives that works of art and design can tell. With this grounding, students will be well positioned to pursue their interests in specialized courses in subsequent semesters. 
 
Registration process: First-year students are registered into sections by the Liberal Arts Division.
Transfer and sophomore and above students should register into the evening section offered in the fall. 
 
For schedule conflicts during lecture times, please contact the Academic Programs Coordinator in the Liberal Arts Division office. For issues with registration, contact the Registrar's office for assistance. 
 

Major Requirement | BFA