Kate McNamara
Kate McNamara is a curator and educator based in Providence, RI. She is executive and creative director of My HomeCourt, a nonprofit arts organization working with contemporary artists to revitalize city parks. McNamara is also curator-at-large at Providence College-Galleries, administrator at Interlace Grant Fund and a visiting critic at Sotheby’s Institute of Art. McNamara is invested in contemporary art and innovative curatorial practices and recently opened a gallery and project space, ODD-KIN, in East Providence, RI. McNamara holds an MA from The Center for Curatorial Studies, Bard and a BA from Hampshire College.
Courses
Fall 2023 Courses
PAINT 4597-01
PROFESSIONAL PRACTICES IN PAINTING
SECTION DESCRIPTION
This course would address many practical issues to do with becoming a professional artist after graduation. Some of these issues are: the commercial gallery, the not-for-profit gallery, museums, graduate programs, auction houses, grants, documentation of work, archival storage of work and restoration of artwork. Professionals from the gallery, museum and other fields will be invited to the class to share their expertise with the student. Artists will be invited to talk about their professional experiences. It is a seminar class addressed particularly to the senior painting student.
Open to Senior Painting Students only.
Elective
Spring 2024 Courses
PAINT 4570-01
CRITICAL CURATING
SECTION DESCRIPTION
The history of painting and the trajectory of radical exhibition models in the post-war period have always seemed divergent, even antithetical: the former pursued autonomy, then, more recently, returned to narrative and figuration, while the latter took cue, both morphologically and discursively, from installation, sited, and conceptual art. This course counters such assumptions by examining post-war painting in tandem with key moments in curating (eg. Alanna Heiss' PS1; Okwui Enwezor's Documenta XI; Jerome Sans and Nicolas Bourriaud's Palais de Tokyo; and Dan Cameron's Prospect 1). The course's second half, at once more speculative and hands on, uses the Painting Gallery as a test site for mounting an exhibition or exhibitions, with emphasis on the peculiarities that painting - bounded, rectilinear, and flat - presents. Readings to include Bruce Altschuler, Julie Ault, Thomas Crow, Thierry de Duve, Hal Foster, Brian O'Doherty and others. The course has a fee for two field trips to New York.