This course explores the role of interior architecture in constructing speculative worlds. Interiors will be treated not simply as functional enclosures, but as sites of imagination, narrative, and cultural projection. Drawing from speculative design, fiction, critical fabulation, and scenography, students will develop projects that imagine alternate futures, histories, and realities through spatial design.

Alongside these conceptual explorations, the course will engage with the fundamentals of architectural drawing, projection, and making. Students will gain practical skills in analog/digital orthographic drawing, axonometric, isometric, and perspective techniques, using them not only as representational tools but also as methods of world-building and storytelling. By the end of the term, students will have produced a portfolio of speculative environments that demonstrate both technical command of architectural drawing conventions and critical engagement with the imaginative possibilities of interior space.

Estimated Cost of Materials: $50.00 - $100.00

Elective

This course provides an introduction to the fundamental principles of color and light as they apply to spatial and visual perceptions in the built environment. It is an opportunity to study color theory in conjunction with light, lighting systems and the effect of light on color and form.

Major Requirement | BFA Interior Studies, MDes Interior Studies

This course provides an introduction to the fundamental principles of color and light as they apply to spatial and visual perceptions in the built environment. It is an opportunity to study color theory in conjunction with light, lighting systems and the effect of light on color and form.

Major Requirement | BFA Interior Studies, MDes Interior Studies

This course provides an introduction to the fundamental principles of color and light as they apply to spatial and visual perceptions in the built environment. It is an opportunity to study color theory in conjunction with light, lighting systems and the effect of light on color and form.

Major Requirement | BFA Interior Studies, MDes Interior Studies

This seminar is intended as a reinforcement of and preparation for the self-choice Design Thesis taking place the following Spring. The seminar will assist the student in becoming more aware of factors which determine a successful outcome for a design intervention within an existing building. As the first part of the three-part thesis sequence, the course serves as the building block for INTAR-2397 and the student's approved Design Thesis Feasibility Report.

Open to Graduate Interior Architecture Students.

Major Requirement | MDes Interior Studies Adaptive Reuse

This class introduces the student to an overview of codes and its implementation through construction details as related to the study of adaptive reuse. It will provide in depth focus on pertinent parts of local and national building codes that address issues affecting interior architecture such as egress, materials, planning, and accessibility. The student will be asked through quizzes as well as short design projects to implement these rules and regulations and to demonstrate a familiarity with the codes.

Major Requirement | MDes Interior Studies

Building on the final advanced studio in the undergraduate program, the seminar engages the graduating senior with research and design studies that expand the focus of the final studio. This will involve reading, group discussions, topical studies, concept development and the crafting of an artist's statement - all in service of understanding the design intervention and its relationship to the context of its host structure. The course will culminate in a group project: the design and installation of the Senior Show as a demonstration of a design intervention within an existing structure.

Major Requirement | BFA Interior Studies

Required for students in the MDes degree program. Under the supervision of their thesis advisor, students are responsible for the preparation and completion of a fully articulated design proposal of their own choice, as described by their Design Thesis Feasibility Report, submitted at the end of the Fall semester's Design Thesis Preparation class.

Open to Graduate Interior Architecture Students.

Major Requirement | MDes Interior Studies

Required for students in the MDes degree program. Under the supervision of their thesis advisor, students are responsible for the preparation and completion of a fully articulated design proposal of their own choice, as described by their Design Thesis Feasibility Report, submitted at the end of the Fall semester's Design Thesis Preparation class.

Open to Graduate Interior Architecture Students.

Major Requirement | MDes Interior Studies

Required for students in the MDes degree program. Under the supervision of their thesis advisor, students are responsible for the preparation and completion of a fully articulated design proposal of their own choice, as described by their Design Thesis Feasibility Report, submitted at the end of the Fall semester's Design Thesis Preparation class.

Open to Graduate Interior Architecture Students.

Major Requirement | MDes Interior Studies

Required for students in the MDes degree program. Under the supervision of their thesis advisor, students are responsible for the preparation and completion of a fully articulated design proposal of their own choice, as described by their Design Thesis Feasibility Report, submitted at the end of the Fall semester's Design Thesis Preparation class.

Open to Graduate Interior Architecture Students.

Major Requirement | MDes Interior Studies

Choice of advanced design studios offered by the Department of Interior Architecture. Details & studio descriptions are made available to pre-registered students.

Estimated Cost of Materials: Varies depending on required studio course supplies or related travel. Anticipated costs will be provided in advance, and announced during the lottery studio presentations held in the department.

Major Requirement | BFA, MDes, MA Interior Studies

Choice of advanced design studios offered by the Department of Interior Architecture. Details & studio descriptions are made available to pre-registered students.

Estimated Cost of Materials: Varies depending on required studio course supplies or related travel. Anticipated costs will be provided in advance, and announced during the lottery studio presentations held in the department.

Major Requirement | BFA, MDes, MA Interior Studies

Choice of advanced design studios offered by the Department of Interior Architecture. Details & studio descriptions are made available to pre-registered students.

Estimated Cost of Materials: Varies depending on required studio course supplies or related travel. Anticipated costs will be provided in advance, and announced during the lottery studio presentations held in the department.

Major Requirement | BFA, MDes, MA Interior Studies

Choice of advanced design studios offered by the Department of Interior Architecture. Details & studio descriptions are made available to pre-registered students.

Estimated Cost of Materials: Varies depending on required studio course supplies or related travel. Anticipated costs will be provided in advance, and announced during the lottery studio presentations held in the department.

Major Requirement | BFA, MDes, MA Interior Studies

Choice of advanced design studios offered by the Department of Interior Architecture. Details & studio descriptions are made available to pre-registered students.

Estimated Cost of Materials: Varies depending on required studio course supplies or related travel. Anticipated costs will be provided in advance, and announced during the lottery studio presentations held in the department.

Major Requirement | BFA, MDes, MA Interior Studies

This 3-credit course, offered by the Interior Architecture department, will investigate relationships between digital design processes and methods of fabrication using the CNC router. The focus of the course will be on materiality. The weekly fabrication of physical artifacts on the CNC router will be considered the primary means of knowledge acquisition. Tangible output is critical to gaining an understanding of real-world material behaviors and witnessing discrepancies between the digital and material worlds. The course will seek to exploit those discrepancies.

A sequence of three projects will incrementally develop skills with fabrication equipment, design software (Rhino3D/Grasshopper), and CAM software used to program toolpaths (VCarve). Basic software instruction will be given during class sessions. It is expected that students will locate outside tutorials as necessary to further their software knowledge. Project topics include investigating the expressive potentials of toolpaths as surface artifacts, and constructing assemblies that aggregate multiple elements. The final project will be a team collaboration, resulting in a full-scale architectural installation that affects spatial perception.

Estimated Cost of Materials: $40.00

Elective

This 6-credit Thesis Studio centers around the Sustainability Lab, an initiative between LDAR and INTAR departments to explore creative material approaches to sustainability. Looking specifically at materials common to the New England region, this hands-on research studio asks students to question current attitudes towards exploitative land uses and material cultures and push the boundaries of material use and techniques in professional architecture and landscape architecture design practices. Students enrolled in this course are required to register for the co-requisite seminar INTAR/LDAR 503G - Sustainability Lab: Material Tectonics + Fabrication.

The Sustainability Lab Thesis studio builds on the work developed in the Fall semester and the progress students have made in articulating a material inquiry for their thesis direction and a theoretical and methodological framework for their research. In this course, each student will continue the development of their design research project in discussion with their primary faculty advisor and secondary and tertiary advisor.

Students are pre-registered for this course by the department. Enrollment is limited to Landscape Architecture and Interior Architecture Graduate Students.

Elective

This 3-credit elective centers around the Sustainability Lab, an initiative between LDAR and INTAR departments to explore creative material approaches to sustainability. Looking specifically at materials common to New England, this skill-building seminar will explore one selected material each year and expose students to different techniques and methods of researching and working with the region's intrinsic materials. Students enrolled in this course are required to register for the co-requisite studio INTAR/LDAR 502G - Sustainability Lab: Thesis Studio.

In tandem with the co-requisite studio, students will collaborate with expert designers, fabricators, and engineers to refine the assemblies of their material inquiries. The course will cover advanced fabrication methods for scaled and 1:1 fabrication and interdisciplinary collaboration during the construction phases of design. Students will develop their Sustainability Lab Thesis Studio material inquiry through a concise technical and visual design package and a full-scale material assembly.

Students are pre-registered for this course by the department. Enrollment is limited to Landscape Architecture and Interior Architecture Graduate Students.

Elective

Around the world, steel has been adorned with precious metal inlay, overlay, and engraving - methods for setting silver both onto and into objects. Bringing these metals together with these techniques, we will consider how our interventions make taken-for-granted objects more significant in two ways: The conversation of materiality where steel is a utilitarian and cold material, and silver is precious and warm; and the repetitive labor imbued in our work as thousands of hammer strikes are made just to prepare the steel to be overlaid.  

The class will build familiarity with key materials starting with the forming of our own tools and the milling of silver wire and sheet. From here we will prepare steel surfaces, embed silver, apply patina, and polish final compositions. Considering the international ubiquity of these techniques, students will also present independent research into analogous crafts including damascening, nunome zogan, and ipsa. By the end of the course, students will create informed and thoughtful work that pushes our understanding of relationships between steel, silver, ornamental and functional objects. Course content is delivered through demonstrations, lectures, peer research presentations, and class critiques. No prior metalworking experience is required.

Estimated Cost of Materials: $100.00

Elective