Is AI-generated art actually art? What does generative AI mean for artists, audiences, workers, or the most marginalized in society? This course is a deep dive into the politics of this technology and the kinds of images it produces. We'll examine AI image generation's actual and imagined functionality, the invisible (racialized, classed, gendered) labors behind it, the impact of its use, and how it relates to our cultural and political present. This context will set us up to ask big questions about the labor and consumption of art, the aesthetics of fascism, and what kinds of social relations are required in order to build the technofutures we want to see. 

Elective

Is AI-generated art actually art? What does generative AI mean for artists, audiences, workers, or the most marginalized in society? This course is a deep dive into the politics of this technology and the kinds of images it produces. We'll examine AI image generation's actual and imagined functionality, the invisible (racialized, classed, gendered) labors behind it, the impact of its use, and how it relates to our cultural and political present. This context will set us up to ask big questions about the labor and consumption of art, the aesthetics of fascism, and what kinds of social relations are required in order to build the technofutures we want to see. 

Elective

This is a course about how to think, write, and read philosophically. Samples of classic philosophical writings in existentialism on topics such as free will, personal identity, subjective value, the existence of God, and the meaning of human existence will be the launching pads for students’ oral and written analysis. Philosophical and literary texts in addition to class discussions will be used to encourage close scrutiny of underlying assumptions, logical progression, and how well claims are substantiated. By noting the strengths and weaknesses in the arguments of others and practicing the skill of philosophical argumentation, students will be better able to navigate through the thickets of challenges arising from everyday living as persons of careful thought and considered action.

A version of this course was taught previously as an S101: Topics in History, Philosophy, and the Social Sciences. If you took this topic as your S101, please do not enroll in this course.

Elective

From its humble origins in LiveJournal and the woman-rating origins of Facebook, social media has come a long way to reach its current iterations. This course will look at the emergence and development of social media platforms, asking how we construct ourselves online and how being online constructs us. Paying particular attention to race, class, gender, and sexuality, we’ll examine issues such as how attention has become a commodity, the politics of emotion and The Algorithm™, and the benefits and limits of online activism. You’ll never look at your FYP the same way again. 

Elective

Do you think before clicking “Accept Cookies” when visiting a website these days, or is it just second nature? This course will examine the politics of technological and data surveillance, how we have come to consent to it, and what happens once it’s collected. We will engage interdisciplinary critical internet and data studies to explore the politics of information and how it interacts with cultural norms and systems of racialized and gendered surveillance. We'll also look at the status of data politics in the age of AI and ask how we might create digital worlds based in social justice and liberation.

Elective

Films have shaped popular perceptions of war in the United States arguably more than historians have. This raises questions such as: What is the relationship between the history presented in these films and the history as interpreted by academic historians? How do the positionalities of movie creators shape the product? How do they portray soldiers and civilians, allies and enemies? How might these movies serve as cultural artifacts offering insight into political discourses at the time of their production? Is Francois Truffaut correct that the appeals of battle make a true anti-war film virtually impossible? Prominent directors spotlighted include Stanley Kubrick, F. F. Coppola, Clint Eastwood, Spike Lee, and Kathryn Bigelow. Work involves brief lectures, screenings, discussions, a film journal, and a final project.

Elective

The course is designed to focus on the range of visual means that people use to convey ideas and stories, non-literary forms that make ideas accessible to a wide audience. Textiles, puppets and masquerades, when viewed within their cultural matrix, are powerful tools for capturing the less visible aspects of communities in which the written word may not be the primary mode of information sharing. Graffiti, tagging, and muralling, which move in the direction of public art, are more contemporary means of visual communication in our own communities. Likewise, sketching, electronic imagery and graphic novels are powerful tools for documentation and story-telling for contemporary artists. From a simple symbol placed on a wall or a parchment to the more complex structure of masquerades and electronic moving images, human communities have sought to tell their own - and others' stories  - and to convey opinions and messages in endless evocative and creative ways. What can we learn from these various forms of visual communication? This course is not a “making” class per se, but proposes to explore some of these means of visual communication, both historically and currently, in a variety of cultural contexts.

Elective

The course is designed to give students an overview of Mexico’s historic and contemporary art, from the cultural legacy of the pre-columbian states (the Olmecs to the Aztecs) to the Spanish conquest of Tenochtitlan (Mexico City). It will explore the political, economic and cultural contexts which gave rise to the Mexican revolution and its cultural impact on the development of such movements as the estridentismo and on the muralist period; we will look at the impact of Indigenous styles on the history of Mexican art and beyond, and the continuous role of regional traditional creativity on modern art and architecture in Mexico. The course will use both an ethnographic perspective, and an aesthetics approach to explore the complex trajectory of Mexican art.

Elective

In this class we compare and contrast various cities of the Global South and examine their relationship to the Global North. We ponder upon the valences and representations of the terms Global South and North, and examine the politics and processes of urban life. We understand global connections as we study the built environment, economies, and experience of cities such as Mumbai, Kunming, Sao Paolo, Bangkok, and Lagos. The course will explore the resonances between these cities and the kinds of challenges they face as they encounter rapid urban growth and renewal. We will ask: What do cities of the Global South tell us about urbanism and urbanization today? What formal and economic similarities do cities of the Global South exhibit? What forms of knowledge, activism, and contestation emerge from urban areas in the Global South? Like most courses in the History, Philosophy, and Social Sciences (HPSS) department, this course builds a critical understanding of diverse cultures of the world, raises ethical questions that arise as different groups interact, and develops an analysis of social situations in the world and highlights forms of power and inequity. Class texts will case study different cities and compare experience in cities in Latin America, Asia, Africa, and the Middle East. Modules in the class will discuss planning and the built environment, commodities and capital, informality and body politics, infrastructure and energy, as well as think through theory from the Global South. This is a discussion-based seminar and active in-class participation is required of all students. Class activities will include mapping sessions, group work, and discussions on films. This course will be taught in a hybrid format. The balance of in person and online teaching will be determined by the instructor in order to optimize pedagogy (in response to changing distancing and safety regulations and the COVID-19 comfort and safety levels of members in the course).

Elective

In this class we compare and contrast various cities of the Global South and examine their relationship to the Global North. We ponder upon the valences and representations of the terms Global South and North, and examine the politics and processes of urban life. We understand global connections as we study the built environment, economies, and experience of cities such as Mumbai, Kunming, Sao Paolo, Bangkok, and Lagos. The course will explore the resonances between these cities and the kinds of challenges they face as they encounter rapid urban growth and renewal. We will ask: What do cities of the Global South tell us about urbanism and urbanization today? What formal and economic similarities do cities of the Global South exhibit? What forms of knowledge, activism, and contestation emerge from urban areas in the Global South? Like most courses in the History, Philosophy, and Social Sciences (HPSS) department, this course builds a critical understanding of diverse cultures of the world, raises ethical questions that arise as different groups interact, and develops an analysis of social situations in the world and highlights forms of power and inequity. Class texts will case study different cities and compare experience in cities in Latin America, Asia, Africa, and the Middle East. Modules in the class will discuss planning and the built environment, commodities and capital, informality and body politics, infrastructure and energy, as well as think through theory from the Global South. This is a discussion-based seminar and active in-class participation is required of all students. Class activities will include mapping sessions, group work, and discussions on films. This course will be taught in a hybrid format. The balance of in person and online teaching will be determined by the instructor in order to optimize pedagogy (in response to changing distancing and safety regulations and the COVID-19 comfort and safety levels of members in the course).

Elective

This seminar examines the theoretical framework of Queer of Color Critique (QoCC). QoCC is a mode of analysis grounded in the lived experiences of queer, trans, people of color. It has been used to interrogate the intersections of race, gender, class, nation, and diaspora as a response to the inherent whiteness in queer theory and the persistent heterosexism in ethnic/race studies. Students will learn the foundational theory of QoCC. Students will assess various forms of media using a QoCC lens. This course will include short and long form writing assignments as well as in depth class discussions.

Elective

This experimental course offers students the opportunity to seriously explore some topic or question in history, philosophy, or one of the social sciences, which has a bearing on their degree project. Students will be guided through the process of formulating a research project, identifying the relevant literature, critically reading that literature, and working out how the HPSS material (content and/or methodology) can deepen and enrich their studio practice. We'll look at some artists and designers who have made these sorts of connections and but spend most of the time in discussion of student work. Coursework will be tailored to the needs of individual participants. To obtain permission to register for the course, send an email to the instructor with the following information: your name, major, year in school (junior, senior, graduate student), and a description of (a) your studio degree project, as you currently conceive of it, and (b) the area, topic, or question in history, philosophy, or the social sciences that you want to explore.

Elective

Multicultural Psychology is more than just understanding and appreciating diversity, it's about the influence that a multicultural world has on individuals and social systems that exist within it. Together we will explore the social constructs of race, ethnicity, gender, sexual orientation, class, and ability through readings, videos, in-class activities, and class discussion. Informed by psychological theory and research, we will examine the impact that these labels have on a person's identity development, societal positioning, and mental and physical health and well-being. By the end of the class, students will be able to explain the advantages and challenges that individuals and societies face as we become more interconnected in a diverse world.

Elective

In the late 1990's and early 2000's research psychologists began the field of positive psychology to combat two trends:

1) a large and growing body of faux scientific self-help literature that was not based on empirical science

2) a historical legacy of the field of psychology almost exclusively focusing on the function and operation of negative emotions (fear, anxiety, depression, anger, etc.).

Positive psychology focuses squarely on positive emotions (e.g., happiness, gratitude, love, awe) as well as experiences like forgiveness, resilience, and flow that improve our psychological well-being. With a focus on human strengths and virtues, the difference between that which we think will make us happy compared to what will actually improve happiness, the ways in which we can improve our satisfaction with relationships, and meaningful cognitive and behavioral changes that can have a big impact on one's psychological well-being, this class will review research on how to achieve a more satisfying life. Although this is not a self-help or "self-care" course, by reviewing the scientific literature and assigning exercises for personal practice this course will offer meaningful experiences for self-reflection and insight into how techniques can be applied to one's own daily life.

Elective

The health of the American economy and, at times, the strength of our spirit as a people are measured by how much we spend on consumer goods. Both individually and collectively, we are defined not only by what we purchase, but by the act of shopping itself. How did we become a nation of citizen consumers? What drives consumer demand? Already in the late 19th century, middle-class values were shifting from thrift to indulgence, though we remained a producer nation for much of the 20th century. Nonetheless, the steady decline of manufacturing in the United States and the outsourcing of production in an increasingly globalized context have done little to cool our love affair with consumer goods. Using an interdisciplinary American Studies approach that explores the intersections of history, politics, material culture, gender and sexuality, class, race, religion, immigration and ethnicity, and the built environment, this course examines the nature and expansion of mass consumption, the democratization of desire, the meanings attached to consumer goods and the act of spending, the role of technology and advertising, and the impact of mass consumption upon the built environment. We will investigate consumption patterns over time among women, people of color, immigrants and their descendants, sexual minorities, and youth. Studies of consumption within ethnic communities, in particular, suggest the creation of transnational identities. As a result, we will also explore globalized consumer products and patterns. Finally, the course will look at the various kinds of controls to which American consumerism has been subjected.

Elective

This course will focus on the cultural and artistic activities which came into being as a result of contacts between the civilizations of Europe and Asia (China in particular). Among the topics explored will be: the ancient world, the Silk Route and Buddhism, the nomads of Eurasia as agents of cultural exchange, early European travelers to China (Marco Polo), the Jesuits at the court of the Chinese emperors during the Ming and Qing dynasties, and finally the Western colonial experience.

Elective

Have you ever wondered how social situations guide how we think about and act toward others, what determines who we love and who we hate, how we form attitudes about our own and others behavior, what determines whether we will help or hurt others, or how we construct knowledge about the self? If so, social psychology addresses these questions and many more. Social psychology is the science of how others influence the way people think, feel, and act. The aim of this course is to familiarize you with current and classic research and theory in social psychology, help you to develop critical thinking skills about social-psychological phenomena, and stimulate you to think about the implications of social-psychological research for everyday living. For this course, students will complete readings from a textbook and articles. There be will be four quizzes and a final project applying one concept within social psychology to everyday life.

Elective

Millions of people around the world have been forced from their homes by interlinked factors including persecution, armed conflict and war, natural disasters, structural violence, and development projects. The seminar explores the “refugee” and “migrant” status and examines the refugee crisis and forced migration in a global perspective and through an interdisciplinary lens. It provides a historical background of the formation of the “refugee” concept going back to inter-war Europe and placing emphasis both on its construction in international law and on the precarious state that refugees and migrants face today globally through various case studies. The seminar also addresses the politics of humanitarianism, the role of international organizations, especially UNHCR, and the securitization of human rights as well as the ethnic, gendered, and religious identities being reshaped by forced displacement. 

The course is organized both chronologically and thematically, to understand the ways in which global migration and contemporary refugee crises have changed over time, highlighting continuities and ruptures especially in the construction of the refugee and the migrant as the “other.” Lectures and readings provide a global perspective but focus on regional case studies, often using a comparative and transdisciplinary framework. Similarly, writing assignments, lectures, and class materials will draw upon international relations, anthropology, gender studies, sociology, and history, and examine different types of sources, including academic books and journal articles, first-person narratives, and visual resources.

Elective

Millions of people around the world have been forced from their homes by interlinked factors including persecution, armed conflict and war, natural disasters, structural violence, and development projects. The seminar explores the “refugee” and “migrant” status and examines the refugee crisis and forced migration in a global perspective and through an interdisciplinary lens. It provides a historical background of the formation of the “refugee” concept going back to inter-war Europe and placing emphasis both on its construction in international law and on the precarious state that refugees and migrants face today globally through various case studies. The seminar also addresses the politics of humanitarianism, the role of international organizations, especially UNHCR, and the securitization of human rights as well as the ethnic, gendered, and religious identities being reshaped by forced displacement. 

The course is organized both chronologically and thematically, to understand the ways in which global migration and contemporary refugee crises have changed over time, highlighting continuities and ruptures especially in the construction of the refugee and the migrant as the “other.” Lectures and readings provide a global perspective but focus on regional case studies, often using a comparative and transdisciplinary framework. Similarly, writing assignments, lectures, and class materials will draw upon international relations, anthropology, gender studies, sociology, and history, and examine different types of sources, including academic books and journal articles, first-person narratives, and visual resources.

Elective

Through lectures and close readings of secondary and primary sources, this course investigates political power and its relationship to freedom in the creation and development of the United States. In the first third of the class, topics of particular interest are: Indigenous cultures in America; early Spanish, French, and British colonialism; the settlement of British North America; unfree systems of labor; and comparative folkways among different regions. The second examines the American Revolution and the Constitutional debate, territorial expansion, and the spread of democracy, markets, and reform movements. The last features slavery and the sectional crisis, the Civil War and Reconstruction, and imperialism in Cuba and the Philippines.

Elective