This course provides an art historical survey and thematic exploration of 9 centuries of Yoruba Art and Aesthetics and its intercession with history (including but not limited to colonialism and postcolonial impact, interventions, and discourses), religion, philosophy, and the socio-political beliefs of one of Africa's most ancient civilizations, and a visible presence in the African Diaspora.

Elective

How can we add to the future enrichment of our disciplines? How do we make future collegiate teaching a more meaningful practice? This semester-long professional practice course is designed for artists, designers, architects, and educators who are considering teaching in higher education after graduation and/or those who will be teaching during Wintersession as they complete their course of study at RISD. The goal is to introduce graduate students to a reflective teaching foundation and to provide an orientation to the collegiate teaching and learning experience. The first half of the course is composed of readings and discussions related to seven teaching portfolio assignments. The second half of the course entails Individual Teaching Practice Sessions in which students prepare a class that is observed, videotaped, and receives detailed feedback from faculty and peer observers. Major outcomes of the course are: a partial teaching portfolio including a teaching and inclusivity philosophy, course proposals and an extensive course syllabus.

This is the first course in the required sequence for the Certificate of Collegiate Teaching in Art + Design.

Elective

How can we add to the future enrichment of our disciplines? How do we make future collegiate teaching a more meaningful practice? This semester-long professional practice course is designed for artists, designers, architects, and educators who are considering teaching in higher education after graduation and/or those who will be teaching during Wintersession as they complete their course of study at RISD. The goal is to introduce graduate students to a reflective teaching foundation and to provide an orientation to the collegiate teaching and learning experience. The first half of the course is composed of readings and discussions related to seven teaching portfolio assignments. The second half of the course entails Individual Teaching Practice Sessions in which students prepare a class that is observed, videotaped, and receives detailed feedback from faculty and peer observers. Major outcomes of the course are: a partial teaching portfolio including a teaching and inclusivity philosophy, course proposals and an extensive course syllabus.

This is the first course in the required sequence for the Certificate of Collegiate Teaching in Art + Design.

Elective

How can we add to the future enrichment of our disciplines? How do we make future collegiate teaching a more meaningful practice? This semester-long professional practice course is designed for artists, designers, architects, and educators who are considering teaching in higher education after graduation and/or those who will be teaching during Wintersession as they complete their course of study at RISD. The goal is to introduce graduate students to a reflective teaching foundation and to provide an orientation to the collegiate teaching and learning experience. The first half of the course is composed of readings and discussions related to seven teaching portfolio assignments. The second half of the course entails Individual Teaching Practice Sessions in which students prepare a class that is observed, videotaped, and receives detailed feedback from faculty and peer observers. Major outcomes of the course are: a partial teaching portfolio including a teaching and inclusivity philosophy, course proposals and an extensive course syllabus.

This is the first course in the required sequence for the Certificate of Collegiate Teaching in Art + Design.

Elective

Using RISD as a site for the exploration of strategies for studio-based teaching and learning is the goal of the course. It is designed for students who have completed TLAD-044G Collegiate Teaching: Preparation & Reflection and are interested in models of practice for a future academic environment. The course examines teaching methodologies in graduates' respective fields through case studies, faculty interviews, and article reviews. Learning to teach in a generative and attentive manner can bring teaching closer to one's studio practice. The seminar is composed of guest faculty and graduates, readings, discussions, and project assignments. Graduates in this course will complete a full professional teaching portfolio in preparation for teaching position applications. Individual and group meetings will be equally balanced.

The seminar fulfills a partial requirement for the Certificate in Collegiate Teaching in Art and Design.

Elective

This course has been designed as an introduction to handbuilding ceramics with a focus on teaching ceramics. The class aims to provide a foundation for teaching ceramics through a variety of hands-on learning experiences and lively discussions. Introductory ceramic techniques (like basic pinch, slab and coil methods) will be shared and then built upon for a more sophisticated understanding. Additionally, students will leave the course with fired examples that they can use for lessons for teaching ceramics to young people (PK to 12th grade). Students will also be introduced to types of glazes, a variety of surface decoration techniques, tips and tricks for the studio, types of clay, tools, electric kiln firing and some contemporary artists using the techniques you are learning.

Estimated Cost of Materials: $50.00

Elective

This course is designed to provide students the space to engage with art and design education as a means of community growing, supporting liberation efforts and curating a holistic future. In addition to engaging with a variety of historical and contemporary organizations as a way to understand how community art systems work within a holistic framework, students will also have the opportunity to develop their own community based art education workshops with young people. This course is a balance of theory and practice, braiding global, western, and indigenous educational pedagogies together along with hands on community based work. Students will be oscillating between seminars and onsite workshops to explore how art and design education can be embraced to dream, heal, liberate, and imagine new futures.

Elective

This course invites creative practitioners from all disciplines to play and experiment with the notion of teaching as creative practice. What might happen if we consider the classroom our studio, instructional materials as form, and students as peers and collaborators? How do we push the boundaries of what a lecture, a workshop, a syllabus, a lesson plan, an instructional video, a how-to guide, can be? Whether in the context of higher education, community-based education, early childhood, alternative schools, artist residencies, or the inbetweens, we will take up pedagogy as our discipline and devise multidisciplinary, speculative experiments that redefine the space of pedagogy as one of endless creative potential. Studio work will be scaffolded with readings by thinkers such as Paulo Freire, Fred Moten, bell hooks, and la paperson, and we will consider the works of artists like Nina Katchadourian, Slavs and Tatars, Valie Export, and Walid Raad.

Elective

This course will provide a comprehensive study of specific disabilities and inclusive curriculum scenarios and strategies for learners in K-12 environments. The course will focus throughout the Wintersession on an extensive foundation in response to intervention (RTI), special education law and regulations as it relates to students with disabilities and at-risk students in the art classroom. Students will investigate classroom-tested instructional strategies that will address the characteristics and challenges faced by students with special needs. Through the session, assignments will allow students to investigate and learn through the process of reinforcing, motivating, scaffolding and planning for instruction that targets learners of all ability levels. Discussion-based teaching, group and individual presentations, assigned readings, field observations, and reflective journal entries will provide students with the knowledge of possible causes, the impact of poverty on learning, characteristics and strengths, classroom implications and specific inclusion strategies. These strategies will include behavior management techniques that will allow teachers to improve classroom behavior and social skills, engage students though motivating and relevant lessons, improve attention and memory, and provide essential modifications and accommodations of lessons appropriate to the developmental and learning level of each learner. Students will explore the various stages of building equity in their classroom by addressing issues of physical integration, social-emotional engagement, opportunities to learn, instructional excellence and engaged and inspired learners. A final demonstration of this knowledge and its implications to their teaching practice will be through a mixed-media project by each student.

Enrollment in this course is limited to Teaching + Learning in Art + Design Students.

Major Requirement | MA, MAT Teaching + Learning in Art + Design

A field-based student teaching (clinical teaching) experience at the elementary level in a public school in Rhode Island or Massachusetts, supervised by school-based clinical educators and faculty from RISD's Department of Teaching + Learning in Art + Design. A student teacher's performance during this six-week teaching assignment is assessed using the performance benchmarks of the Rhode Island Professional Teaching Standards (RIPTS).

This course is a requirement for Teaching + Learning in Art + Design Students.

Major Requirement | MA, MAT Teaching + Learning in Art + Design

A field-based student teaching (clinical teaching) experience at the secondary level in a public school in Rhode Island or Massachusetts supervised by school-based clinical educators and faculty from RISD's Department of Teaching + Learning in Art + Design. A student teacher's performance during this six-week teaching assignment is assessed using the performance benchmarks of the Rhode Island Beginning Professional Teaching Standards (RIPTS).

Enrollment is limited to Teaching + Learning in Art + Design Students.

Major Requirement | MAT Teaching + Learning in Art + Design

This course with its focus on curriculum development and pedagogical practices for students in elementary school has been designed as a the companion to TLAD-612G where the focus is students in secondary school. In this way, this pair of courses provides graduate students with an essential foundation to teaching the visual arts (art and design) from pre-K to 12th grade. This course provides students with insights and experiences in studio-based teaching and learning through the lens of an elementary setting. Students will be introduced to curricular and pedagogical practices that are grounded in meaning making and artistic inquiry, as well as authentic forms of assessment. There is a special emphasis within this course on approaching each of these frameworks (curriculum, instruction, and assessment) through an understanding of the developmental needs - cognitive, social, and personal - of young children. Within this course, students will engage in curriculum design and lesson planning through the development of a series of units that are grounded in enduring ideas in art and design education. Additionally, students will have the opportunity to engage in micro teaching experiences in partnership with a local elementary school classroom. They will have the opportunity to teach a carefully designed art/design lesson to a group of elementary-aged children and have the chance to thoughtfully reflect on their own teaching practices and encounters in the classroom.

Enrollment in this course is limited to Teaching + Learning in Art + Design Students.

Major Requirement | MA, MAT Teaching + Learning in Art + Design

This course with its focus on curriculum development and pedagogical practices for students in grades 7-12 has been designed as the companion to TLAD-611G, where the focus is students in grades PK-6. In this manner, this pair of courses provides graduate students with an essential foundation to teaching the Visual Arts (art and design) from pre-K to 12th grade. This course explores the development of a conceptual framework for studio-based teaching and learning for students in grades 7-12 that aligns with the National Visual Arts Standards (NVAS). The course is guided by the belief all middle and high school students have creative capacity and that visual arts education plays an extraordinarily important role in its development. Further, the course places emphasis on instructional design that encourages curiosity, discovery, creativity and importantly personal point of view. Throughout the course, there is a focus on curriculum development and pedagogical strategies crafted to meet the cognitive and social development of learners as well as the personal interests of students while simultaneously introducing the work of a diverse range artists from historic to contemporary as models of practice. The course introduces an approach to pedagogy for art and design education that is informed by the graduate student's personal artistic practice combined with their understanding of the rich diversity of human visual expression. The course places special emphasis on the development of studio-based learning that centers on the intersecting domains of making and responding. In this way, curriculum and instruction is designed to deepen secondary students' (7-12) understanding of art and design as expression of enduring ideas. Graduate students examine these concepts through their own studio practice, critical readings, the development curriculum maps and lesson plans and through an integrated practicum experience that provides an authentic opportunity to implement instruction with high school students in the TLAD-Studio Lab.

Enrollment in this course is limited to Teaching + Learning in Art + Design Students.

Major Requirement | MA, MAT Teaching + Learning in Art + Design

This course explores theories and practices of community-engaged pedagogy in art and design education, and the development of a conceptual framework for studio-based teaching and learning in community settings. The course introduces an approach to pedagogy that explores the complexities of community engagement to include social and political considerations of community-engaged practice; historical considerations for community partnerships; and pedagogies specifically designed for heterogeneous groups in a variety of community settings. Students examine these complexities through observations in community learning spaces, academic and public scholarship, reflection, and developing a community-engaged teaching philosophy. 

Enrollment in this course is limited to Teaching + Learning in Art + Design Students.

Major Requirement | MA Teaching + Learning in Art + Design

This seminar provides an opportunity to critically examine topics and issues within various arts learning contexts. The course is designed to provide students with a primer to practices and scholarship of the intersections between the arts and education. The course is grounded in types of learning that occur in a range of institutional and organizational settings that include schools, colleges and universities, museums as well as non-profit sector community-based organizations. The seminar explores the role of art and design in individuals' lives from the perspective of the past and present as well as contemporary shifts that suggest a re-examination of focus and pedagogical approach. The course draws extensively from key documents from the arts learning literature as well as the expertise of scholars and practitioners who will join the course throughout the semester to share with students perspectives that illustrate both common ground and a diversity of thinking surrounding some of the more pressing topics and problems within the guests' respective professional fields. Throughout the course, students are required to provide annotations of journal articles, present reaction papers, make presentations on designated topics, and at completion of the course present a proposal for a potential thesis monograph essay or thesis book.

Enrollment in this course is limited to Teaching + Learning in Art + Design Students.

Major Requirement | MA Teaching + Learning in Art + Design

This course examines the historical developments of visual arts education in its connection to general education; contemporary theory and practices of art education; and implications for the future of the field related to equity and justice. At  each stage of the investigation, issues are examined in terms of the relationship between context, content, and pedagogical practice. There is a particular emphasis in this course on exploring the manner in which social and political constructions shape curriculum and pedagogy in art + design education. Major topics of investigation include: social theories impacting  curricular practices in visual arts and design education, and histories of advocacy, justice, and equity in art + design education.

Enrollment in this course is limited to Teaching + Learning in Art + Design Students.

Major Requirement | MAT Teaching + Learning in Art + Design

The most compelling arguments in support of the value of the arts in education and the case for arts as an agent of transformation in the lives of children and youth become most evident through the analysis of high-quality contemporary practices in arts pedagogy situated in a range of settings both in and out of schools. This seminar, in addition to students' personal case study investigations, utilizes conversations with visiting arts administrators, artists, curators, educators, and scholars as lenses to inform the analysis and discussion of models of practice that result in meaningful experience that inspire in children and youth creative thinking, making, and innovation. Key products from the course include response papers, a case study report and final presentation.

Preference is given to Teaching + Learning in Art + Design Students.

Major Requirement | MA Teaching + Learning in Art + Design

Drawing has been called the distillation of an idea. Drawing sensibilities pervade all visual media, yet drawing can be independent of all other media. How can we make our drawing ventures resonant or challenging? Through independent studio production and focused critique, the course provides graduate students from any major the opportunity to more deeply understand the nature of drawing through a series of self-directed and self-paced experiences and investigations. Coursework may be referenced or supported by historical and contemporary contexts. Digital works, a single drawing medium or tool, phenomenal means, or other materials or mixtures of instruments can be used for mark-making. A full spectrum of drawing ways and ideas can be explored. The class is structured around cross-major conversations in small group critiques, peer-exchange critiques, larger group reviews and individual analysis. Drawings from this course may integrate or extend other areas of graduate students' study, including thesis content and personal visual inquiries.

Estimated Cost of Materials: $100.00

Elective

The Department of Teaching + Learning in Art + Design requires MA candidates submit a capstone thesis in partial fulfillment of degree requirements. Candidates are given a degree of flexibility in determining the format for this work, but typically it takes the form of either a thesis monograph essay or a thesis book. The thesis monograph essay provides candidates with the opportunity to focus on a deep investigation of a single subject framed within the context of learning and through art and design. An essential characteristic of this approach to the thesis is in how it provides evidence of the candidate's ability to move beyond description to analysis and how they are able to place the subject of investigation within the realm of scholarship. The thesis book provides a candidate with the opportunity to make sense of their journey through their program in a more autobiographical and documentary manner. The thesis book format affords candidates the opportunity to explore how form can be exploited to visualize research. Whether presented as a thesis monograph essay or thesis book, this capstone requirement provides MA candidates with a formal opportunity to make public their understanding about a specific aspect of the nature of arts learning gained through their coursework, excursions into the scholarly literature and fieldwork experiences. The purpose here, therefore, is to conceive of the thesis not merely as an academic exercise but also contributing to program development as well as providing a reservoir of understandings that will inform the candidate's future professional practice as an educator.

Enrollment is limited to Teaching + Learning in Art + Design Students.

Major Requirement | MA Teaching + Learning in Art + Design