What if buildings could breathe, furniture could grow, and materials could heal themselves? What if the future of design wasn’t plastic or concrete—but alive? This hands-on, immersive course explores the fascinating world of bio-materials, pushing the boundaries of what is possible in sustainable design.

Students will delve into natural materials like bamboo, mycelium-based products, algae-based substances, and hempcrete—materials that not only reduce ecological footprints but also offer innovative structural and aesthetic potential. Through field visits, lab experiments, real-time material testing, and design challenges, they will explore how these materials evolve, decay, and adapt in response to different conditions.

A key component of this course is hands-on experimentation. Students will cultivate mycelium, mix and pour hempcrete, and bend bamboo to its limits. They will analyze the origins, properties, and life cycle impacts of these materials, gaining a deeper understanding of their role in environmental sustainability and innovation.

By the end of this course, students will have developed foundational knowledge of bio-materials and their applications, equipping them with the skills to rethink materiality in design. Whether creating artworks, products, or structures, students will be encouraged to use imagination to break boundaries and design for a future where nature and innovation collide.

Estimated Cost of Materials: $100.00

Elective

The course focuses on understanding the origin of museums and recognizing the influence that certain dominant design aesthetics, approaches, and narratives had on exhibitions. The museum architectural space and its interior exhibition design are never 'neutral' and the study of its history, codification, and exploitation are essential to rebalance and subvert the structural inequalities between Trouillot's agents (museums/institution), actors (curators/exhibit designers), and subject of museum narratives (artifacts/art/belongings). Through lectures, readings, and class debate, students will be encouraged to question how aesthetics impregnate exhibition environments through materials, light, colors, forms, and meanings; to acknowledge that architecture and exhibition design aesthetics are always politicized and that in the tiniest details of their morphology and their organization, museums have the power to validate, the power to corroborate, the power to include, and the deliberate power to silence. 

Major Elective: MDes ENE

Topics in Exhibition and Narrative Environments I is the first part in a year-long exploration of a fluid field in which exhibition occurs in museums as well as other environments. This seminar offers various approaches for that exploration and will provide the student insight into different aspects of exhibition: curatorial matters, experience design, narrative creation, graphic design, new media, user participation, installation, site specificity, production, etc. The content may change from year to year to include special projects. The content may change from year to year and may include theory, hands-on installation, curatorial matters, research, design planning, materials, new technology, time based interactions, and, of course, design of the narrative environment.

Major Requirement | MDes Interior Studies Exhibition and Narrative Environments

Topics in Exhibition and Narrative Environments II follows upon INTAR-2102 and continues the exploration of the principles of exhibition from curatorial matters, experience design, narrative creation, graphic design, new media, user participation, installation, site specificity, production, etc. Topics II will conclude with the selection of a potential Thesis subject.

Major Requirement | MDes Interior Studies Exhibition and Narrative Environments

This course focuses on the hands-on process of designing and constructing exhibitions. Students will explore the key elements of exhibition design, including spatial planning, material selection, lighting, signage and way-finding. They will also be exposed to standard fabrication and printing techniques commonly used within the industry.

Working collaboratively, students will design and build exhibits, moving from concept development to the physical installation. Emphasis is placed on real-world problem-solving, project management, and understanding the technical aspects of exhibition construction.

The course will culminate in fully realized exhibits giving the students opportunities to engage the public and share their work. 

Estimated Cost of Materials: $50.00

Elective

This studio is both a research-based and design-focused course that explores the emergent futures of hybrid art spaces and cultural consumption practices, with a particular emphasis on their application within contemporary art museums.

As part of a collaborative research initiative between RISD and Elisava Barcelona School of Design and Engineering, the course brings together students, faculty, and museum professionals to investigate how changing cultural behaviors and global trends are reshaping the way we understand and engage with art spaces, both from a physical and digital perspective.

The course is open to students from all departments within the Division of Architecture and Design and approached through a multidisciplinary lens, recognizing that the experience of an art space is shaped by multiple intersecting layers—from architecture and exhibition design (space), to user experience (experience), to graphic design (information).

Estimated Cost of Materials: $50.00 - $100.00

Elective

This course is primarily intended to provide some insight into the design objectives of the studio projects of the undergraduate and graduate degree programs of Interior Architecture at RISD. As a studio introduction to Interior Architecture for non-majors, the course will focus on the spatial design concerns of the department focusing on how one creates and occupies built space. Projects will explore the realm of work that begins with an architectural volume and transforms it from the ill-used or obsolete, to one with new purpose and viability, presented in drawings and models.

Elective

This course, the first in a sequence, explores design principles through design problems involving the unique fundamental framework for the reuse of existing structures. The semester is arranged around several projects, providing access to the discipline from as many related perspectives. The project assignments require the student to visually and verbally convey clear design intent, think visually in two and three dimensions, formulate and develop abstract design concepts, discern relationships between design interventions and their physical and contextual setting and develop presentation skills to effectively communicate propositions and positions.

Major Requirement | BFA Interior Studies

This course further develops design principles from the first semester and introduces students to methodological thinking in the relationship between context, scale and use. Real site situations are introduced and students develop individual design processes associating topological relationships between the interior and exterior, at multiple scales of interventions. Students will have the opportunity to explore design issues through both traditional and computer generated design.

Major Requirement | BFA Interior Studies

This lecture course is designed to familiarize students with structural principles and systems as they relate to the study of interior architecture and adaptive reuse. The course will examine the performance and composition of various structural systems, including wood, lightweight metal, steel, masonry, and concrete structures. Local examples in the built environment will be explored to gain an understanding of structures, their materials and components in adaptive reuse. Course work will be complimented by visits to local examples in the built environment.

Major Requirement | MDes Interior Studies Adaptive Reuse

This course provides students with an opportunity to study how distinct building systems are constructed to form a comprehensive whole. Through case studies, students will examine approaches to integrating a variety of systems, such as structural, electrical, mechanical, plumbing, acoustic, and communication systems. This course will focus on how interior architecture interfaces with existing buildings; the case studies will be of recent works that have altered existing building. Students will be required to use the shop and computers to execute their individual and group assignments.

Major Requirement | MDes Interior Studies Adaptive Reuse

This class introduces the student to different building materials, their properties and characteristics as they relate to the design of interior, sustainable structures. This will include interior finish materials as well as the understanding of wood, metal, masonry and concrete for projects of reuse. The student will visit sites of material production as part of this course. The course structure includes sketch assignments, a midterm, a final exam.

Major Requirement | BFA Interior Studies

While introducing students to the principal concepts of structural design and mechanical systems, the course will attempt to provide a direct link to the built environment with focus on the rehabilitation, preservation and adaptive reuse of existing structures, both historical and contemporary. The presentation of case studies, focus on the structural and mechanical aspects of students' individual studio projects and the excursion to a construction site will bridge the gap between class room and the world of building.

Major Requirement | BFA Interior Studies

The objective of this class is to employ digital techniques in spatial design. Students successfully completing this course should be able to develop sophisticated digital layouts with image processing software, create 2D architectural drawings and 3D models, and develop a 3D visualization of a design. In this course, we will also discuss the integration of 2D and 3D data, digital materials, as well as the basics of digital lighting and camera work.

Major Requirement | BFA Interior Studies

The course focuses on “light” and “dark” as a metaphor, as an object , as a space and as a landscape. Throughout 12 weeks, as we get more perceptive of light, attendees will be asked to develop their individual installations which will be presented site specifically in different parts of the building /campus at the end of the semester.  Attendees will be invited to journal daily with light for as a means of contemplating on our mundane relationship with light/dark in our daily lives. Journals will be informing the studio sessions where attendees will be experimenting with various light sources and materials. On a weekly basis, attendees will be introduced to ideas like “home making” with light; public space, social justice and light relationship; lightscapes and darkscapes as a manifestation of interior landscape in the context of love and grief; the cracks in ourselves and in our societies where the light enters through; color as the wound of light; light as reflection of geography and culture and therefore immigrant experience. As we explore these concepts and experiment with light/dark at the studio, we will focus on different qualities of light like color, direction, reflection in service of building narrative for authentic expression.

Estimated Cost of Materials: $50.00 - $100.00

Elective

This course explores the role of interior architecture in constructing speculative worlds. Interiors will be treated not simply as functional enclosures, but as sites of imagination, narrative, and cultural projection. Drawing from speculative design, fiction, critical fabulation, and scenography, students will develop projects that imagine alternate futures, histories, and realities through spatial design.

Alongside these conceptual explorations, the course will engage with the fundamentals of architectural drawing, projection, and making. Students will gain practical skills in analog/digital orthographic drawing, axonometric, isometric, and perspective techniques, using them not only as representational tools but also as methods of world-building and storytelling. By the end of the term, students will have produced a portfolio of speculative environments that demonstrate both technical command of architectural drawing conventions and critical engagement with the imaginative possibilities of interior space.

Estimated Cost of Materials: $50.00 - $100.00

Elective

Introduction to means of representation of ideas for Interior Architecture through various types of drawings: orthographics, axonometrics, perspectives, freehand sketching and mixed media. Work will be done on site from existing structures as well as in the studio concentrating on concept development through drawing.

Major Requirement | BFA Interior Studies

This course provides an introduction to the fundamental principles of color and light as they apply to spatial and visual perceptions in the built environment. It is an opportunity to study color theory in conjunction with light, lighting systems and the effect of light on color and form.

Major Requirement | BFA Interior Studies, MDes Interior Studies

This course provides an introduction to the fundamental principles of color and light as they apply to spatial and visual perceptions in the built environment. It is an opportunity to study color theory in conjunction with light, lighting systems and the effect of light on color and form.

Major Requirement | BFA Interior Studies, MDes Interior Studies

This course provides an introduction to the fundamental principles of color and light as they apply to spatial and visual perceptions in the built environment. It is an opportunity to study color theory in conjunction with light, lighting systems and the effect of light on color and form.

Major Requirement | BFA Interior Studies, MDes Interior Studies