Painting Courses
PAINT 4519-01
DRAWING I
SECTION DESCRIPTION
An introductory level course for Painting majors. Students will develop drawing skills and insights and consider basic visual language issues. Syllabus is coordinated with Painting I.
Open to Sophomore Painting Students.
Major Requirement | BFA Painting
PAINT 4519-02
DRAWING I
SECTION DESCRIPTION
An introductory level course for Painting majors. Students will develop drawing skills and insights and consider basic visual language issues. Syllabus is coordinated with Painting I.
Open to Sophomore Painting Students.
Major Requirement | BFA Painting
PAINT 4519-03
DRAWING I
SECTION DESCRIPTION
An introductory level course for Painting majors. Students will develop drawing skills and insights and consider basic visual language issues. Syllabus is coordinated with Painting I.
Open to Sophomore Painting Students.
Major Requirement | BFA Painting
PAINT 4519-04
DRAWING I
SECTION DESCRIPTION
An introductory level course for Painting majors. Students will develop drawing skills and insights and consider basic visual language issues. Syllabus is coordinated with Painting I.
Open to Sophomore Painting Students.
Major Requirement | BFA Painting
PAINT 4520-01
PAINTERLY PRINTS
SECTION DESCRIPTION
This course offers a more painterly approach to the intaglio process. The students will produce applications of intaglio, such as collagraphs, large color monotypes and collage. Growth of imagery and technique will be encouraged through medium. A portfolio of prints will be produced.
Open to Junior Painting Students.
Major Requirement | BFA Painting
PAINT 4520-02
PAINTERLY PRINTS
SECTION DESCRIPTION
This course offers a more painterly approach to the intaglio process. The students will produce applications of intaglio, such as collagraphs, large color monotypes and collage. Growth of imagery and technique will be encouraged through medium. A portfolio of prints will be produced.
Major Requirement | BFA Painting
PAINT 4521-01
DIGITAL TOOLS FOR ARTISTS
SECTION DESCRIPTION
This is a hands-on, project-based introduction to computers and digital multimedia for artists. The course is designed to be an ongoing discussion on art, design and personal work informed by digital images, sound, video, animation, interactive multimedia, and the Internet.
Elective
COURSE TAGS
- Computation, Technology, Culture Concentration
PAINT 452G-01
GRADUATE DRAWING
SECTION DESCRIPTION
This course presents the graduate student with a series of problems intended to develop drawing as a tool for inquiry into a terrain outside the well-known beaten paths of his/her past studio practice. Expanding the role for drawing in studio experimentation is a goal. Work will be done outside class. There are critiques each week.
Open to Graduate Painting Students.
Major Requirement | MFA Painting
PAINT 4597-01
PROFESSIONAL PRACTICES IN PAINTING
SECTION DESCRIPTION
This course would address many practical issues to do with becoming a professional artist after graduation. Some of these issues are: the commercial gallery, the not-for-profit gallery, museums, graduate programs, auction houses, grants, documentation of work, archival storage of work and restoration of artwork. Professionals from the gallery, museum and other fields will be invited to the class to share their expertise with the student. Artists will be invited to talk about their professional experiences. It is a seminar class addressed particularly to the senior painting student.
Elective
PAINT 460G-01
GRADUATE PAINT STUDIO CRITIQUE III
SECTION DESCRIPTION
This period is designed as an advanced critique course which involves visits by resident faculty, visiting artists and critics, with special reference to current issues and concerns in contemporary art.
Open to Graduate Painting Students.
Major Requirement | MFA Painting
PAINT 465G-01
THREE CRITICS
SECTION DESCRIPTION
Three Critics will offer graduate students the opportunity to get inside the art critic's head and learn how writers think about the visual. Students will be exposed to a wide range of viewpoints and discourse on contemporary art issues as defined by the interests of three different, practicing critics. Each critic will become part of the RISD community for approximately one month, conducting 3 sessions on campus and one in New York or Boston. On-campus meetings will consist of lectures, reading and writing assignments, group critiques and one-on-one studio visits. Off-campus trips will include visits to museums, galleries and artist studios. Small groups of students will be expected to lead several classes. Outside coursework and full participation in class discussion required for successful completion.
Major Requirement | MFA Painting
COURSE TAGS
- Administrative :: Seminar Requirement