MFA | 2-year program
Integrating new artistic and technical approaches to printmaking with the great historical traditions of the medium, the MFA program encourages individual artistic growth through the exploration of printed multiples. Exposure to critical insights from faculty, visiting artists and print-world professionals leads to advanced personal work responsive to the issues defining the field. Mastery of intaglio, lithography, screenprint, relief, photo and digital methods—with special emphasis on one area—ensures confidence in the professional arena.
During two years in residence at RISD, graduate students undertake a serious investigation of the broad range of possibilities presented by contemporary printmaking. In addition, they are encouraged to extend their professional experience through off-campus internships during Wintersession and over the summer.
MFA first year
- Graduate Printmaking I: Historical Context and Practice
- Graduate Seminar
- Graduate Printmaking Projects I
- Open elective
- Open elective/internship/international study
- Graduate Printmaking II: Curatorial + Critical Topics and Practice
- Graduate Seminar
- Advanced Printmaking elective
- Open elective
MFA second year
- Graduate Printmaking III: Historical Context and Practice
- Graduate Seminar
- Open elective
- Open elective/internship/international study
- Graduate Printmaking IV: Critical Topics and Practice
- Graduate Printmaking Thesis
- Open elective
Graduate student work
Megan Foster | graduate program director
"Printmaking’s inclusive nature allows students to discover several approaches and opportunities within the medium. The MFA program emphasizes individual artistic growth through the exploration of printed multiples and both traditional and non-traditional techniques. Students realize that, in the current world of image proliferation and rapid technological innovations, the boundaries of printmaking have expanded to encompass a broad range of possibilities."
Graduates are prepared to:
- demonstrate mastery of traditional techniques of relief and intaglio printing in all their complexity, along with a knowledge of lithography, screenprint, photographic and digital methods
- indicate confidence in their ability to make work that is meaningful to them and successfully conveys their ideas
- build a studio practice based on skills and procedures developed from research and study
- articulate – both verbally and in writing – concepts and contexts pertaining to their work
- exhibit deep and thorough knowledge of at least one traditional printmaking process through rigorously executed studio work
- display appreciation for and knowledge of the broad field of contemporary art making, including installation, relational aesthetics, performance and sound
The 14 first- and second-year MFA candidates enrolled in Printmaking are deeply engaged in personal artistic exploration and work closely with faculty and curators at the RISD Museum, who offer ready access to original works of art along with historic context and expertise. Grad students also become part of the larger community of artists pursuing advanced-level work and appreciate the many opportunities RISD affords for cross-disciplinary collaboration.
Graduate students work in individual studios in RISD's Fletcher Building, an interdisciplinary space designed to promote discourse with peers in other fine arts graduate programs, and also make use of the department's core facilities in Benson Hall, where they work side-by-side with approximately 36 Printmaking undergraduates. Facilities include an intaglio editioning studio, a woodshop, a computer lab and spaces for student exhibitions and group critiques. In addition, Printmaking majors share a screenprinting facility and large-scale intaglio and lithography presses with graduate students in Textiles.
In the final semester, degree candidates focus on a creating a comprehensive body of work under the guidance of a thesis committee. All MFA candidates produce a written thesis book and participate in the RISD's Graduate Thesis Exhibition, a large-scale public show held in the Rhode Island Convention Center.
Submit your RISD application form, and all other credentials, through the RISD Applicant Portal. The application fee is $60.
Initially, you must provide unofficial transcripts of all undergraduate and/or graduate study indicating satisfactory completion, or evidence of anticipated completion, of an undergraduate degree program from an accredited college or university. You can upload your unofficial transcripts within the RISD Applicant Portal. If your academic credentials are prepared in a language other than English, they must be translated into English by an approved translator before submitting. Enrolling students will later be required to submit official transcripts.
Graduate applicants to studio programs are required to submit 10–20 examples of visual work, with certain programs suggesting more specific ideas or portfolio requirements.
Use SlideRoom to submit your graduate portfolio here.
Specific program instructions:
Digital + Media | Your portfolio should contain 10 samples total, which can be a combination of images and videos. You may submit up to 5 videos, with a total run time of no more than five minutes for all videos combined. Please do not submit multi-page PDF files. Each sample should be accompanied by text identifying the medium and year, and a four-sentence description explaining the concepts that inform your work and is no more than 50 words. If collaborative projects are presented, you must clearly identify your individual contribution.
Furniture Design | In the MFA programs, students make their own work as part of learning from, and with, materials. This applies to tests and models as well as to full-size objects at human scale. Material experimentation includes traditional, new and hybrid materials as appropriate to individual student interests.
In addition to your portfolio materials uploaded to Slideroom, we invite you to include a self-made video no more than 20 seconds duration of you making something. We are not looking for video with professional production values; we are interested in seeing you making something – small, large, modest or complex, any making action can work, the choice is yours. This is an option you might enjoy adding to your submission for us to learn more about your interests. Finally, please title your video.
Jewelry + Metalsmithing | The rigorous studio-based orientation of the graduate program leverages traditional skills and fabrication techniques to critically approach new territories and ways of making.
In addition to your portfolio materials uploaded to SlideRoom, we invite you to include a self-made video no more than 20 seconds duration of you making something. We are not looking for video with professional production values; we are interested in seeing you making something – small, large, modest or complex, any making action can work, the choice is yours. This is an option you might enjoy adding to your submission for us to learn more about your interests. Finally, please title your video.
Landscape Architecture | All applicants to the Master's of Landscape Architecture degree programs are required to submit a portfolio and an additional video essay. Your portfolio should contain 10 individually produced and carefully chosen images of work that reflects your interests in landscape and the discipline of landscape architecture. Applicants to the MLA-1 program who have no prior design training may include photographs, sketches or written work that conveys their ability to observe, identify and explore spatial conditions within the landscape. All other applicants should include a selection of work that best represents the development of their interest in this field of study. All work should be labeled to indicate if it is academic, professional or personal. If team projects are presented, your individual contribution must be clearly identified. The portfolio should include a minimal amount of text.
Prepare a short video of yourself telling us:
- The most important reason you are motivated to study landscape architecture
- At least one goal you hope to achieve in your graduate education
- Why you think RISD is the best place to achieve your goals
You are encouraged to be authentic and heartfelt in your response. This essay will function as the beginning of a conversation you will continue to have if you enter the program at RISD and it does not have to be the same information provided in your written essay. Cell phone videos are accepted as well. Maximum length: 2 minutes.
Master of Arts in Teaching | MAT | Your portfolio should consist of 20 images exhibiting the depth and breadth of your studio experience. Ten images should represent work that reflects your investigations within a single medium; seven images should represent your confidence in handling a variety of media; and three images need to be samples of drawings.
Master of Arts in Art + Design Education | MA | Submit a portfolio of 20 images that most clearly represent your creative practice as an artist or designer.
Statement of purpose
Graduate applicants must submit a written statement (500–750 words) outlining their interest and goals in pursuing graduate study. Several programs suggest more specific ideas or written requirements as outlined below.
Specific program instructions:
Digital + Media | Within the statement of purpose, the committee seeks a clear explanation of the applicant’s goals for both their time in school and afterwards, and how the MFA in Digital + Media is specifically suited to support these goals. This statement should address the following questions: what are you interested in exploring conceptually? What outcomes do you hope to get from the degree? Where do you see yourself after graduation? In addition to the statement of purpose, applicants should outline their working methodology or practice from initial research to project realization.
Global Arts and Cultures | Applicants to the master’s program in Global Arts and Cultures must submit an academic statement of purpose of 1,000–2,000 words. The object of your statement is to introduce yourself to the Admissions Committee as a thinker, scholar and writer, and you should address in detail your intellectual interests and proposed topic(s) of graduate study. Be as specific as possible in describing your prior college-level experience in areas encompassed by Global Arts and Cultures and how this work has contributed to your professional and personal goals in pursuing a master’s degree. Your statement should also reflect your understanding of the contours and demands of graduate study in Global Arts and Cultures at RISD.
Landscape Architecture | Your essay should describe how your interest in landscape developed, how the work in your portfolio is indicative of that development and why the landscape architecture program at RISD seems well suited to your goals.
Master of Arts in Teaching | MAT | Submit a statement (500–700 words) describing your work as an artist or designer. What is it about? How do you feel your academic, studio or work experience prepares you for entry to a graduate teacher education program? Discuss how, in your opinion, the quality of an educator’s artistic practice contributes to high-quality arts learning for children and youth. Since the significance of arts education in K–12 schools is not universally recognized, please provide a succinct argument for including the visual arts as a required core subject for all students at this level.
Master of Arts in Art + Design Education | MA | Submit a written statement (500-750 words) describing your interest in pursuing the MA. Identify two questions or issues related to art and design education that pique your interest and which might have the potential to become topics for your MA thesis research. Describe how you might customize a program of study that maximizes the resources of RISD, Brown and the city in support of your particular interests in art and design education. In what ways do you, at this time, anticipate that earning an MA will advance your professional development and career aspirations?
Nature–Culture–Sustainability Studies | Applicants to the master’s in Nature–Culture–Sustainability Studies must submit an academic statement of purpose of 1,000–2,000 words. The object of your statement is to introduce yourself to the Admissions Committee as a thinker, scholar and writer, and you should address in detail your intellectual interests and proposed topic(s) of graduate study. You should be as specific as possible in describing your prior college-level experience in the areas of Nature–Culture–Sustainability Studies and how this work has contributed to your professional and personal goals in pursuing a master’s degree. Your statement should also reflect your understanding of the contours and demands of graduate study in Nature–Culture–Sustainability Studies at RISD.
Photography | In addition to a statement of purpose, applicants should send an artist’s statement describing the work included in their portfolio. In other words, the artist’s statement should be about the work submitted, while the statement of purpose should address why you are seeking a graduate degree.
Applicants to the MA programs in Global Arts and Cultures and Nature–Culture–Sustainability Studies are required to submit an example of critical and/or analytical writing. See below for all program-specific instructions.
Global Arts and Cultures | Applicants are required to submit a writing sample that represents your strongest critical and/or analytical writing on a topic clearly related to Global Arts and Cultures. Please indicated if your writing sample is excerpted from a longer work. If it is, please make sure it forms a coherent argument and is framed such that the Admissions Committee understands its function as part of a longer work.
Nature–Culture–Sustainability Studies | Applicants are required to submit a writing sample that represents your strongest critical and/or analytical writing on a topic clearly related to Nature–Culture–Sustainability Studies. Please indicated if your writing sample is excerpted from a longer work. If it is, please make sure it forms a coherent argument and is framed such that the Admissions Committee understands its function as part of a longer work.
Letters of recommendation
Applicants are required to submit three letters of recommendation. Recommendation letters should be written by teachers or other professionals who have firsthand knowledge of your art or academic achievements and can comment on your potential for graduate study. You may invite your recommenders to upload their letters through your Applicant Portal. If your recommenders are unable to submit using this method, their letters may be emailed to email@example.com or mailed to the Graduate Admissions Office.
English language proficiency | All applicants who speak English as a second language, including US citizens, must submit results from any one of these three options: TOEFL (Test of English as a Foreign Language), IELTS (International English Language Testing System) or Duolingo (an online English test). Since proficiency in English is a prerequisite for acceptance, applicants must attain an acceptable score on their chosen test; RISD requires a minimum result of 93 on the TOEFL, a 6.5 on IELTS or a 63 on Duolingo.
Plan to take the TOEFL or IELTS well in advance of the application deadline since it may take three weeks for your scores to be sent to RISD by the test agency. Duolingo test results may take up to four days to be received by RISD.
The language test requirement may be waived for applicants who have studied in an institution where English is the language of instruction. You must contact the Admissions Office to explain your school history and determine if you are eligible.
Graduate Record Exam (GRE) | Results from the Graduate Record Examination are not required as part of the application process, although candidates for MLA, MAT and MA programs are encouraged to submit their scores.
Apparel Design Architecture Ceramics Digital + Media Film / Animation / Video Furniture Design Glass Graphic Design History, Philosophy + the Social Sciences Illustration Industrial Design Interior Architecture Jewelry + Metalsmithing Landscape Architecture Literary Arts + Studies Painting Photography Printmaking Sculpture Teaching + Learning in Art + Design Textiles Theory + History of Art + Design