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GLASS IIA DEGREE PROGRAM WORKSHOP
SECTION DESCRIPTION
This seminar/studio course is centered around a series of invited artists, writers, scientists who work at the intersection of diverse identities and lived experiences to model their specific perspectives on making as a counterpoint to historically euro-centric and monolithic approaches that have burdened glass as a creative medium. Readings, discussions and class activities prioritize issues of identity, culture, gender, race, colonialism - questioning past cannons of making and proposing challenging alternatives. The participatory and collaborative work done for this class is fundamental to our thinking and making community; a willingness to share ideas and make earnest attempts to connect and support one another is central. Our lecturers and HotNights participants set a broad and challenging spectrum of topics which are built on by the research and perspectives of everyone in the class. In each case, we will strive to address topics, discussions and shop time problem solving in a manner that is respectful to all individuals.
Junior Glass Students register for GLASS-4316 (Fall) and GLASS-4318 (Spring).
Senior Glass Students register for GLASS-4320 (Fall) and GLASS-4322 (Spring).
Major Requirement | BFA Glass
COURSE TAGS
- Social Equity + Inclusion, Upper-Level
GLASS IIB DEGREE PROG. WKSHP
SECTION DESCRIPTION
This seminar/studio course is centered around a series of invited artists, writers, scientists who work at the intersection of diverse identities and lived experiences to model their specific perspectives on making as a counterpoint to historically euro-centric and monolithic approaches that have burdened glass as a creative medium. Readings, discussions and class activities prioritize issues of identity, culture, gender, race, colonialism - questioning past cannons of making and proposing challenging alternatives. The participatory and collaborative work done for this class is fundamental to our thinking and making community; a willingness to share ideas and make earnest attempts to connect and support one another is central. Our lecturers and HotNights participants set a broad and challenging spectrum of topics which are built on by the research and perspectives of everyone in the class. In each case, we will strive to address topics, discussions and shop time problem solving in a manner that is respectful to all individuals.
Juniors register for GLASS-4316 (Fall) and GLASS-4318 (Spring).
Seniors register for GLASS-4320 (Fall) and GLASS-4322 (Spring).
Major Requirement | BFA Glass
COURSE TAGS
- Social Equity + Inclusion, Upper-Level
INTERMEDIATE & ADVANCED GLASSBLOWING
SECTION DESCRIPTION
This primarily technical course builds on basic, traditional glassblowing skills - and challenges students to move toward more complex, technical proficiency. Demonstrations and supervised practice will introduce alternative methods, refinement and new techniques. Also, student innovation with traditional process is encouraged. Students improve both individual and team skills, maintain a technical notebook, and develop an idea sketchbook.
Estimated Cost of Materials: $300.00
Major Requirement | BFA Glass
GRADUATE GLASS I STUDIO
SECTION DESCRIPTION
This first semester of graduate study emphasizes varied experimentation, extensive visual source research, maximum productivity and conceptual growth. Students are expected to develop professional associations with artists outside the glass department in addition to the department's faculty and its scheduled roster of Visiting Artists and critics.
Estimated Cost of Materials: $500.00
Major Requirement | MFA Glass
GLASS IIIA DEGREE PROGRAM WORKSHOP
SECTION DESCRIPTION
This seminar/studio course is centered around a series of invited artists, writers, scientists who work at the intersection of diverse identities and lived experiences to model their specific perspectives on making as a counterpoint to historically euro-centric and monolithic approaches that have burdened glass as a creative medium. Readings, discussions and class activities prioritize issues of identity, culture, gender, race, colonialism - questioning past cannons of making and proposing challenging alternatives. The participatory and collaborative work done for this class is fundamental to our thinking and making community; a willingness to share ideas and make earnest attempts to connect and support one another is central. Our lecturers and HotNights participants set a broad and challenging spectrum of topics which are built on by the research and perspectives of everyone in the class. In each case, we will strive to address topics, discussions and shop time problem solving in a manner that is respectful to all individuals.
Junior Glass Students register for GLASS-4316 (Fall) and GLASS-4318 (Spring).
Senior Glass Students register for GLASS-4320 (Fall) and GLASS-4322 (Spring).
Major Requirement | BFA Glass
COURSE TAGS
- Social Equity + Inclusion, Upper-Level
GLASS COLDWORKING
SECTION DESCRIPTION
This beginning course will provide comprehensive technical instruction on basic glass coldworking" processes including glass polishing, sandblasting, etching, cutting, engraving, gluing, laminating, glass drilling. Students will apply new technical skills to self-generated projects. Students must maintain detailed technical notes and a project sketchbook.
Estimated Cost of Materials: $200.00
Major Requirement | BFA Glass
GLASS IIIB DEGREE PROGRAM WORKSHOP
SECTION DESCRIPTION
This seminar/studio course is centered around a series of invited artists, writers, scientists who work at the intersection of diverse identities and lived experiences to model their specific perspectives on making as a counterpoint to historically euro-centric and monolithic approaches that have burdened glass as a creative medium. Readings, discussions and class activities prioritize issues of identity, culture, gender, race, colonialism - questioning past cannons of making and proposing challenging alternatives. The participatory and collaborative work done for this class is fundamental to our thinking and making community; a willingness to share ideas and make earnest attempts to connect and support one another is central. Our lecturers and HotNights participants set a broad and challenging spectrum of topics which are built on by the research and perspectives of everyone in the class. In each case, we will strive to address topics, discussions and shop time problem solving in a manner that is respectful to all individuals.
Juniors register for GLASS-4316 (Fall) and GLASS-4318 (Spring).
Seniors register for GLASS-4320 (Fall) and GLASS-4322 (Spring).
Major Requirement | BFA Glass
COURSE TAGS
- Social Equity + Inclusion, Upper-Level
GRADUATE GLASS II STUDIO
SECTION DESCRIPTION
Graduate Glass II continues with the objectives of the preceding semester. It is expected that students continue artistic experimentation and individual growth at an increasingly professional level.
Estimated Cost of Materials: $500.00
Major Requirement | MFA Glass
GRADUATE GLASS III STUDIO
SECTION DESCRIPTION
The student is expected to begin refining a personal viewpoint that incorporates glass in preparation for the graduate degree project. Studio work continues to include consultation and group critique with department faculty, its visiting artists, critics, and the student's own outside advisors.
Estimated Cost of Materials: $500.00
Major Requirement | MFA Glass
GRADUATE DEGREE PROJECT
SECTION DESCRIPTION
With assistance from department and outside faculty, the graduate student defines and organizes an evolved artistic viewpoint presented in both a comprehensive written thesis and a thesis exhibition. At the beginning of this semester, students are also required to present a slide source presentation to a department assembly that is a compilation of the previous three semesters' visual research. A professional portfolio is presented to the department at the completion of the student's graduate study.
Estimated Cost of Materials: $500.00
Major Requirement | MFA Glass
GRAD GLASS I DEGREE PROGRAM WORKSHOP
SECTION DESCRIPTION
All Glass junior, senior and graduate degree program students meet together to engage both practical and theoretical issues of a glass career through: field trips, technical demonstrations, visitor presentations, and direct exchange with visiting professionals from relevant disciplines through student/professional collaborations, artist residencies, individual consultations, critique, and organized group discussion. Class will require reading, active participation in weekly discussions, and prepared student presentations.
First-year graduate students register for GLASS-435G (Fall) and GLASS-436G (Spring).
Second-year graduate students register for GLASS-437G (Fall) and GLASS-438G (Spring).
Major Requirement | MFA Glass
GRAD GLASS II DEGREE PROGRAM WORKSHOP
SECTION DESCRIPTION
All Glass junior, senior and graduate degree program students meet together to engage both practical and theoretical issues of a glass career through: field trips, technical demonstrations, visitor presentations, and direct exchange with visiting professionals from relevant disciplines through student/professional collaborations, artist residencies, individual consultations, critique, and organized group discussion. Class will require reading, active participation in weekly discussions, and prepared student presentations.
First-year graduate students register for GLASS-435G (Fall) and GLASS-436G (Spring).
Second-year graduate students register for GLASS-437G (Fall) and GLASS-438G (Spring).
Major Requirement | MFA Glass
GRAD GLASS III DEGREE PROGRAM WORKSHOP
SECTION DESCRIPTION
All Glass junior, senior and graduate degree program students meet together to engage both practical and theoretical issues of a glass career through: field trips, technical demonstrations, visitor presentations, and direct exchange with visiting professionals from relevant disciplines through student/professional collaborations, artist residencies, individual consultations, critique, and organized group discussion. Class will require reading, active participation in weekly discussions, and prepared student presentations.
First-year graduate students register for GLASS-435G (Fall) and GLASS-436G (Spring).
Second-year graduate students register for GLASS-437G (Fall) and GLASS-438G (Spring).
Major Requirement | MFA Glass
GRAD GLASS IV DEGREE PROGRAM WORKSHOP
SECTION DESCRIPTION
All Glass junior, senior and graduate degree program students meet together to engage both practical and theoretical issues of a glass career through: field trips, technical demonstrations, visitor presentations, and direct exchange with visiting professionals from relevant disciplines through student/professional collaborations, artist residencies, individual consultations, critique, and organized group discussion. Class will require reading, active participation in weekly discussions, and prepared student presentations.
First-year graduate students register for GLASS-435G (Fall) and GLASS-436G (Spring).
Second-year graduate students register for GLASS-437G (Fall) and GLASS-438G (Spring).
Major Requirement | MFA Glass
GLASS IIIB DEGREE PROJECT
SECTION DESCRIPTION
This semester is directed towards defining and organizing an evolved artistic viewpoint that incorporates glass in a visual imagery. At the beginning of this semester, students are required to present a slide source presentation to a department assembly that is a compilation of the previous three semesters' visual research. Each student is also expected to further develop his/her artistic association with a designated "outside" advisor(s) and involve this professional artist in critique and consultation. Artistic premise and intention are comprehensively presented in a senior thesis exhibition. A complete portfolio is presented to the department at the completion of this semester.
Estimated Cost of Materials: $500.00
Major Requirement | BFA Glass
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GRAD CRITICAL ISSUES SEMINAR
SECTION DESCRIPTION
This graduate seminar provides an intensive study of current critical issues in contemporary art. Each Fall a visiting curator or critic is invited to lead the course. While the themes covered each semester will vary with the visiting instructor, the structure of the course will remain the same. The class is divided into two segments: a seminar and a studio. Each week the seminar lasts for three hours followed by studio visits with each student. This course helps students carry the dialogue of contemporary art issues into the studio more effectively.
Major Requirement | MFA Glass
COURSE TAGS
- Administrative :: Seminar Requirement
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EXPERIMENTS IN OPTICS
SECTION DESCRIPTION
This class serves as an interface between the new technologies of digital and the old technologies of optics. New digital technologies are given alternative possibilities with the addition of specific projection apparatus (in terms of both, projection optics and projection surfaces), plays with reflection (such as the construction of anamorphic cylinders, zoetropes, and other optical devices), and in the fabrication of project specific lenses. Given the hands-on nature of the glass department, the actual making and/or subversion of traditional optics is possible. The class encourages collaborative work between students of varying experience levels and fosters the incorporation and dialogue between students of the two differing areas of expertise.
Elective
COURSE TAGS
- Computation, Technology, Culture Concentration
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ALCHEMY RESEARCH STUDIO
SECTION DESCRIPTION
This is a semester long research study group focused on Alchemy and Glass. As a discipline and a material, Glass is inherently connected to Alchemy. Their combined histories have shaped our understanding of the relationship between material and meaning, the role of process in art and science and, ultimately, the ways in which making shapes knowledge. One of the goals of this research group is to explore the conceptual and material potential of Alchemy through Glass. Our research will combine the examination of practical, theoretical and historical texts along with hands-on experiments in Glass Department Shops. The group will meet weekly for discussions, research presentations, lectures and working/lab sessions. As the semester progresses the direction of our research will be determined by the materials brought forth by the group.
Elective
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COLLEGIATE TEACHING PRACTICUM
SECTION DESCRIPTION
This course helps prepare graduate students to be effective educators while fostering a community of shared ideas while teaching at RISD. Designed to support graduate students while they are teaching in RISD's Wintersession, the course is a practicum in which participants discuss practical and theoretical concerns related to collegiate teaching and learning.
As a forum, the course provides a space for group reflection on teaching experiences and challenges in addition to developing effective learning and assessment strategies. Through structured feedback from faculty, students evaluate their teaching effectiveness and document their development as teacher- scholars through refining, expanding and updating the teaching portfolio. In an immersive teaching and learning experience, graduate students will have an opportunity to share and apply knowledge of diverse learning styles and methods, and an awareness of how social identities produce systemic hierarchies in the classroom to their own discipline-focused art and design instruction.
Each participant is required to be teaching or co-teaching a Wintersession course. Partial requirement for Certificate in Collegiate Teaching in Art + Design Conferred with Teaching Experience.
Elective
COURSE TAGS
- Administrative :: Seminar Requirement
MAPPING THE INTELLIGENCE OF YOUR WORK
SECTION DESCRIPTION
This seminar is for graduate students who are preparing their written thesis. Within the context of this writing-intensive course, we examine the thesis form as an expressive opportunity to negotiate a meaningful integration of our visual work, how we think about it, and how we wish to communicate it to others. In support of this exploration, weekly thematic writing sessions are offered to open the imaginative process and to stimulate creative thinking as a means of discovering the underlying intelligence of our work. In addition, we also engage in individual studio visits to identify and form a coherent 'voice' for the thesis, one that parallels our actual art involvement. Literary communications generated out of artists' and designers' processes are also examined. The outcome of this intensive study is the completion of a draft of the thesis.
Elective